The Cousin (2018)

The faded and fragmented memories of a relationship that's perpetually under sedation.

To film without looking trough the viewfinder; to emulate a tactile, subconscious vision. This was the intention of "A traves de las ruinas", made during the Falklands War (April-May 1982). The camera is a vacillating gaze that moves about in the darkness or is blinded by flickering. At the beginning, it delves into the sea, later it represents aerial bombardments through urban lights. Silhouettes of human figures appear that never manage to connect with each other. Scarcely lit places, photographed on the "threshold or exposure"; wintry, generalized interaction of spaces, distances and dynamics. A continual present made up of intuitions and imprecise memories.

Paul, an American composer, arrives in the desert town of Real de Catorce where his father recently died. For the past ten years, Paul has been consumed with the task of composing an ending for the masterpiece of an early twentieth century musician. Being isolated from the world, he sees an opportunity to finish the symphony. However, Paul is caught up in a new mystery, the disappearance thirty years ago of a woman named Marianne.

Roberto Martínez (Armando Álvarez) loses his job, his home and his family; He has to spend a few nights on the street in what a reaction plan does. One of those days he meets a hairy friend with whom he will live new adventures until both recover everything they have lost.

In a courtroom in Queens, women facing prostitution charges may earn a chance at redemption thanks to an experimental program established by a team of rebel heroines working to change the system.

Eight friends travel to a cabin in the woods to celebrate their high school graduation.

"Bozicna pesma" is made on the basis of Christmas Poems written by Jovan Jovanovic Zmaj.

The story of a woman's resistance and her efforts in trying to sue a guy who attacked her.

The story of a soldier who is in his last days of the military service and the problems which occur to him on the road. He steps on a path to trouble when he disobeys his commander who had always been very kind to him like a father.

Three Aussie boys are on a rocky path towards jail until they meet a rule-breaking jackaroo and join his legendary dog jumping team.

In this delicious new documentary, Filipino-American filmmaker Alexandra Cuerdo follows the rise of Filipino food via the award-winning chefs crossing over to the center of the American table. ULAM: Main Dish stages this new culinary movement as not only a remarkable achievement for American restaurateurs, but also as a validation of Filipino culture. The film confronts issues inherent in representing both Filipino and American identity, and challenges from both the Filipino community and the world at large. Ultimately, ULAM is a celebration - and confirmation - that Filipino food, and Filipinos, are here to stay.

A trio of quirky lifelong friends create a makeshift family, but their tight bond is tested when one of them falls in love with a writer.

Based on the short story by Fyodor Dostoyevsky - A Gentle Creature - written in November 1876. Farhad is an isolated antiques dealer who has no communications with the outer world but his few customers. After he gets into a relationship with Nazanin, one of his customers, suddenly everything falls apart.

Teo Hernandez films the water of the Seine and its reflections for a film at once material and luminous.

After ten years of war, plague and famine, the land is swept clean of people. The few remaining souls are scattered about, living in misery and lacking hope. An anxious silence hangs over the land. On one particularly starry night, two peasants find a stranger on the seashore.

Based on a stage play of the same name by Amy Nostbakken and Norah Sadava, the story follows Cassandra, who is portrayed by the two women, expressing the opposing voices that exist inside the modern woman's head, during a 48-hour period as she tries to organize the affairs for her mother's funeral.

A couple of old friends talk on a Sunday night in Mexico City.

A hack filmmaker wastes the money lent to him by a mysterious organization, and so has to take matters into his own hands by locking a cast of actors in a house and becoming the villain in his own slasher movie.