Opera mundi ou le temps des survêtements (1999)

The subject doesn't matter. Grab moments of reality, following your desires, without first judging the coherence of the whole. Wander. Trust the pictures - and the sounds. Slowly, confront the first pieces and discover what your desires meant. Put aside certain shots that don't fit. Shoot more; complete the composition, trying not to reduce it to a story. Reconsider the elements you left aside. Keep going. The «really upside-down world» stands behind our eyes. Each of us is a social body.