No Skin Off My Ass (1991)
Being a fag is a definite plus
ジャンル : ドラマ, ロマンス
上映時間 : 1時間 13分
演出 : Bruce LaBruce
シノプシス
A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.
In this verité-style drama, Anthony, a newcomer to San Francisco, attempts to come to terms with his abusive ex-lover when he strikes up an unlikely friendship with a street hustler.
Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.
An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.
Sweet, chubby, theatrical Billy was never cut out to be a farmer or a rugby player, but as the only son of a ‘good kiwi bloke’ he’s obliged to try. The cows are stubborn and the chores gruelling but Billy finds escape in a fantasy world playing Lana, heroine of his favourite TV show Adventures in Space. Not everyone approves of Billy's transformation. On the brink of adolescene, he discovers growing up is more complicated than he could ever have imagined.
The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends.
It’s not easy to rebel when your dad wants to join the party... One day (in 1979), Magnus and his son Nikolaj hit the wall in their new terrace house in Rykkinn. Magnus is an architect, hippie and free spirit, a glaring exception in a community where equality and conformity is the norm. He always stands up for his son, supporting him unconditionally, even when Nikolaj decides to stop giving a damn.
College freshman Joe is new to school when he mistakes a rush invitation for a come-on from a cute fraternity brother. He's no less confused after a hazing ritual between him and Christian, his "big brother" in the Greek system, takes and intense and intimate turn. After Joe sets Christian "straight" about his sexual interests, Christian confesses that he himself is straight-but with "issues".
Five friends receive invitations to an underground sex party. However, to qualify for attendance each invitee must submit revealing photos as a "screening" process." As the party draws near, issues of monogamy, weight & appearance, discrimination, drug use, and promiscuity arise. Friendships are tested and pushed to their boundaries, personalities collide, sexual histories are revealed, and relationship survival is in question.
Jacqueline is a young mother living in 1960s Paris with her disabled son Laurent. Abandoned by her husband, Jacqueline sacrifices everything to care for her son and vows to give Laurent a “normal” life full of happiness. Antoine, is a successful DJ in present day Montreal who seems to have it all: a thriving career, two beautiful daughters, partner Rose, with whom he is passionately in love. However, nothing is perfect and Antoine’s ex-wife Carole remains devastated by their recent separation.
In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art.
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.
Based on a series of posts published on popular Thai website pantip.com. The story became so popular that it was later turned into a best selling novel. "Boring Love" consists of a love triangle with Ped (Anurak Yingnakorn) squarely in the center. Ped works as a flight attendant and has a girlfriend. His life becomes much more complicated when a male co-worker named Oiy decides to make a move on Ped.
Before Prop 8, Milk or Will & Grace, before the AIDS epidemic, gay pride parades or the Stonewall uprising, "The Boys in the Band" changed everything. "Making the Boys" explores the drama, struggle and enduring legacy of the first-ever gay play and subsequent Hollywood movie to successfully reach a mainstream audience. Featuring anecdotes from the surviving cast and filmmakers, as well as perspectives by legendary figures from stage and screen, it traces the behind-the-scenes drama and lasting legacy of this cultural milestone.
A little Christmas magic causes two coworkers with contrasting lifestyles to switch sexual orientations.
Images of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat.
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth?
