Illustrated conversation with Professor Lars Kristiansson (1985)

かつての恋人に呼び出されたトムは、社内で誘惑される。断って部屋を出たトムを彼女がセクハラで訴えたことからゲームに巻き込まれる……。ハイテク企業を舞台にしたセクシャル・サスペンス。

Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

An international conference on the future of cyber security held in China's tallest building is interrupted by a group of terrorists taking advantage of the lockdown ahead of the meeting. The only delegate not held by the terrorists Sunny Liu finds herself in the unenviable position of being the lone chance of stopping them. The terrorists think catching a single woman is easy, but they may have underestimated their prey.

Based on the conversations Jösta Hagelbäck and Erik Ostlund had with Lars Kristiansson, a professor of information theory with data communication at Chalmers University in Gothenburg, Sweden. The talks took place at the difficult cancer sufferer Kristiansson's sick-bed and dealt with his insights in computer technology, his hopes and fears for the new technology, the role of religion, the history of mathematics, reasoning about algebra, analytic geometry and the fourth dimension, along with cultural outlooks over the Western society's lack of mysticism and spiritual values.

Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.

The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.

Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.

The film goes behind the scenes of the 1999 sci-fi movie The Matrix.

衝撃的な性描写が物議をかもし、アメリカ全土を揺るがした伝説のポルノ映画『ディープ・スロート』騒動を検証するドキュメンタリー。2年以上かけて監督、主演者ら関係者100人以上にインタビューを行い、1本の映画が巻き起こした波紋を描く。監督・脚本は、『パーティ☆モンスター』のフェントン・ベイリー＆ランディ・バルバート。70年代当時のアメリカの性文化ばかりでなく、ポルノ産業が創造性よりも商業性重視に転じていく様子も映し出され興味深い。

成功を導く法則"ザ・シークレット"の謎を、各界で活躍する指導者たちが解説。プラトン、ダ・ヴィンチ、アインシュタインらの偉業の陰にあった秘密が今明らかに。

Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.

For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.

Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."

One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.

The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Filmmaker Leni Riefenstahl's controversial masterwork is an artful work of propaganda showcasing German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally. Edited from over 60 hours' worth of raw footage shot over the course of the rally's four days, the film is visually remarkable in the way it captures the event's enormous scale.

For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.