Thimble Theater (1938)
ジャンル : アニメーション, ドキュメンタリー, コメディ
上映時間 : 5分
演出 : Joseph Cornell
シノプシス
One of Joseph Cornell’s funniest films, Thimble Theater is structured like a vaudeville variety show about nature.
大きな製鉄工場で働くチャーリーは、スパナを手にひたすらベルトコンベアーを流れる部品にねじを回し続けるという単純作業を繰り返していた。その様子はテレビモニターで監視され、休む暇もなく働かされていた。ある日、チャーリーは労働者の食事時間を節約するために作られた自動給食マシーンの実験台にされ散々な目に合わされる。その後も仕事を続けていく内にチャーリーは発狂し、トラブルを起こして精神病院送りになってしまう。ようやく退院を迎えた日、トラックから落ちた赤旗を拾い運転手に返そうと追いかけていく内にいつの間にか労働者のデモ隊の先導をきってしまい、そのリーダーと間違われて捕まって拘置所に入れられてしまう。脱獄囚を撃退した功績で模範囚として放免され造船所の仕事を紹介されるものの、上手くいかず辞めてしまい、あてもなく街をうろつく生活に陥ってしまう。 拘置所が恋しくなったチャーリーはわざと無銭飲食をして捕まえられるが、護送車の中でパンを盗んだ浮浪少女(ポーレット・ゴダード)と出会う。護送車が急カーブで横転し、外へ投げ出されたチャーリーと少女は逃亡。少女と意気投合したチャーリーは、2人のために家を建てるという夢を胸に一念発起とばかり働き出す。デパートの夜回り、工場の技師の助手と仕事を獲得するものの結局上手くいかず、2件とも警察沙汰になるという不運な結果に終わってしまう。その後少女が勤め始めたキャバレー[3]のウェイターの職を得る。見世物の「ティティナ」を歌って大成功したが、少女の微罪のため、そこも追われてしまう。やっとの思いで手に入れた幸福すらも失い悲しみに打ちひしがれる少女を、チャーリーは力強く励ます。 そして、二人は未来に希望を見出し、現代社会の冷たさと束縛に囚われない自由な生活を求めて共に旅立っていくのだった。
ある日、いつもの様に街を散歩していたチャーリーの耳に赤ん坊の泣き声が聞こえてきた。辺りを見回すとまだ生まれたばかりの赤ん坊が街頭に捨てられている。どうしたものかと抱き上げた彼の目の前に、パトロール中の警官が通りかかった。警官は彼が赤ん坊を捨てにきたと勘違いし、目を光らせている。仕方なく彼は、その赤ん坊を自分のボロ・アパートに連れて帰った。それから5年後--その子はチャーリーの仕事を手伝う程成長していた。
In a dance hall, two members of the orchestra and a tipsy dancer fight over the hat check girl.
Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.
世の中は極端に不景気。小男で風彩もあがらず、服装もみすぼらしく、職もなく住むところもないチャーリーは、職にありつけそうもなく、毎日あちこちさすらい歩いてフーテン暮らしをしていた。そんな彼が一人の娘に恋をした。街角で花を売っている、盲目の貧しい娘だ。彼は彼女の目を治す為に、金を稼ごうと一大決心をするが……。
A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.
チャーリー・チャップリン監督・主演のサイレント映画。 アメリカへの移民船に揺られて船酔いに苦しむ移民の男。博打で儲けたお金をあげたのが縁で、ある移民の娘と知り合いになる。やがて男は自由の国アメリカに到着するが、係員にロープで手際よく整列させられ自由の女神はよく見えない。その後、上陸して入ったカフェで娘と再会し…。
The Tramp gets drunk in a hotel lobby and causes some misunderstandings between Mabel and her lover.
Agent Coulson stops at a convenience store and deals with a coincidental robbery during his visit.
With so many jobs to choose from, the Minions have to make serious decisions after watching an 'Initiation Video'. What could go wrong?!
Dimwitted Cuthbert Hope is enlisted in the army, and gets himself and his sergeant in constant trouble.
Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.
Everyone knows that the stork delivers babies, but where do the storks get the babies from? The answer lies up in the stratosphere, where cloud people sculpt babies from clouds and bring them to life. Gus, a lonely and insecure grey cloud, is a master at creating "dangerous" babies. Crocodiles, porcupines, rams and more - Gus's beloved creations are works of art, but more than a handful for his loyal delivery stork partner, Peck. As Gus's creations become more and more rambunctious, Peck's job gets harder and harder. How will Peck manage to handle both his hazardous cargo and his friend's fiery temperament?
