A Roof Overhead (2006)

In an allegorical tale, a luxurious hotel is ruled like a communist country. The ignorant views of leaders and the social stratification are the main focus.

Two reasonably young girls want to leave their home town and go to work abroad. However, their dreams are quickly shattered by the cold truth of reality and they find out that every dream must have its cost.

Romania had it rough under its last communist dictator, Nicolae Ceausescu, and things are even rougher now. Before, their problems were oppression and poverty. Now, their problem is mostly poverty - and plenty of it. In this grim comedy (to call it a black comedy would be to paint too perky a picture of it), Vasile (Gheorghe Dinica)has a wife whom he's fond of, and a mistress, whom he's fonder of. He manages a nearly abandoned movie theater, and makes just about nothing doing it. When his wife announces she's pregnant, he nearly goes frantic trying to find money to get her an abortion. However, what truly sends him over the edge is when his mistress decides to become a prostitute because, after all, the money is good. These two situations send him straight to the loony bin, and when he gets out, he discovers that his wife has rented their apartment to pornographic filmmakers, and guess who's starring in them?

A metaphor film, in which a group a pupils are going out on a trip. There are various happenings in which adults are interpreting in different ways and give different meanings to everything.

A provincial young girl, a farming engineer, does not want to return to the countryside on graduating, but stay in the capital. But she needs a Bucharest identity card to do this. Her solution is to "buy" a husband...

Robert is a young writer passing through a difficult time in his life. He decides to return home into his native village for the first time since his mother passed away three years ago. In more than 10 years, he paid only few visits to his parents and this fact is reflected by the distant relationship Robert has with his father. As it happens, he meets two former classmates: Petrica - his old best friend, now married with children and Paula- his teenage sweetheart. She is divorced after an unhappy marriage and is now working at a local store. She doesn’t seem to be engaged in a relationship…

An uncompromising journalist obsessed with the idea of absolute justice ends up committing suicide after reading his father's biography. Based on three novels by Camil Petrescu.

Feature film.

Velicanu considers himself a fulfilled person. He's got money, a new villa, married a younger woman and has a son from a previous marriage. Before the holidays he has to leave everything in order, but things start to get complicated. The crisis at the end of the day make him wonder whatever he is indeed a happy, fulfilled person...

A terminally ill professor gets an immoral offer.

An old geriatrics professor accidentally discovers after a high-school reunion a potion that can rejuvenate anybody and uses it on him and his friends. They all go their new youthful ways but, for most of them, things don't go according to plan.

Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.

Romania, 1940. A boy meets a girl. They fall in love without suspecting anything about their real identities. They chose an eventful, tense and dangerous life as underground anti-fascists fighters. The significance of their activity is manifest in the consequences it has on the tormented progress of their love. Reality is against it. Two parallel lines which meet for a second, only to drift apart for ever.

Over at the fictional DRGBP institution, events take a settling turn after a mutinied prize festivity.

The personal story of the young student Felix Goldschmidt, who finds himself arrested for a crime he does not understand, like his fellow prisoners, he believes at first that he the victim of a mistake. But Red Gloves is also a political story, describing how a totalitarian state imposes itself by fear, rooting out individuals almost randomly and demanding their submission. By cutting back to scenes from the old life of Felix, the author manages to achieve balance and contrast with the suffocating atmosphere of the prison. We are shown our hero as an idealistic young man, searching for love and fulfillment.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

A certain village nobleman Amédée dies, leaving a substantial legacy, but there is a matrimonial clause. The first of two men (who do not know each other) who will marry will receive the inheritance of one million.

Two friends, closer than brothers, working together, staying in the same room, playing together.

A tabloid photographer is given the assignment to follow a politician suspected to have sexual relations with an underage girl.