De Djess (2015)

15-year-old Mia faces an overwhelming transformation which puts her entire existence into question. Her body is changing radically, and despite desperate attempts to halt the process, Mia is soon forced to accept that nature is far more powerful than she is.

College student Danielle must cover her tracks when she unexpectedly runs into her sugar daddy at a shiva - with her parents, ex-girlfriend and family friends also in attendance.

クリスマスに恋人ハーパーの実家に招待され、そこで彼女にプロポーズするつもりでいたアビー。だが実はハーパーは家族にカミングアウトしておらず、2人の関係も隠していることが判明し...。

An aging Chinese mom suffering from empty nest syndrome gets another chance at motherhood when one of her dumplings springs to life as a lively, giggly dumpling boy.

女子高生のジュリーとカイラ、そしてサムの仲良し3人組は、卒業パーティーのプロムが開催される夜にヴァージンを捨てようと計画する。そんな娘たちの計画を知ってしまった親たち、ジュリーのお母さんリサと、カイラのお父さんミッチェル、そしてサムのお父さんであるハンターの3人組が一致団結、娘たちの処女喪失を阻止し貞操を守るため奮闘する。

An unexpected affair quickly escalates into a heart-stopping reality for two women whose passionate connection changes their lives forever.

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

Pennsylvania, 1993. After getting caught with another girl, teenager Cameron Post is sent to a conversion therapy center run by the strict Dr. Lydia Marsh and her brother, Reverend Rick, whose treatment consists in repenting for feeling “same sex attraction.” Cameron befriends fellow sinners Jane and Adam, thus creating a new family to deal with the surrounding intolerance.

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

1952年の歳末、NYの高級百貨店でアルバイトをするテレーズは、クリスマスプレゼントを探しに店を訪れた優雅で上品な人妻キャロルと出会い、彼女に魅せられる。店に置き忘れた手袋をキャロルに送り届けたことから、彼女の知己を得たテレーズは、キャロルが夫ハージとの愛のない結婚生活に疲れ果て、いまや離婚協議中であること、そして娘の親権を彼に奪われそうになって苦しんでいることを知る。2人の距離は次第に縮まる。

Ava, 13, is spending the summer on the Atlantic coast when she learns that she will lose her sight sooner than expected. Her mother decides to act as if everything were normal so as to spend their best summer ever. Ava confronts the problem in her own way. She steals a big black dog that belongs to a young man on the run...

Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.

マイアミの貧困地域で、麻薬を常習している母親ポーラと暮らす少年シャロン。学校ではチビと呼ばれていじめられ、母親からは育児放棄されている彼は、何かと面倒を見てくれる麻薬ディーラーのホアンとその妻、唯一の友人のケビンだけが心の支えだった。そんな中、シャロンは同性のケビンを好きになる。そのことを誰にも言わなかった。

Feeling pressured to become more sexually experienced before she goes to college, Brandy Klark makes a list of things to accomplish before hitting campus in the fall.

19-year old Belle practices playing the violin diligently, but is unable to impart her music with a sensitive undertone. Her life changes when she discovers that sexual desire stimulates passion in her music.

ニューヨーク。現在17歳のダフネは、自由で愛を尊重する母リビーと2人暮らし。彼女は今まで明るく幸せな生活を送ってきたが、ただ1つ満たされない気持ちをずっと抱えている。それは、まだダフネが生まれる前に母と別れてしまった実の父親に会いたい、という切実な想いだった。彼の家族が上流階級に属しているせいで離ればなれになった父は今、ロンドンにいる。ある時、ダフネはとうとう意を決し、父のもとへ旅立った。そして、今では爵位を持ち、政治家として活躍する父ヘンリーと念願の対面を果たすダフネだったが…。

Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.

Maggie Peyton, the new owner of Number 53 - the free-wheelin' Volkswagen bug with a mind of its own - puts the car through its paces on the road to becoming a NASCAR competitor.

人間社会から孤立した女性のみの一族のプリンセスとして生まれたワンダーウーマンは、自分が育ってきた世界以外の環境を知らず、さらに男性を見たこともなかった。ある日、彼女は浜辺に不時着したパイロットと遭遇。彼を救出したことをきっかけに、ワンダーウーマンは身分を隠して人間社会で生活していくことにする。

人間界「渋谷」とバケモノ界「渋天街」は、交わることのない二つの世界。ある日、渋谷にいた少年が渋天街のバケモノ・熊徹に出会う。少年は強くなるために渋天街で熊徹の弟子となり、熊徹は少年を九太と命名。ある日、成長して渋谷へ戻った九太は、高校生の楓から新しい世界や価値観を吸収し、生きるべき世界を模索するように。そんな中、両世界を巻き込む事件が起こり……。＜『サマーウォーズ』の細田守が監督を務め、人間界とバケモノ界が存在するパラレルワールドを舞台に孤独な少年とバケモノの交流を描くアニメーション。人間界「渋谷」で一人ぼっちの少年と、バケモノ界「渋天街」で孤独なバケモノ。本来出会うはずのない彼らが繰り広げる修行と冒険を映す。バケモノと少年の声を役所広司と宮崎あおいが担当するほか、染谷将太や広瀬すずら人気俳優が声優として名を連ねる。不幸な少年が身勝手なバケモノとの出会いにより成長し、絆を深めていく感動的な物語に期待。＞

