Old Man (2012)

While we watch the ‘cat fail’ of the day in cheerful safety, all that remains invisible in this neoliberal nightmare catches up with us. The cat’s body is consumed, exploited and controlled. The fear of pain is greater than the will for freedom. Objects are fetishized and subjects are made into things – quantifiable and ready for use. They are the natural commodity for a luxury they are not even aware of. We are here, because you were there – and waste is disposed of in the sea. In the end, the bodies reveal the causes and effects of power, lust and hate.

Documentary by Jean-Pierre Gorin about twin girls who spontaneously developed their own unique language as children.

A psychedelic montage of home movie footage gives way to a silent western story.

Martin is a 30-something photographer who has made it his life quest to find his soulmate. After seeing a girl admiring his work in a gallery, he runs into her again at a photo shoot for a wedding. The two hit it off, but Martin becomes puzzled when she leaves before he wakes up the next morning. From there, we get a peek inside Martin's psyche, as he cannot comprehend why she hasn't made a life-long commitment to Martin after one date.

A darkish journey down memory lane, to visit some news events, folkways and thought patterns associated with the late forties and early fifties. The film is also concerned with such perceptual phenomena as color-space, "false tones" caused by varying black-white alternations of simultaneously seen rhythms set up by multiple repetitive actions, and the use of image outlines as "containers" for other imagery. Sort of a working notebook, which is continued in EASYOUT and DOWN WIND.

An Icelandic farmer's son decides to leave his farm, fiance, friends, dog and horse, during the depression before World War II, to start a new life somewhere else.

On the trail of Tall Tales, on a tour of an American treasure, on the path of an area once inhabited by people we don’t know, people we’ve never met, on a land complete with gift shops, parking lots, and sky rides, at the foot of a tree that predates and outlasts all of this, we now insert ourselves into a fog of layers.

In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis.

An autocratic Director (Harold Pinter) and his Assistant (Rebecca Pidgeon) put the final touches to the last scene of some kind of dramatic presentation, which consists entirely of a man (John Gielgud) standing still onstage.

Renowned artist and filmmaker Dave McKean (MirrorMask) brings his distinctive blend of live action and gorgeously wrought animation to this dreamlike reverie about four people whose weekend idyll in an isolated English seaside home becomes an opportunity for spiritual healing.

A film by Pat O'Neill

Short film of 7 sections with each one using a different experimental film technique.

A notable opera singer tries to commit suicide because of a emotional breakdown. While hospitalized in a psychiatric clinic, her daughter cautiously approaches the man she considers to be the blame for the state of her mother in order to gain her revenge.

An experimental film dedicated to the Dakota Sioux, which follows the form of the Christian Mass. A series of images of contemporary America interwoven with the ritual spiriting away of a dead Indian.

A fifteen-year-old boy with only months to live is granted one wish from the Dreamscape Charity. But David doesn’t want to go to Disneyland or meet Gary Neville; what he really wants is an hour alone with a naked woman.

3年間一緒に住んでいたリンコと大学院生のイサムは、うまくいかなくなり別れようとする。ところが友達以上恋人未満の関係にリンコは心地よさを覚え、これまで通りの生活をずるずると続ける中、まだイサムのことが好きだと気付く。しかし、イサムの心は自分に好意を寄せる後輩に傾き始めていた。

Nicholas Ray plays himself, acting as mentor, friend, and artistic inspiration to his students at Binghamton.

A look at the inner workings of a hospital.

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

Suggestion: Please see 'Another Occupation' before 'Seeking the Monkey King'. Contains flicker like many of my works; avoid if you have epilepsy or other unusual brain conditions.