Amelia 2.0 (2017)

A string of violent jewel robberies force Police Inspector Parrino to get rough with the city’s criminal scum. Things take a turn for the worse when he’s confronted with the murder of an prostitute.

Erol is a successful cop, who lives with his sister Yasemin. Wang, the most troublesome gang leader of Hong Kong comes to Istanbul. The Security Department of Istanbul, appoint Erol to catch Wang. The Hong Kong Security Department sends their spy Wang Ti to Istanbul. Wang threatens a Chinese girl called Helen. With Helen's help, Erol starts a fight with Wang, nobody knows how it will end.

A married couple gets ready for bed. As they argue about the party they hosted earlier that night, they remove their clothes--and more...

In Phantom, each face, each body appears, like cinema itself, from beneath a curtain that flutters and flickers to reveal haunted silhouettes that never quite take shape.

故の後遺症で、毎朝目覚めると前日までの記憶が失われてしまうクリスティーン。夫のベンは自分の存在や結婚していることも忘れてしまう妻を献身的な愛で支えていた。ある日、ベンの留守中に医師を名乗る男から電話がかかってくる。少し前から夫に内緒で彼女を治療しているというその男は、彼女が密かに撮影している映像日記の隠し場所を告げる。その日記によると、彼女の記憶障害は何者かに襲われたことが原因だと判るのだが…。

In September 2001, respected German historian Lothar Machtan dropped a bombshell on the world of Hitler studies: Hitler was secretly homosexual. His highly acclaimed and explosive book "The Hidden Hitler" ignited a storm of controversy. With information from the bestselling book, award-winning filmmakers Fenton Bailey, Randy Barbato and Gabriel Rotello explore areas of the Führer's private life.

In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.

At a reception given by Arthur Hilton at his Sussex home the conversation turns to the subject of danger, with Hilton recalling a case in which he was involved as a Natal police commissioner. In it there were three guilty persons, but only one of them was hanged; the other two were sentenced to long terms, vowing vengeance on Hilton. Unknown to him, the same two men are now among his guests, and are determined to have their revenge.

A married couple, suspecting one another of infidelity, decide to "live separately together."

Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela and condemns her to wait faithfully for his return with the barsaat (rainy season).

This is the story of three characters (brothers Tomek and Jacek and their neighbor Magda), each of them is in their own way lonely and alienated. The title character makes herself secluded. Tomek's alienation results from his neurological disease, and Jacek contacts the world mainly via the Internet. This is also a film about love. Love of one brother to the other and of one alienated human being to the other. All together it creates a very universal picture with a Polish entourage.

An Irish lad (Matt Keeslar) who fled from his oppressive, widowed father (Albert Finney) falls for a girl (Victoria Smurfit) from an affluent family.

A 17-year-old girl lapses into a coma and wakes up 20 years later.

In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans Richter, and assisted Ian Hugo on Bells of Atlantis. Color Cry was based on a development of the “rayogram” or “shadow cast” process, using fabrics as stencils, with the images synchronized to a haunting blues song by Sonny Terry, which Lye imagined to be the anguished cry of a runaway slave. —Harvard Film Archive

An essay around the streets, as an homage to Fernando Pessoa

Short experimental animation.

A synthesized video environment.

"Single Frame sequences of TV or film images, with periodic distortions of the image. The images are airplanes, women men interspersed with pictures of texts like: 'silence, genius at work' and 'ich liebe dich.' The end credit is 'Television décollage, Cologne, 1963."

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

As every year Carlos is spending the summer in the country with his family in order to help out with things. Perhaps he won't even be returning to Madrid, as economic prospects are hardly rosy there. In addition, his father's health is failing and he needs Carlos to help. In this town, where the elders still celebrate the medieval rites, Carlos meets a young policeman Juan and they fall in love. A friendship ensues amidst age-old rituals and a crisis of a nation, all this set against a spectacular backdrop which seems somehow not of this world.