In 2015, Tsai Ming-Liang was once again invited by the Hong Kong International Film Festival to make the opening short film. This time, he selected Shibuya station in Tokyo as his main filming location and invited the famous Japanese actor Masanobu Ando to appear alongside Lee Kang-Sheng. They sleep separately at a capsule hotel and cleanse themselves at a public bath. Their fatigued bodies yearn for sleep but restless minds keep them for falling asleep. "No No Sleep" won the Best Director Award at the Taipei Film Festival.

A young woman wandering around meets a young man going to a casting call for a pornographic film.

In 2012, the Hong Kong International Film Festival invited Tsai Ming-Ling to make the opening short film. Having grown up with Hong Kong's popular culture, Tsai Ming-Liang decided to pay homage by making a "Walker" film, contrasting the Walker's slowness with the frenzied pace of Hong Kong's cosmopolitan life. The film ends with a song by Hong Kong actor and singer Samuel Hui, who was Tsai Ming-Liang's idol during his youth. The film was invited to be the closing short film for the Cannes Film Festival in 2012.

Four actors go to a cabin in the woods to write, direct, and act in a film that will jump-start their careers. Their idea is a horror film about a man with a bag over his head, but what happens when that man mysteriously shows up?

Anita, a young woman with a troubled childhood and a hunger for love, finds a soul mate in Erik, a kindly college student.

Marta may be an orphan, and she may be affected by a lethal illness, yet she is the most positive person one can meet. She wants a boy to fall for her. Not any boy - the most handsome of them all. One day, she may have found her match.

It is night in Warsaw. Two very different homes. In one, a father watches sports lying on the sofa, expecting the son to do the same. In another apartment, a wealthy-looking mother sits at the table to dine with her daughter, completely different from her. At the same time, the boy and the girl embark on a nocturnal adventure of transformation, during which they strip off the various stratifications of gender that they have inherited. The streets of the city are transformed into a liberating walkway. When by chance they meet – face to face, body to body – they mirror each other in silence, offering comfort, safety.

A hypnotic and slow-burning journey through the austere landscapes of the island of South Georgia and the Antarctic Peninsula. Shot on black and white super 8 film as a series of mostly static tableaux over a period of 20 days during the waning days of the Antarctic Summer, the film is a startling look at life at the edge of the world.

A busy attorney, worried that his anorexic daughter Olga, who is still grieving her recently deceased mother, might try to harm herself, sends her to see a psychiatrist who's dealing with her own loss in an unusual way.

The contemporary story of a priest who launches a centre for troubled youth in a small parish. He is a good priest and is well-liked by his congregation, which remains unaware of his complicated past.

Verona and Burt have moved to Colorado to be close to Burt's parents but, with Veronica expecting their first child, Burt's parents decide to move to Belgium, now leaving them in a place they hate and without a support structure in place. They set off on a whirlwind tour of of disparate locations where they have friends or relatives, sampling not only different cities and climates but also different families. Along the way they realize that the journey is less about discovering where they want to live and more about figuring out what type of parents they want to be.

The story of Joy Division’s lead singer Ian Curtis, from his schoolboy days in 1973 to his suicide on the eve of the band's first American tour in 1980.

A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow train passengers, his mother, and a knife-sharpener.

かつては泥棒だったが、子どもが生まれてからまっとうになり、妻と息子の3匹で平穏な穴暮らしをしてきた、キツネのMr．FOX。だが、窮屈な穴ぐら生活を疑問に感じ、心機一転とばかりに丘の上の大木の家に引っ越す。実は丘の反対側には悪名高い人間の農場主3人が住んでいた。農場を見て野性の本能に目覚めたMr．FOXと動物仲間たちは、思わず農場から家畜を盗みだすように。怒った農場主たちはキツネ狩りを始める。

Gabino, Luisa and Paco share a small apartment in Mexico City. With no money and nothing to do they decice to leave the city.

Carmen, by Chloë Sevigny, is the 13th commission from Miu Miu Women’s Tales, the short-film series by women who critically celebrate femininity in the 21st century. Carmen has a loose, voyeuristic, improvisational mood that reflects Sevigny’s interest, making a short-film about process, being a woman, celebrity and ego.

Carefully shot in black and white, All Things Were Now Overtaken by Silence is a meditation on the filming of a strange play: a fascinating monologue by actress, director, performance artist and political activist Jesusa Rodriguez of Sor Juana Ines de la Cruz’s poem First I Dream.

A delicate and tenacious writer, widowed three years ago, engages in frequent conversations with a parrot. However, she’s always observed by a large portion of raw meat.

Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.

A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.