Wonderful London: London's Sunday (1924)

London is viewed from the 'new and fascinating angle' of Regent's Canal, passing from the docks in Limehouse through east London, under Mile End Road, past Hackney, King's Cross, Kentish Town, Camden Lock and London Zoo, finishing in Paddington Basin.

The real London locations which formed the settings for various Dickens novels are shown, sometimes with characters from the books such as Little Nell and Grandad, Fagin, the Artful Dodger and the author himself superimposed.

Featuring views behind the usual facade of London's streets including the mews behind St. George's Hospital, Philios Terrace, Kinnerton Street, Dr Johnson's house and Ye Olde Cheshire Cheese, Essex Stairs, Bankside, Clerkenwell and Smithfield.

A pleasure boat takes us up the Thames from Canbury Gardens, below Kingston, Surrey, to Shepperton showing the grand houses fronting on to the river and houseboats of the well-to-do.

A look at the Londoner's love of flowers, from domestic gardens and florist's shops to the great market at Covent Garden and the Piccadilly Circus flower girls.

London's cosmopolitan inhabitants are celebrated in this episode, featuring scenes of Italian, French and Greek shops in Soho and the Whitechapel Road.

CIAのヴァレリー・プレイム（ナオミ・ワッツ）と元ニジェール大使で夫のジョー・ウィルソン（ショーン・ペン）は、イラクに核開発計画がないことを政府に報告する。しかし2003年、ブッシュ政権がイラクに宣戦布告。ジョーがニューヨークタイムズ紙にイラクにおける調査報告を寄稿したことから、報復としてヴァレリーが諜報員であることがアメリカ中に公表されてしまい……。

障害を抱えながらも驚異的な記憶力を持つ私立探偵のライオネル・エスログの人生の恩人であり、唯一の友人でもあるボスのフランク・ミナが殺害された。事件の真相を探るべく、エスログがハーレムのジャズクラブ、ブルックリンのスラム街と大都会の闇に迫っていく。わずかな手掛かり、天性の勘、そして行動力を頼りに事件を追うエスログがたどり着いたのは、腐敗した街でもっとも危険と称される黒幕の男だった。

Biography of Loretta Lynn, a country and western singer that came from poverty to fame.

A couple of people steal the daughter of a famous lawyer. Now they want money to give her back, but it's not just the money they want. They want revenge.

An amoral, psychotic playboy incites three men who are down on their luck to commit a mail van robbery, which goes badly wrong.

The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.

Will Graham, a former London crime boss who has left his former life to live as a recluse in the forest. Haunted by the blood of those he has murdered, Will wishes never to return. But when his brother commits suicide, following a sexual assault at the hands of a volatile car dealer, Will returns to London to discover the cause of his brother's death and administer justice to those responsible.

Stealth bombers hover over crashing waves and ruined land. Using found footage and several thick layers of video, Jeff Keen presents and visceral version of Armageddon

Treating apocalyptic and aggressive imagery with silence and slow washes of colour, Jeff Keen exhibits and works against his usual tropes.

This compilation work uses Keen's drawing computer, screams and gunfire and proclaims ' enemy territory is outside the frame. Includes the titles 'Albino Ray', 'Grafico Blatz', 'Eye Blaze' and 'Grafico Blatz 2'.

Produced by Jeff Keen for looping in an exhibition context.

This vibrant montage of colours and positive and negative images shows Jeff Keen filtering and reflecting on his previous films.

This version of Artwar builds from performances with paper masks and implements and various sequences of gunfire.

For this video, Jeff Keen had all his images for the Artwar series run together and over the top of each other.