Ecstatic Stigmatic (1980)

A documentary on the music, performers, attitude and distinctive look that made up punk rock.

Featuring eighty-two minutes of extremely rare, never-before-seen international concert performance footage of bands such as Rancid, Joe Strummer and the Mescaleros, Dropkick Murphys, The Slackers, Roger Miret and the Disasters and Tiger Army - to name just a few, the GIVE 'EM THE BOOT DVD is a gritty look into the underworld of Hellcat Records through the eyes of founder Tim Armstrong and a hoard of his Hellcat family members! Highlights include performances and extra footage from tours such as the Rancid/ NOFX tour, the first Lars Frederiksen And The Bastards tour, various headline tours and both Hellcat Records’ Punks VS. Psychos Tours.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.

A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.

Documentary about punks of the city of São Paulo and its difficulties, struggles and ideals, the importance of music in the universe of its ideology, interviews and images of shows of some musical groups like Ratos de Porão, Inocentes and Fogo Cruzado.

When a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones little did they know that 30 years later they'll still be struggling to rock - and pay the bills.

Complete strangers meet in a room to act out their sexual desires.

For the first time on DVD, Terry Chimes fills in the story of the birth of punk. Essential viewing for every Clash fan, this incisive film features long-serving road manager and author Johnny Green who reveals the philosophy and the spirit which drove the band. Drawing on extensive footage of the Clash in performance as well as previously unseen drawings and cartoons by the legendary Ray Lowry, this is as close as you¹ll ever get to being there.

This documentary is more than anything a film about punk ideology told by punk survivors. The characters have been faithful to the 70's riot, and have developed their aggression into reflective thoughts and opinions. In making our film we have discovered the extremes within this community and how, after more than twenty years, the music is still as popular today.

100's of bands+60 buses +30 semi's +75 vans+55 trailers+22.000 miles +57 days+47 cities+49 shows. Takes viewers on a 2 month journey across north america following the performers and their day-to-day lives on the world's longest touring music festival.

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.

A young artist is followed by his friend in New York. A Tribute to Jean-Michel Basquiat

"My first actor in my first film was Vincent Gallo. We made a film together called Vincent Gallo as Flying Christ. It's kind of a famous film. It must be twelve or thirteen seconds long. It's like an art film, shot on Super 8, and it was his first film, it was my first film. We did other films, too, short art films." - Michael Holman

This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.

In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.

No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.

巨匠ロマン・ポランスキーが悪魔崇拝者たちに狙われたある主婦の恐怖を描いたオカルト・サイコ・ホラー。マンハッタンの古いアパートに、若い夫婦者が越してきた。やがて妻のローズマリーは身篭もり、隣人の奇妙な心遣いに感謝しながらも、妊娠期特有の情緒不安定に陥っていく。彼女は、アパートで何か不気味なことが進行している、という幻想にとり憑かれていた……。

A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.

アメリカ人大学生のデビッドとジャックは三か月の休暇中イギリスでの気ままなヒッチハイクを楽しんでいた。ヒッチハイクで乗り込んだ車を、何もないど田舎の途中で降ろされて近場の町まで歩くことになってしまう。 日が落ち雨も降る中荒れ地を歩くうち闇夜に紛れてみたこともない恐ろしい大きな野獣に襲われジャックはかみ殺されデビッドもかみ殺される寸前で野獣は村人に射殺され命を救われる。 病院で目を覚まし療養していたデビッドだが、その夜からおかしな夢をみるようになりだんだんと不安にかられるようになってゆく。 そんな不安定なデビッドのまえに突然死んだはずのデビッドが、野獣にかみ殺されたままの無残な姿で現れこう警告する。 「俺たちを襲ったのは狼男だった。狼男に殺されると魂は呪われ永遠にさまよい続ける。お前は狼男の血を継いだ。呪いの系譜が立たれないと殺されたものは解放されない。お前は今すぐ死ぬべきだ」 警告を信じないで無視し続けるデビッドであったが、満月の夜、デビッドは耐え難い痛みとともに恐ろしい獣の姿に変貌し新たな狼男の犠牲者を作り始めるのだった。