Only a Fool Breaks the 2 Second Rule - Pile-up (1975)

Moazzam Begg has experienced a generation of conflict. The Confession captures the entirety of Begg’s story, from his forced confession and testimony as a free man, to his experience as a British Muslim and living the War on Terror Commissioned by BBC Storyville and the BFI, The Confession is a gripping account of the rise of modern jihad, its descent into terror and the disastrous reaction of the West. The Confession is now available to watch on iTunes.

Documentary looking at a century of cycling. Commissioned to mark the arrival of the 2014 Tour de France in Yorkshire, the film makes full use of stunning British Film Institute footage to transport the audience on a journey from the invention of the modern bike, through the rise of recreational cycling, to gruelling competitive races. Award-winning director Daisy Asquith artfully combines the richly-diverse archive with a hypnotic soundtrack from cult composer Bill Nelson in a joyful, absorbing watch for both cycling and archive fans.

A shadowy man in black warns viewers of the perils of forgetting to follow the simple two second rule - that is, keeping a sufficient distance from the car ahead when driving. Directed by John Krish, who made numerous similarly macabre films, this is one of three public information films produced as a series on public road safety. The images from the series may no longer be familiar to everyone, but the slogan is still in use today.

When Callum undertakes work experience with his embarrassing Nan, he soon discovers that the world of jacket potatoes can be complicated.

Told through the eyes of an Australian news reporter, Eammon Ashton-Atkinson, who moved to the UK to escape depression, the documentary, follows 3 characters on their journey to overcome their struggles as the club competes against 60 other gay clubs in the Bingham Cup in Amsterdam – the World Cup of gay rugby.

A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)