Rich Bitch (2001)

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.

Deuce Bigalow goes to Amsterdam after a little accident including two irritating kids and a bunch of aggressive dolphins. There he meets up with his old friend T.J. Hicks. But a mysterious killer starts killing some of Amsterdam's finest gigolos and T.J. is mistaken for the extremely gay murderer. Deuce must enter the gigolo industry again to find the real murderer and clear T.J.'s name.

D・クローンネンバーグがセックスをテーマに取り上げ、カンヌ映画祭でその評価が賛否真っ二つに別れた問題作。CFプロデューサーのジェームス・バラードと妻のキャサリンはある日、出張で空港へ向かう途中ハイウェイ上で正面衝突事故を起こす。相手のドライバーは死亡。助手席に乗っていた女性ヘレンはジェームスと共に病院に担ぎ込まれる。やがて回復した2人だったが、彼らは事故の衝撃を通して思わぬ性的興奮を感じていた。そんな中、事故の体験により新しいエクスタシーを開拓した人々がいる事を知った彼らは、次第にその世界にのめり込んでゆく……。

This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to their fantasies) the film portrays the confessions, the secret longings, the adventures, recollections, dreams, desires and fantasies of these women. It is an open secret that most women dream of forbidden affairs, secret lovers and hasty encounters but when it comes down to it they lack the courage to pursue their dreams.

求人広告を見てやってきたのは、美貌の女泥棒マーニーだった。正体を知りながら彼女を雇い、やがて結婚するマーク。盗癖のある妻とそれを救おうとする夫の葛藤を巧みに描いた、アルフレッド・ヒッチコックによる心理サスペンス。

腕利きの離婚訴訟専門弁護士、マイルズ（ジョージ・クルーニー）は離婚して財産と自由を手にしようとするマリリン（キャサリン・ゼタ＝ジョーンズ）に勝訴する。彼女がそのまま引き下がるはずはなく……。

How Funny Can Sex Be? is an nine-episode anthology film about love, sex and marriage in contemporary, mid-'70s Italy.

Journalist David Farrier stumbles upon a mysterious tickling competition online. As he delves deeper he comes up against fierce resistance, but that doesn’t stop him getting to the bottom of a story stranger than fiction.

A dentist obsessed with young women in various uniforms stalks two sisters. The oldest sister is romantically pursued by a thug that was just released from prison. The dentist also has the hots for her and the two paths eventually cross

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

In 1997, the Belgian public was in shock when judge Koen A. was convicted for the S&M relationship with his wife. Although their life was destroyed by the verdict, Koen and his wife Magda remain together today. The film is a story about dark sexuality and true love, told from the lover's unique point of view

A comedy film that looks into the loosely connected lives of people with strange sexual fantasies.

Graphic Sexual Horror takes a peek behind the terrifying facade behind the most notorious of bondage websites, exploring the dark mind of its artistic creator and asking hard questions about personal responsibility. Interviews reveal deep fascinations with bondage and sadomasochism that run parallel, and in fact become irreversibly entwined with the lure of money.

An anthology, based on the comics of the same name by Glenn Danzig, in which the erotic and horrific combine to create multiple ghoulish tales of bloodlust, murder, the occult and the forbidden.

In a small town in post-World-War-II France, an unhappy sixteen-year-old (Janine Castang) tries to escape her dreary situation by any means at her disposal. Three successive friends (Michel Davenne, a married lover; Raoul, a fellow thief; Mauricette Dargelos, a photographer and fellow prisoner) help her learn from her mistakes.

A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.

A lurid, dark look into the lives of sex workers, where victims of child abuse deal with the consequences later in life.

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

A raucous teen boy with a feminine face is teased everywhere, so his odd biker father dresses him as a girl and sends him to an all-girl school. The lad introduces himself as Sukeban, and a classmate, Michiko, takes him to after-school activities. Lessons on humility turn violent when a masked hatchet-wielding woman turns up. Jealousy, syringes of hormones, bare breasts, a blood bath, and more figure in the resolution.