A documentary following young Anishinaabe water activist Autumn Peltier as she travels to the UN to preserve the future of Indigenous communities.
Climbing aboard their mammoth recreational vehicle for a cross-country road trip to the Colorado Rockies, the Munro family – led by dysfunctional patriarch, Bob – prepares for the adventure of a lifetime. But spending two weeks together in one seriously small space has a way of cramping their style.
Makoto's grandfather was the principal of the great Onodera Academy, and when he passed away, he left Makoto and his school staff with one very important will - "The one man who is able to seduce Makoto with his superb sexual techniques will be given the right to take over as Onodera Academy's new principal!" Because of this ridiculous last request, Makoto is now every faculty member's target for sexual harassment! Desperate to protect his virginity, Makoto seeks help from his childhood friend (and the man who he has always loved), Kintaro.
ベルゲンのカレンダーにはクリスマスのお祝いがない事を知ったトロールの女王ポピーはブランチの助けを借りて、ブリジットたちにクリスマスの大切さを教えようとします。さぁ、友だちになったトロールたちとベルゲンはクリスマスをお祝いすることができるのでしょうか?
Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.
Riley, now 12, who is hanging out with her parents at home when potential trouble comes knocking. Mom's and Dad's Emotions find themselves forced to deal with Riley going on her first "date."
A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.
A montage of some home movies taken by Archie Stewart (1902-1998), an early enthusiast in taken 16 mm sound films of his family. We see his daughters, Mary and Anne, playing in the aftermath of a January, 1936, snowstorm. Next, indoors, the girls bring in a birthday cake and sing to Archie. He has Anne read to him from a children's book, and a year later, has her read aloud to show her progress. Anne and Mary dress up Pat the family dog in a dress and scarf and hold a tea party, chattering away. Archie's high-pitched voice provides narration on and off camera.
A beautiful panoramic view of lower New York from Barclay Street to Battery Park, showing a beautiful stereoscopic effect of the sky-scrapers in the business section of the city.
Paul and Suzanne Giraud are happily married and living in a quiet neighborhood. When Suzanne notices that their new neighbors are expressive dancers in revealing outfits, she demands Paul speak to them about their lack of morality. Paul discovers that the woman is Georgette Lalle, an old flame.
Short documentary by Gaspar Noé filmed around the the same time as Irréversible (in 16mm Scope), in which his friend Stéphane Drouot - director of the cult film Star Suburb - discusses life with AIDS and his struggles to make films.
Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.
Christopher Young experiments with objects and their uses.
A montage of elephants, children, Native Americans, logging, a barnstormer, a blimp, people on and in the water, and a man who sings like a bird.
Photographer Rudy Burckhardt shows us the ebb and flow of people rushing about Manhattan. Equally exhilarating in his novel approach to snap images quickly on the run, a method he inaugurated and that continues to the present day. In film, he added slow and fast motion, split-screens and superimpositions to his repertory.
A lady uses her maid to lick her stamps, when an overtly excited man notices the maid, forcibly kisses her, and they wind up stuck to each other.
A runaway barrel wreaks havoc all over the city.
Nymphs and cupids dance in celebration of the arrival of Spring.
Starting in the late 1930s, illustrator and experimental animator Douglass Crockwell created a series of short abstract animated films at his home in Glen Falls, New York. The films offered Crockwell a chance to experiment with various unorthodox animation techniques such as adding and removing non-drying paint on glass frame-by-frame, squeezing paint between two sheets of glass, and finger painting. The individual films created over a nine-year period were then stitched together for presentation, forming a nonsensical relationship that only highlights the abstract qualities of the images. —Kansas City Electronic Music and Arts Alliance
One of the first color films in Europe, made with the Gaspar Color process.
Experimental color film that shows a magician and his assistant making objects and people appear and disappear. Then they stack up some blocks and a moving picture of a little girl appears on them.
This sequel to Themis similarly simulates the movement of abstract colours and shapes to form distinct visual patterns.
Synchromy No. 2, synchronized to the "Evening Star" aria from Wagner's Tannhäuser, uses a statue of Venus to represent the star.
To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.
This short film consists of a crazy old colonel being asked to entertain party guests about his exploits of daring. However, being a totally insane old coot, he runs amok acting out his war-time heroics--smashing and throwing everything in the room!
Single frame exposures of words.
Polin performs a song.