Spark of Being (2010)

Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.

シカゴ郊外の刑務所（ジョリエット刑務所）を出所したジョリエット・ジェイクと、彼を迎えに来た弟のエルウッドは、兄弟を育ててくれた孤児院に出所の挨拶に行くが、そこで、孤児院が5000ドルの税金を払えないため立ち退きの瀬戸際にあることを知る。孤児院の危機を救うため援助を申し出る二人だが、犯罪で得た汚れた金は要らないと逆に院長に追い払われてしまう。

A junkie must face his true self to kick his drug addiction.

Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.

Footloose In NYC gives the viewer the whole Earthworks experience with live concert footage as well as exclusive interviews and backstage footage.

Robert Mugge filmed jazz great Sun Ra on location in Philadelphia, Baltimore, and Washington, D.C. between 1978 and 1980. The resulting 60-minute film includes multiple public and private performances, poetry readings, a band rehearsal, interviews, and extensive improvisations. Transferred to HD from the original 16mm film and lovingly restored for the best possible viewing experience.

The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends.

Three hip, Little Pigs are travelling entertainers, moving from straw to wood, to brick nightclubs, playing swinging tunes for high-class, "with it" crowds, but an uncool Big Bad Wolf keeps intruding on their act with with his "corny horn" and uses it to blow their nightclubs down when they throw him out- until they are playing in their brick club and the Wolf tries a more drastic, explosive method for destroying the "House of Bricks".

After charging through "One More Time," "Wild West," and "You Can't Get What You Want (Until You Know What You Want)" at a punishing clip, one might expect the soft-spoken Joe Jackson to shift to a lower gear. Instead, the one-time musical prodigy, pub band pioneer, and now eclectic composer revisits one of his even faster, earlier hits, "On Your Radio." If most performers risk monotony with such a move, Jackson's quiet charisma in this 1986 performance encourages pleasurable surrender and, in his more mature material, careful attention to his uniquely marbled tones, rhythms, and colors. Steeped in the influences of swing, Latin music, classical composition, and melodic balladry, Jackson is full of mix-and-match surprises, such as a delicate re-imagining of "Steppin' Out" and a growling, funky "Soul Kiss." This is a pure delight, from start to finish. Special features could be more special, however: a Jackson discography would have made sense with such a far-reaching playlist

This episode focuses on Zappa's early 70s albums, Overnight Sensation (1973) and Apostrophy (') (1974). Together they encapsulate Zappa's extraordinary musical diversity and were also the 2 most commercially successful albums that he released in his prolific career. Included are interviews, musical demonstrations, rare archive & home movie footage, plus live performances to tell the story behind the conception and recording of these groundbreaking albums. Extras include additional interviews and demonstrations not included in the broadcast version, 2 full performances from the Roxy in 1973 and Saturday Night Live in 1976, and new full live performance done specially for these Classic Albums.

Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.

A young trumpeter rises through the jazz world and finds love.

A film without a beginning or an end, Moment to Moment is a rush of curious sketches, scenes, and shots that takes on a rhythmic life of its own.

Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.

A documentary on the late French jazz pianist.

Jamie Cullum's live concert from Blenheim Palace in Oxfordshire, England, along with tour footage and interviews taken from his travels in the U.S., and footage from his performance at the Glastonbury Festival in the U.K.

Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.

A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life.

The story of Frankie and Johnny: Frankie walks into a bar, where she catches her boyfriend Johnny with the sensuous Nellie Bly and kills him in a fit of jealousy.

Jazz Icons: Cannonball Adderley boasts two beautifully filmed concerts from one of the most celebrated sextets in jazz history, captured at the top of their game. Cannonball Adderley (alto sax), Nat Adderley (cornet) and the masterful Yusef Lateef (tenor sax, flute, oboe), provide a massive three-horn frontline attack, while the stellar rhythm section featuring a pre-Weather Report Joe Zawinul (piano), Sam Jones (bass) and Louis Hayes (drums) fuel the songs with a deep infectious swing. Quincy Jones’ “Jessica’s Day” leaps from the gate with a huge “big band” sound that is extraordinary for only six musicians. This DVD is a reminder that Cannonball Adderley was one of the most outstanding and highly respected alto saxophonists in the history of jazz, a blues-based jazzman who could play anything in superb fashion.