Shadows on the Range (1946)

A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.

In 1864, during the American Civil War, Mexican cattleman Alvarez Kelly supplies the Union with cattle until unexpected circumstances force him to change his customers.

A young railroad surveyor returns to his hometown to find the man who murdered his father and brother.

Dare Rudd takes a shine to his cattleman cousin Tom's girlfriend who asks Tom to hire Dare to head the big cattle drive. Dare loses the money for the drive to cardsharps, but Tom wins it back, but Dare must save Tom's life.

An ex-gunslinger (Stewart Granger) shunned by townsfolk is the only one who knows how to stop a ruthless cattleman.

Jimmy Wakely a lawman goes undrrcover with a singing job at Dawson's saloon....

As young boys, two brothers, Jed (AKA: Chip) and John, witness their father being hung by a vigilante gang. Chip, angry and bitter, grows up to be an outlaw and leader of the feared Blue Chip Gang. John goes the other way and becomes a U.S. Marshal. Two brothers on opposite sides of the law, destined to become embroiled in an Arizona range war between cattlemen and farmers.

A notorious Mexican bandit goes all soft and mushy when he falls for a beautiful senorita. Warner Bros.' Captain Thunder contains some of the darndest Mexican accents you've ever heard in your life. The star is Hungarian-born Victor Varconi, portraying a legendary south of the border outlaw who tries to force Canadian senorita Fay Wray to marry a rival rustler whom she despises. She pleads with the bandito so pathetically that he is moved to grant her a single wish. Without hesitation she chooses her poor but true love. The bandit king, being a somewhat honorable fellow grants the wish and without a twitch, guns down the wicked cattle thief. Fortunately the film was played for comedy, a wise decision since it probably would have garnered laughs as a straight drama anyway.

A honest cowboy is falsely accused of the murder of a rancher.

Lawless Valley is an American western first released in 1932, directed by J.P. McGowan. The film is based on a story by Oliver Drake and stars Lane Chandler, Gertrude Messinger, Richard Cramer, J.P. McGowan and Si Jenks.

Andy Fowler is made a member of a gang of rustlers after rescuing one of their number from a fire, but he finds his freedom threatened by the local sheriff, who is actually the gang's leader and wants Andy's girlfriend for his own.

Red Ryder gets a telegram from his old friend Dan O'Connor asking for help in his fight against Faro Savage and his gang of rustlers. A gun dropped by Faro during a rustling raid makes Red and Sheila O'Connor, Dan's daughter, think they have ample proof against Faro but they are stymied by the law. Buckskin Blodgett and the Duchess, Red's aunt, find the body of O'Connor who was killed when Faro's men sent the sheriff out on a ruse. Sheila, discovered while rifling Faros office for evidence, escapes but not before she is recognized. Faro kills one of his own henchmen and then frames Sheila for the murder. Red and Little Beaver set out to clear Sheila and to try to find evidence against Faro and his gang. Written by Les Adams

Red Ryder returns to Sioux City, Wyoming, at the close of the Spanish-American War, settling down at the ranch of his aunt, The Duchess, with his pals Little Beaver and "Blizzard". But Red soon discovers that the country is over-run by rustlers.

Deputies Gene Autry and Frog go up against modern cattle rustlers. These rustlers use technology such as, airplanes, radios and refrigerated trucks to steal the cows, butcher them in the field and ship them out before getting caught. This causes the town to bring in a modern NYC detective to catch the crooks, but will Autry and Frog be permanently out of a job?

Johnny Mack Brown stars in the formula oater Shadows on the Range. The film was made at a time when Monogram was experimenting with the notion of passing Brown off as a singing cowboy. While his voice is dubbed, he's definitely handling all the action sequences himself, and that's what the fans really wanted.

Buck's friend Sheriff Simpson is after the Juarez Kid. Buck knows the Kid and the Sheriff's description does not fit. Buck then meets a one time outlaw who is now the Sheriff's deputy and thinks he is posing as the Kid. When a rancher is killed by the supposed Kid, Buck has a plan utilizing the real Juarez's Kid's ranch that will trap him.

Fanning has his men rustle horses and then blame it on a wild horse named Wildfire. Happy and Alkali arrive and immediately get into trouble with Fanning and his men. When Alkali is shot, Happy catches the outlaws but the Judge not only releases them, he discharges the Sheriff and tries to arrest Happy for rustling. Happy escapes and he and the Sheriff then set out to prove who the real rustlers are.

Tom Tyler plays a small-town blacksmith, whose reckless younger brother casts his lot with a crooked politician. When brother dear steals $5000 from heroine Margaret Morris, Tyler gallantly confesses to the deed. He eventually clears himself by rallying his fellow frontiersmen to form a united front against the villains (guess he's not so "single-handed" after all).

A cowboy captures two rustlers and collects a $5000 reward. Using the money to take a vacation, he winds up getting accused of a murder he didn't commit.

Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.