Metamorphosis (1987)

Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.

In an abandoned psychiatric hospital, a theatre group experiments with insomnia for the preparation of a stage play. With the passage of days without sleep, they reach new thresholds of perception that expose them to the secrets of the place and the energies that inhabit it. When Bianca, a young, promising actress, joins the cast, competing for the lead role, she must survive not only the intensity of the work and her cast mates, but the unknown force that is pulling them towards a tragic outcome.

An aspiring actress, her misfit best friend, and a loner become engaged in an intimate and complicated relationship.

Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.

The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel. Centres particularly on the conflict and growing friendship between Terry Randall, a rich girl confident in her talent and ability to make it to the top on the stage, and Jean Maitland, a world weary and cynical trouper who has taken the hard knocks of the ruthless and over-populated world of the Broadway apprentice.

舞台“アンチェイン”で同性愛者の役を演じることになったジェハとヨンウ。アイドルであるヨンウは、練習初日から遅刻し、台本すらめくろうとしない。全くやる気がないヨンウに、先輩である舞台俳優ジェハは苛立ちを隠せないでいた。台本読みをふざけているヨンウにキレたジェハは、突如彼に詰め寄り渾身の演技をする。すると、今まで全く無反応だったヨンウの目から涙が…。その日を境にヨンウは、演技に関することをジェハに聞いたり習ったりと急に積極的になる。やがて 2人は劇中に使用する小道具を買いに、町まで出かけるほどの仲になる。　ある日、稽古中、癇癪をおこし舞台から飛び出したヨンウを、ジェハは彼の気が治まるまでそっと待ち続けた。そんなジェハの優しさに心が熱くなるヨンウ。それを機に、グッと距離が縮まった二人。ヨンウをただの後輩として可愛がっていたジェハだったが、演技からではなく、彼を愛おしく思う気持ちが芽生えていたことに気づき、驚く。今まで同性に抱いたことがなかった新たな感情に戸惑い、イライラするジェハだったが…。　感情移入しすぎるあまり、自身の感情のコントロールがきかなくなったベテラン俳優と若き俳優とのプラトニックなラブロマンスを描いた作品。 日本では劇場未公開

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

Lloyd Newson interviewed more than 50 men asking them frank questions, initially about love and sex. One of those men was John.

After the demise of warlord Nobunaga ODA, Japan was about to be unified by Hideyoshi TOYOTOMI. However, there was one man in Kanto region that was defiant to it. That man, who named himself TenmaOh (Mirai MORIYAMA) and leads the KANTO DOKURO-TO, an armed group hiding in the pitch-black DOKURO-JO (skull castle), once worked for NOBUNAGA. Sutenosuke (Shun OGURI) happens to rescue a woman who has been chased by the KANTO DOKURO-TO, which was headed by the bloodthirsty madman TenmaOh.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

裕福なクウェート人の実業家は、観光でロンドンへ。異文化の大都市では、個性豊かな人々との出会いが待っていた。社会風刺をふんだんに盛り込んだ舞台作品。

Following a sell-out run at London’s Royal Court Theatre, Olivier and Academy Award® winner Martin McDonagh (The Pillowman, The Cripple of Inishmaan, In Bruges) returns to the West End with Matthew Dunster’s award-winning production of his deeply funny new play Hangmen, broadcast live to cinemas by National Theatre Live. In his small pub in the northern English town of Oldham, Harry (David Morrissey – The Walking Dead, State of Play) is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd (Andy Nyman – Peaky Blinders, Death at a Funeral) and the peculiar Mooney (Johnny Flynn – Clouds of Sils Maria) lurk with very different motives for their visit.

London, England, November 5th, 1892, Guy Fawkes Night. The famous playwright Oscar Wilde and his lover Lord Alfred Douglas discreetly go to a luxury brothel where the owner, Alfred Taylor, has prepared a surprise for the renowned author: a private and very special performance of his play Salome, banned by the authorities, in which Taylor himself and the peculiar inhabitants of the exclusive establishment will participate.

Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.

Julian Marsh is an out of work ladies' man who lands a job directing a bizarre adaptation of Hamlet. After casting his best friend and his ex-girlfriend in the show, Julian finds himself in the middle of a two thousand year old conspiracy that explains the connection between Shakespeare, the Holy Grail and some seriously sexy vampires. It turns out that the play was actually written by a master vampire name Theo Horace and it's up to Julian to recover the Grail in order to reverse the vampire's curse...If only being undead wasn't so much God-damned fun!

Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.