ガーダ パレスチナの詩 (2006)

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, Ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.

Palestine, 1917. The British advance has been stopped by the Turkish line running from Gaza to Beersheba. The latest attack on Gaza has failed. The attacking forces included a regiment of Australian mounted infantry, the Light Horse... Lighthorseman Frank is wounded in a skirmish with Bedouin. He is replaced by a young soldier, Dave, who proves to be a crack shot, but reluctant to fire at the enemy. Dave proves himself during a German biplane attack. Recuperating in hospital, he meets a sympathetic nurse, Anne... The regiment is called upon for a bold flanking attack on Beersheba. But how do you convince the Turks the main attack will come at Gaza? And how do you attack across a desert without water?

タイベリアス皇帝治下のローマ。キリストを処刑したローマの護民官マーセラスは、その後良心の呵責から恐怖に脅え、深い苦しみに溺れる。が、かつて奴隷として使いキリスト処刑後、姿を消したギリシア人デメテリオの導きにより神の心に触れ、宣教を志すようになる。

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

"At eight o'clock, it's Laila's birthday, okay?" Palestinian judge turned cab driver Abu Laila's wife reminds her husband. But on his young daughter's birthday, like any day, Abu faces a nerve-wracking shift in a Ramallah yellow cab armed only with an ex-jurist's misplaced pride, a father's loyalty, and a sticker reminding passengers that smoking and carrying AK-47s are prohibited. Rather than address politics or document holy war heroics and villainy, Laila's Birthday focuses on the toll that the unending Palestinian-Israeli conflict extracts from civilians clinging to both employment and a semblance of normal life amidst chaos and corruption, missile attacks and bursts of gunfire.

Chronicle of a Disappearance unfolds in a series of seemingly unconnected cinematic tableaux, each of them focused on incidents or characters which seldom reappear later in the film. Among the many unrelated scenes, there is a Palestinian actress struggling to find an apartment in West Jerusalem, the owner of the Holy Land souvenir shop preparing merchandise for incoming Japanese tourists, a group of old women gossiping about their relatives, and an Israeli police van which screeches to a halt so several heavily armed soldiers can get off the car and urinate.

A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Arab youths plot violence. One Israeli officer swoons in the heat and Arab women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Arabs must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom's wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?

The viscous conflict between Israel and the Palestinians is now a generation old. For many of the children of the region, the terrorist war has been going on for their entire lifetimes, killing their family and friends, and overshadowing their lives. They are the Children of Rage

Intent on shaking up the ultimate 'sacred cow' for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, "What is anti-Semitism today?"

In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a Coptic banker. He observes the affairs of her heart and incidentally discovers that she is involved in a plot against the British, meant to arm the Jewish underground in Palestine. The plot finally fails, Justine is sent to jail and Darley decides to return to England.

Two childhood friends are recruited for a suicide bombing in Tel Aviv.

Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?

イスラエル人監督、アリ・フォルマンが自らの戦争体験を描き、2009年のアカデミー賞で外国語映画賞に選出されたドキュメンタリーアニメ。アリは旧友と再会を果たすが、会話の途中でふと自分の記憶が一時期だけ抜け落ちていることに気付き…。

Born in Brooklyn to Palestinian refugee parents, Soraya (Suheir Hammad) decides to journey to the country of her ancestry when she discovers that her grandfather's savings have been frozen in a Jaffa bank account since his 1948 exile. However, she soon finds that her simple plan is a complicated undertaking — one that takes her further from her comfort zone than she'd imagined.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

An American ambassador to Israel tries to bring peace to the Middle East conflict through unconventional methods, but his efforts are hampered at every turn and his personal life threatened.

Set during the second Intifada, this documentary follows four Palestinian families living in Dheisheh Refugee Camp near Bethlehem. Fadi is 13 and cares for his 4 younger brothers, the Hammashes are a close-knit family who pass on the lessons of life with humor and passion, Sana is a single woman who endures long commutes to do community work, and Emad and Hanan are a young couple trying to shield their daughter from the harsh realities of the occupation. They talk about their past and discuss the future with humor, sorrow, frustration and hope. Until When paints an intimate in-depth portrait of Palestinian lives today.

This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.