The Cat (1968)

女子高生のハルは、車にひかれそうになっていた猫の国の王子ルーンを助けたことから、その恩返しとして猫の国に招待される。気楽な猫の世界にすっかり魅了され、「このまま猫になるのもいいかも」と思ったハルは、ルーンの妃候補にされ、猫の姿に変化させられてしまう。このままでは人間の世界に戻れないとあわてたハルは、猫の男爵バロンの助けを借り、元の姿に戻るため奮闘する。

A philosophical burlesque, Human Nature follows the ups and downs of an obsessive scientist, a female naturalist, and the man they discover, born and raised in the wild. As scientist Nathan trains the wild man, Puff, in the ways of the world - starting with table manners - Nathan's lover Lila fights to preserve the man's simian past, which represents a freedom enviable to most.

The popular cartoon cat and mouse are thrown into a feature film. The story has the twosome trying to help an orphan girl who is being berated and exploited by a greedy guardian.

航海の途中、嵐に遭遇したロビンソン・クルーソーは楽園のような無人島に漂着する。この島に暮らす好奇心旺盛なオウムや仲間の動物たちは、初めて見る奇妙な生き物を不思議がるが、彼らはクルーソーと次第に心を通わせていく。クルーソーも動物たちに助けられながらサバイバル生活に挑んでいくが…。

When a professor develops a vaccine that eliminates human allergies to dogs, he unwittingly upsets the fragile balance of power between cats and dogs and touches off an epic battle for pet supremacy. The fur flies as the feline faction, led by Mr. Tinkles, squares off against wide-eyed puppy Lou and his canine cohorts.

周囲になじめない少女の唯一の楽しみは、猫に変身して好きな人に会いにいくこと。でもそんな毎日を続けるうちに、猫と人間の境界が次第にあいまいになり始め...。

退屈していたコンラッドとサリーの前に現れた、不思議なしゃべるネコ。つまらない1日を楽しくしてくれるのはいいけれど、あっという間に家中がメチャクチャに。

古き良き時代のフランス、パリ。ダッチェスという名前の美しい雌ネコが、3匹の子ネコたちと暮らしていました。 飼い主の老婦人は猫たちをとてもかわいがり、莫大な遺産をネコに譲ろうとします。 ところが執事が遺産欲しさにネコたちを郊外に置き去りにしてしまいます。 途方に暮れるダッチェスたちの前に現れた野良ネコのオマリーに助けられ、みんなはパリを目指します。

13歳の魔女キキは、古い一族の掟に従い、黒猫ジジと修業の旅に出る。そして、海辺の大きな街で修行をすることに。箒で飛ぶ以外に能がないのキキは、空飛ぶ宅急便を始める。しかし、最初の仕事でいきなり荷物を無くしてしまう……。

収穫祭の賞品として農場主アーサーにもらわれた子ブタのベイブ。牧羊犬の母犬フライはベイブに農場のルールを教えた上、自分の子供たちと同じようにベイブを可愛がってくれる。

The Winter Feast is Po's favorite holiday. Every year he and his father hang decorations, cook together, and serve noodle soup to the villagers. But this year Shifu informs Po that as Dragon Warrior, it is his duty to host the formal Winter Feast at the Jade Palace. Po is caught between his obligations as the Dragon Warrior and his family traditions: between Shifu and Mr. Ping.

無邪気で不器用な少女メアリは、森で7年に1度しか咲かない不思議な花“夜間飛行”を見つける。この花は、魔女の国から盗み出された禁断の花だった。一夜限りの不思議な力を得たメアリは、魔法大学“エンドア”への入学を許されるが、あるうそをついたことから大事件に発展してしまう。

Deliveryman Jongsu is out on a job when he runs into Haemi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return she introduces to Jongsu an enigmatic young man named Ben, who she met during her trip. And one day Ben tells Jongsu about his most unusual hobby...

After being evicted from their old house by Tom's owner for causing major damage, cat and mouse Tom and Jerry enter a race entitled the "Fabulous Super Race" to win a mansion.

