Late Night Delight (2017)

Short Subject [commonly known as Mickey Mouse in Vietnam] is a 16mm underground animated short film. Mickey Mouse enlists with the army and ships off to Vietnam.

As Untitled (1977) opens we see whitish blue streaks close to the camera continually appear and disappear. The background is indistinct, but gradually similar streaks seemingly at a greater distance come into focus, while the foreground streaks grow fuzzier. Soon we guess that we're looking at falling snow, and it seems we're viewing it from a window as he gradually changes the focus from close-up to infinity. Well before the focus change ends, a tannish red mass starts to materialize in the background; as it comes into focus we realize it's a brick wall.

Onde Nostre is a lifestyle documentary film that shows the peculiarity of the Italian surf scene and the beauty of this sport, even in a country that's not usually considered a top destination for catching waves. With this film we intend show the passion and high level of the Italian surfers. The film is shot mainly in 16mm and super 8 and only a small part is shot digital in order to emphasize the beauty of the landscape. The film has a romantic approach to surfing. Action has a great relevance, with slow motion segments and an emotional editing. Onde Nostre also shows Italian surfers lifestyles and the endless search for good waves in the Mediterranean sea.

In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.

A parable of fire and grace, hand-scratched on 16mm, frame-by-frame.

As part of an ongoing, unaired, TV Series (By Modern Measure), an amateur French sociologist presents his observations on a day in the life to two young Americans who meet by chance outside a Taco Bell on October 08, 2006

Justin is a film editor surrounded by performances. Sick of sitting in a dark room watching others, he starts to envision ‘70s cabaret style performances of his own. When a new relationship starts to develop, Justin has to decide how badly he wants to come out from behind the camera.

野原に建てられたテント小屋では、アブノーマル・セックス、吐き出したゲロを喰う男、ヘロインの禁断症状などを売り物にした変態ショーが行われている。その一団の座長が、ディヴァインだ。集まった客を射殺しては逃げ回るなど、その悪行は留まるところを知らない。内縁の夫デヴィッドがたまらずディヴァインを殺そうとするが、そう簡単にやられるわけもなく、常軌を逸した殺し合いが繰り広げられる。

ハロウィンが近づくころから、ナーバスになっていたローリー（スカウト・テイラー＝コンプトン）。そんなときにルーミス医師（マルコム・マクダウェル）の本が発売され、自分が殺人鬼マイケル・マイヤーズ（タイラー・メイン）の妹だと知ってしまう。やけになったローリーは家を飛び出すが、マイケルが再び現れ……。

In a small New Hampshire town, the local peeping tom, Freaky Farley is embroiled in a tale of murder, monsters, ninjas, witches, angst, anger, insecurity and madness.

In a godforsaken landscape, filmed in transcendental black and white, as if fallen out of time, young Ada lives alone with her ill mother. Her rather lonely existence is characterized by hard work and poverty and as her mother's condition worsens there doesn't seem to be a way out anymore. Ecce homo is a parable about being human, rich in religious symbolism, which dreamily and at the same time sombrely poses existential questions without volunteering answers.

Everyday life in a commune near Munich in the spring of 1969

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

A stop-motion animation made against a vertical pin screen describes a pedestrian, yet powerful pontification by No Nothing Cinema co-founder Dean Snider.

Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.

An exploration of the visual and psychological parallels between the American western frontier and the conflict in the Middle East.

When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.

A series of vaudeville acts inserted in images of reality, meant to demonstrate the ephemeral nature of all things.

A young man roams the streets of Caracas.

Subnivean Snuff re-tells an historical environmental crime story. It explores human desires to manipulate ecosystems and their inhabitants. This short, animated film re-imagines a 1958 nature documentary which famously depicts the false suicide of a group of lemmings.