Buenaventura Durruti, anarquista (2000)

1981年、犯罪が多発する大都会ゴッサムシティ。ピエロの仕事をしているアーサーは貧しく、老いた母親ペニーと暮らす上、突然笑いだしてしまうという心の病に悩むが、TV界の人気司会者フランクリンを憧れの対象にして日々耐え忍んでいた。ある日、失業したアーサーは地下鉄で、女性客に嫌がらせをしていた男性3人組を偶然持っていた拳銃で皆殺しにしてしまう。以後アーサーは、自身の心にあった怒りを解放させていく。

舞台は最終戦争後の、暴力と疫病が支配するアメリカ。戦士ギブソン（ジャン＝クロード・ヴァン・ダム）は、疫病の治療法を記憶させたチップを埋め込んだ女サイボーグ、パール（デイル・ハドン）の護衛を頼まれることに。しかし彼女は、世界支配をもくろむフェンダー一味にさらわれてしまう。そしてフェンダーこそは、ギブソンの恋人を虐殺した憎き敵でもあった…。

When their beloved school is threatened with closure should the powers that be fail to raise the proper funds, the girls scheme to steal a priceless painting and use the profits to pull St. Trinian's out of the red.

The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.

The Sex Pistols album Never Mind The Bollocks Here's The Sex Pistols is unquestionably one of the most important musical statements in the history of British music. It was in 1977, at a time when the nation was crippled by class division and unemployment that four working class teenagers with supposedly non-existent futures recorded an album that to this day remains as one of the greatest and most influential bodies of work ever recorded. This documentary features exclusive interview's with all four of the original members of the Sex Pistols as they take you on a track by track look at the making of the album. Featuring Steve Jones and Glen Matlock demonstrating selected riffs and licks off the album and explaining the development of the song writing. Candid interviews with Malcolm McLaren, Chris Thomas and Bill Price set the record straight about the recording session. Intertwining additional rare home video, live footage and early demo's make this release a compelling must see.

After the nuclear war people are sterile and ruled by the artifical intelligences they created in this violent world. The only woman who was able to give life to a child has to take the child through the dangerous city to the ship to save it. She is followed by an immortal killer robot through all the dangers, and only one guy tries to help her survive and protect her from the killing machine.

Guy Debord's analysis of a consumer society.

Economic collapse causes widespread rioting and social unrest, leaving a lovesick 19-year-old girl struggling to care for her siblings in a stretch of woods bordered by lawless anarchy, wondering why a good God would let this happen.

Documentary on the London punk-rock scene, circa '78

By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.

In a Japanese-American family, the mother is stealing the terminally ill grandpa's morphine, the airhead sister is having sex with the family lawyer, one brother gets perfect grades but is hiding a secret gay love of skinheads, and the other brother is a junkie. Over the course of one evening, the family falls apart due to their bizarre behaviour.

Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. Stanislas, a poet whose pen name is Azrael, is a suicidal anarchist, his imagination haunted into hate by longing for this queen who's drawn apart. He enters her private quarters intent on killing her then himself, but they fall in love, in part because he looks like the king. Stanislas wants her to regain political power by appearing to the public, and she tries to convince him to find hope and escape. All the while, the queen's enemies plot to keep the lovers together but to thwart their plans.

The peaceful order of the Sisters of No Mercy are forced to avenge the murder of one of their own when an evil priest and his co-hort 'Saint' Theresa use the order as a cover for drugs and prostitution. Sisters of No Mercy spoofs nunsploitation movies while melding movie making techniques with modern socio-political overtones and Internet found footage to create a viewing experience of meta-awareness. Sisters of No Mercy chronicles our madcap adventures as we try and nurture and develop the community needed to sustain our independent theatres and video stores here in Chicago. It's also an introduction to a little-known sub-genre of exploitation cinema called Nunsploitation. Sex! Violence! Nuns!

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

A group of anarchists use their public-access TV show to satirize the government until a right-wing preacher attempts to shut them down.

"La Commune" ( The Commune ) (1914) is a good example of Herr Guerra's peculiarities. It was produced by "Cinéma Du Peuple" ( People's Cinema ), a film cooperative supported by workers, and depicts the beginnings of the Commune of Paris, that working class uprising that briefly ruled and caused a mess during two months in the city of Paris in the year of 1871.

Austrian aristocracy, in order to get their supply of drugs flowing freely, associate with anarchist youths to plan a revolution against the socialist government.

Chile, 2016. Camila and Pedro, secondary students, meet at a manifestation to defend water. Their political affinity leads them to begin a relationship that unconsciously prepares them for war.

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.