Mise au point (1973)

The director shows herself and her parents making dumplings in their apartment with nine fixed camera positions, with which she revolves around the kitchen table.

At a girls boarding school, a beautiful blonde orphan is possessed by an evil demon.

A man stabbed to death is haunted by his memories and fantasies while dying alone.

After serving jail time for a mysterious crime, Bill and Karl get out of jail and become preoccupied with figuring out who turned them in to the police. On top of that, the "family business" is on the rocks, and the motley crew of criminals who operate out of Down Terrace aren't feeling terribly trusting of one another. It might look like an ordinary house, but at Down Terrace, the walls are closing in..

Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.

A short film, based on a novel by Gayl Jones. The film treats a black woman, Eva, who kills her lover. She refuses to speak to a white psychiatrist who questions her about her motives, so he leaves her with a tape recorder to confide in. In flashbacks, we see the abuse Eva suffered at the hands of a husband and two lovers.

Artist-filmmaker Jessica Sarah Rinland presents Black Pond, a film that explores the activity within a common land in the south of England. Previously occupied by the 17th century agrarian socialists The Diggers, the land is currently inhabited by a Natural History Society whose occupations include bat and moth trapping, mycology, tree measuring and botanical walks. After two years of filming on the land, the footage was shown to the members of the Society. Their memories and responses were recorded and subsequently used as part of the film’s narration. The film does not offer a comprehensive record of the history of humans within the area. Instead, it explores more intimately, human’s relationship with and within land and nature.

The story of a working man, who's got a gorgeous fiancée but who falls for a rich older woman – who turns out to be a femme fatale.

When three women with no previous acquaintance kill a male shopkeeper in the middle of the day, the female psychiatrist assigned to the case sets out to understand why.

A group of Italian soccer fans arrive in Paris for a match, but most of them go their separate ways to explore the sights, have a bit of an adventure, and maybe even find some romance.

After getting hired to probe a suspicious death in the small town of Wander, a mentally unstable private investigator becomes convinced the case is linked to the same 'conspiracy cover up' that caused the death of his daughter.

In his award-winning film Lucía, Humberto Solás interpreted the theme of Cuba’s hundred years' struggle in an entirely novel way to create an epic in three separate episodes, each centred around a woman called Lucía and each unfolding in a different period of Cuban history, corresponding to the three stages of colonialism (1895), neocolonialism (1930) and socialist revolution (1968). The three episodes also present us with "Lucías" of different social classes. Solás described his film in this way: "The woman's role always lays bare the contradictions of a period and makes them explicit: Lucía is not a film about women, it's a film about society."

Chet Thayer returns to his family and the loving arms of his long suffering sweatheart Marcia. Not being the faithful type he soon falls under the spell of the town vamp Jill Fenwick.

Upon his uncle's death, Serge Chekov journeys to a spooky Scottish village for the reading of the will. But when he inherits the estate, Serge runs afoul of his uncle's jealous wife , his business partner , his maid and others. It's not long before zombies join the fun in this Italian supernatural thriller, also starring Paul Naschy as a nutso gravedigger.

Agathe, 39, has but one obsession: to have a child. She finds her ex, Marc-Antoine, a DJ, mixing techno in Marseille. As she tries to talk to him into getting back together, plastic bags come to life and attack the city.

現代のノマド（遊牧民）として車上生活を送る女性が、出会う人々と交流し、困難な時代を乗り越えながら、自由に生き抜いていく姿を描く。注目の原作ノンフィクションを、新鋭クロエ・ジャオ監督が映画化した感動作。

An adaptation of Shakespeare's tragedy set in modern-day Italy where two young lovers strive to transcend a violent world where Catholic and secular values clash.

As the first snow falls in Seoul, two old friends reunite; one is a successful college professor, and the other, a struggling filmmaker recently returned from the United States. After their reminiscences, they finally decide to go in search of the young woman each had romanced years earlier.

間宮家の長男である幸一が結婚し、百合子が嫁いできた。父の周吉、長女の秋子、次男の和夫は、幸一と肉感的な百合子との新婚生活が気になってしまう。周吉はスナックのママのもとへ行き、秋子はトルコ風呂で働き始め、そして和夫は犯罪に走った。さらに幸一までもが家を出てしまい…。

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.