When a radio falls from the sky into the hands of a wide-eyed Tibetan Mastiff, he leaves home to fulfill his dream of becoming a musician, setting into motion a series of completely unexpected events.

友情のすばらしさと冒険と、ステキな歌が詰まったウォルト・ディズニーの遺作。モーグリはジャングルを出て人間の村に戻るために、賢いヒョウのバギーラと一緒にスリルに満ちた冒険の旅に出ることに。旅の途中で、陽気なキング・ルーイや催眠術が得意な蛇のカー、そしてのんきなクマのバルーと出会う。バルーはモーグリに、人生において“本当に必要なもの”と友情について教える。

見事に牧羊犬ならぬ牧羊豚となった『ベイブ』の続編。ここではベイブの不注意から、ホゲットさんの体が不自由になってしまう。牧場の仲間たちに後押しされて農場のピンチを救うため、ベイブはエズメおばさんと共に都会へ旅立つことを決意した。

いつものように追いかけっこをしていたトムとジェリーは、間違って火星行きのロケットに乗り込んでしまい、地球を飛び出してしまう。宇宙船の乗船員ビフ＆バズは臆病者で、火星に着いたと思ったらすぐに地球にとんぼ返り。なんとトムとジェリーは火星に取り残され、火星人に見つかってしまう。ピンチに追い込まれた2匹は、火星人の女の子ピープの助けで何とか逃げ出すが…。

Three short stories by shock-meister Stephen King are linked by a stray cat that roams from one tale to the next in this creepy triptych that begins as Dick (James Woods) tries to quit smoking by any means necessary. Next, we meet Johnny, an adulterous man who's forced by his lover's husband onto a building's hazardous ledge. Finally, Amanda is threatened by an evil gnome who throws suspicion on the family cat.

Early short showing the titular park in around 2 minutes.

Some gnomes are searching for a wonderful spider that weaves webs of golden coins. Intent on their search, they are unaware that their movements are closely followed by a poor woodcutter, who also penetrates into their caves when they have caught the spider and imprisoned it there. He watches the wonderful spider making gold and other articles with wonder and in this scene the moving picture camera has excelled itself in turning out some good tricks, and finally he steals the golden spider. (Moving Picture World)

From Chris Marker's collection Bestiaire aka Petit Bestiaire (1990), consisting of three video haikus.

Chris Marker's cat and rat.

A tribute to Isabella Rossellini's father

Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”

Title cards introduce images we watch without narration; they are displays of shape and color. François de Roubaix's electronic music accompanies these images, photographed under a polarizing microscope. The crystals appear to move like tiny organisms: small four-part fans share the frame with flowing lines of pink. Multiple patterns appear side by side.

If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1

A frog hops around a magic fountain.

In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.

This is a short film that, although a documentary in appearance, has very little to do with the generic conventions of that form. It would seem, then, that what we have here is the embryo of what he was subsequently to call the "elementary": an abstract or lyrical modality in the perception and exposition of the real.

Poetic essay about the beginning of life from labor pains and birth and about its symbolic meaning.

The first light of dawn. The sound of a boat and the screech of birds fill the wide expanse of sea. Black rocks emerge from the water, the “sciara” – the volcanic scoria – of Stromboli, the underwater sulfurous emanations, the layers of reddish rock eroded by the sea. The roar of the volcano can be heard, the flames and the liquid lava are thrown skyward. As nature unleashes itself, the fishermen row toward the shore, the sheep stray and the women return home.

An abstract animation from Walter Ruttmann.

Harshness and beauty exist side by side in this look at the lives of sulfur mine workers and their families in southern Italy.

A short film which retells the story of Jesus Christ's death and resurrection.

Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light.

An abstract animation from Walter Ruttmann.

The faces of a 5:00 PM crowd descending via the Pan Am building escalators in one continuous shot. In old-fashioned black and white, these faces stare into the empty space, in the 5:00 PM tiredness and mechanical impersonality, like faces from the grave.