Live and let Live (2013)
ジャンル : ドキュメンタリー
上映時間 : 1時間 20分
演出 : Marc Pierschel
シノプシス
Live and Let Live is a feature documentary examining our relationship with animals, the history of veganism and the ethical, environmental and health reasons that move people to go vegan.
A look at how climate change affects our environment and what society can do to prevent the demise of endangered species, ecosystems, and native communities across the planet.
自然の恵み多き東京は多摩丘陵。そこに住むタヌキたちはのんびりとひそやかに暮していた。しかし、宅地造成による自然破壊によって、タヌキたちのエサ場が次第に少なくなっていた。自分たちの住処を守るため、タヌキたちは先祖伝来の“化け学”で人間たちに対抗することにする。
売れないバンドのベーシスト、スコット・ピルグリムはゲームやデートに明け暮れていたが、不思議な魅力を持つ女の子ラモーナに出会い、恋に落ちる。しかし彼女には邪悪な元カレが7人もいて、全員を倒さなければ付き合うことができないという。大好きな彼女のため、スコットは次々に現れる元カレたちと対決することになり……。<熱狂的な支持を集めるエドガー・ライト監督が、カナダの人気コミックを実写映画化したバトルアクション・ラブコメディー。不思議な魅力を持つ女性に恋したことで、彼女の邪悪な元カレたちと戦う羽目になる青年の奮闘を、日本のゲームや漫画のパロディー満載で描く。>
巨匠ポール・シュレイダー監督が構想50年の末に完成させたサスペンス。夫に出産を反対されている女性の相談を受けた神父が、教会が汚職企業から献金を受けていることを知らされ、内なる怒りに苦しむことに……。
When a sprite named Crysta shrinks a human boy, Zak, down to her size, he vows to help the magical fairy folk stop a greedy logging company from destroying their home: the pristine rainforest known as FernGully. Zak and his new friends fight to defend FernGully from lumberjacks — and the vengeful spirit they accidentally unleash after chopping down a magic tree.
From the UFC Octagon in Las Vegas and the anthropology lab at Dartmouth, to a strongman gym in Berlin and the bushlands of Zimbabwe, the world is introduced to elite athletes, special ops soldiers, visionary scientists, cultural icons, and everyday heroes—each on a mission to create a seismic shift in the way we eat and live.
Follow the shocking, yet humorous, journey of an aspiring environmentalist, as he daringly seeks to find the real solution to the most pressing environmental issues and true path to sustainability.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
アル・ゴア元米副大統領が環境問題を提起するドキュメンタリー映画。彼のスライド講演を中心に、地球崩壊の危機を訴える。監督は、『24 TWENTY FOUR』や『ER 緊急救命室』を手がけたデイヴィス・グッゲンハイム。
Filmmaker Kip Andersen uncovers the secret to preventing and even reversing chronic diseases, and he investigates why the nation's leading health organizations doesn't want people to know about it.
Climate is changing. Instead of showing all the worst that can happen, this documentary focuses on the people suggesting solutions and their actions.
Yellowbird lives in the ruins of an old house. He lacks the confidence to leave his home, no matter how much Bug, his labybird friend, tries to convince him to go out into the world. Attempts to toughen him up have had little success, so Bug seizes an opportunity that leaves Yellowbird unexpectedly finding himself the new leader of the flock that is migrating to Africa. Still, lacking faith in his own abilities and with danger and imminent failure lurking around every corner, our feathered hero is forced to either find the strength required to work with the team or bow out and stay hidden away forever.
This documentary explores the impact that food choices have on people's health, the health of our planet and on the lives of other living species. And also discusses several misconceptions about food and diet.
With dazzling nature photography, Academy Award®–nominated director Markus Imhoof (The Boat Is Full) takes a global examination of endangered honeybees — spanning California, Switzerland, China and Australia — more ambitious than any previous work on the topic.
After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.
Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.
In 1971, a group of friends sail into a nuclear test zone, and their protest captures the world's imagination. Using never before seen archive that brings their extraordinary world to life, How To Change The World is the story of the pioneers who founded Greenpeace and defined the modern green movement.
Interweaves the lives of the threatened monarch butterfly with an indigenous community in Mexico fighting to restore the forest they nearly destroyed.
An epic journey along Africa's Great Green Wall — an ambitious vision to grow a wall of trees stretching across the entire continent to fight against increasing drought, desertification and climate change.
Filmmaker Michal Siewierski embarks on an audacious journey to expose the real reasons behind the Amazon forest fires and the alarming rate of deforestation in Brazil. Ranging from people’s food choices, to major political corruption, corporate greed and crimes against people and nature. Takeout tackles the facts and stories that traditional media outlets are too afraid to cover.