She Had to Say Yes (1933)
ジャンル : ロマンス, ドラマ
上映時間 : 1時間 5分
演出 : George Amy, Busby Berkeley
脚本 : Rian James, Don Mullaly
シノプシス
Florence Denny is Tommy Nelson's girlfriend and secretary at a clothing manufacturer during the Great Depression. In order to boost sales they have been using professional female entertainers to keep their clients very happy, but the clients are getting bored of them. Tommy convinces management to replace the professionals with "volunteers" from the pool of stenographers. Inevitably some clients expectations are greater than their "dates", boyfriends become unhappy, and the "voluntary" duty becomes less so over time. At first, Tommy prevents Florence from being a volunteer, but eventually the prospect of a bonus becomes too great and he encourages her to volunteer. Afterwards, Tommy considers Florence a loose woman.
Claire moves impulsively from NYC to Paris, where she nannies for the family from hell, battles wacky French bureaucrats, embarrasses herself in front of her Parisian crush and navigates a toxic relationship - among other faux pas.
殺伐としたヘッジファンドの職場での予期せぬ昇進により、若いカップルの関係は瀬戸際に追い込まれる。婚約関係の破綻以上に2人の人生も崩壊への道を進んでいく...
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Arriving in the US with a background in abstract art, opera, and film—including work with German director Werner Schroeter—Vogl began making Super8 films in New York that stripped away the stylistic markers of Hollywood, New Wave cinema of the 1960s and ’70s, and classic avant-garde film, leaving only traces of their generic conventions. For the first hour of OK Today Tomorrow, he stages a series of fraught encounters around the city between four gentrified New Yorkers before abandoning his vague narrative of youthful angst altogether in favor of documenting the urban landscape itself. The dusk-to-dawn “city symphony” that ends the film resembles similar Super8 social studies by Vogl’s uptown contemporary John Ahearn; both recorded the daily lives of working-class black and immigrant communities on the streets of a city on the verge of the corporate takeover and sweeping gentrification that followed in the 1980s and ’90s. Preserved by The Museum of Modern Art, New York.
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Ambitious artist Jabari attempts to balance success and love when he moves into his dream Manhattan apartment and falls for his next-door neighbor.
Over the course of a single hectic day in New York City, three people from Feña's past are thrust back into his life: his foreign father, his straight ex-boyfriend, and his 13-year old half-sister. Having lost touch since transitioning from female to male, Feña must navigate the new dynamics of these old relationships while tackling the day-to-day challenges that come with living a life in-between.
A documentary about a case of police brutality in the 80's NYC, the killing of graffiti artist Michael Stewart
1989, NYC's Alphabet City, NYC East Village. A year after the Tompkins Square Park Riot, squatters and their community allies try to stop the demolition of their building after an arson fire. Police forces occupy the neighborhood while the demolition continues. A portrait of an East Village that is no more. An homage to the voices and sounds of a neighborhood before it's gentrification. Shot 31 years ago on Video8, this film is truly an independent original.
