All Tomorrow's Parties (2009)
ジャンル : ドキュメンタリー, 音楽
上映時間 : 1時間 22分
演出 : Jonathan Caouette
シノプシス
All Tomorrow's Parties is a 2009 documentary film directed by All Tomorrow's People and Jonathan Caouette covering the history of the long running All Tomorrow's Parties music festival. Described as a "post-punk DIY bricolage", the film was created using footage generated by the fans and musicians attending the events themselves, on a multitude of formats including Super8, camcorder and mobile phone. All Tomorrow's People is a name representing the contributions of these attendees.
ウッドストックが開催された1969年の夏、160キロ離れた場所で行われたもうひとつの歴史的音楽フェスティバル「ハーレム・カルチュラル・フェスティバル」にスポットを当てた音楽ドキュメンタリー。スティービー・ワンダー、B・B・キング、マヘリア・ジャクソン、ニーナ・シモンらブラックミュージックのスターが集結し、30万人以上が参加しながらも、その様子を記録した映像は約50年間も地下室に埋もれたままになっていた。4度のグラミー賞受賞者で、エミネムやジェイ・Zのプロデューサーとしても知られるアミール・“クエストラブ”・トンプソンが初監督を務め、黒人の歴史やカルチャー、ファッション、音楽の大々的な発表の場となった同フェスティバルの全貌を、貴重な映像や当時のインタビュー、そして約50年の時を経てこの映像に初めて触れる当時の参加者たちの証言を交えながら描き出す。2021年サンダンス映画祭でドキュメンタリー部門の審査員大賞と観客賞を受賞。
人類が初めて月を歩いた。ニューヨーク・メッツがワールドシリーズで奇跡の優勝を果たした。そしてニューヨーク郊外のベセルでは、3日間にわたり50万人もの若者が、彼らの世代を何よりも象徴するイベントに参加した――それは規模においても影響力においても前代未聞のコンサート、平和と音楽という旗印の下にあらゆる階層の人々が集い、一つとなった瞬間だった。彼らはそれをウッドストックと呼んだ。それから1年後、その音楽のエッセンスやしびれるようなパフォーマンス、それらを生で味わった人々の感動が、オスカーを獲得した記念碑的ドキュメンタリーの中で甦る。
Brought together by their shared love of music, ten years on Liam and Natalie are at breaking point. In their case opposites attract but don't necessarily work long-term. Making the difficult decision to separate, they must split their prized music library. But the soundtrack that defined their relationship keeps pulling them back together.
The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.
Best friends Galleria, Chanel, Dorinda, and Aqua, A.K.A. the girl band "The Cheetahs," get the opportunity of a lifetime when they strut their way to Barcelona, Spain, to perform in an international music festival. Along the way, the "amigas Cheetahs" learn that, although their paths are not the same, they are lucky to have one another for the journey.
オシャレな私有島に集う豪華な音楽フェスとして派手に売り出されたFYRE（ファイア）は、ある実業家の思い上がりとずさんな運営により未曾有の惨事に終わる。
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Two feuding rock stars get handcuffed together for 24 hours at a music festival where they are both due to perform.
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In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
Four runaway teenagers are catapulted on a wild and uplifting road trip out of the city and across the water to a magical island music festival.
Soul Power is a 2008 documentary film about the Zaire 74 music festival in Kinshasa which accompanied the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman in October 1974. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the film When We Were Kings.
American-Japanese indie star Mitski makes her Glastonbury debut at the Park Stage. She played some of her classics like Washing Machine Heart and Nobody as well as songs from her newest album Laurel Hell like Working for the Knife and The Only Heartbreaker accompanied by her ritualistic choreographies.
