Balekempa (2018)
ジャンル : ドラマ
上映時間 : 1時間 43分
演出 : Ere Gowda
シノプシス
A village bangle seller and his wife cannot conceive a child. The villagers gossip. In this close-knit patriarchal community in South India, hidden desires and relationships find a way to exist. Will the husband's secret ever come out? An intriguing narrative in an elegantly directed debut with exceptional camera work.
Amidst the ruins of a coconut plantation in rural Trinidad, Asha, a displaced girl seeking her roots, is drawn to a young fisherman who shares her desire to look beyond.
The story of a man trying to cope with the death of his sister, but cannot because he must continue working with the illegal business of bringing undocumented immigrants from Dominican Republic to Puerto Rico.
An old man, in the agony of death, asks his children to cremate his body and scatter the ashes in the sea. Willing to fulfill the last wish of the elderly, as a rite of passage the youngsters unknowingly transgress the traditions of their father. From that moment on the boys will have to assume roles that are not theirs, faced with everyday life.
A young woman's life takes a series of unexpected turns after she leaves the Buddhist temple where she has lived most of her adult life.
Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.
A mother attempts to keep her family safe as war rages and a sniper lies in wait outside her home.
レバノン出身の奇才ジアド・ドゥエイリ監督が、自らの体験を基に描いたドラマ。パレスチナ人とレバノン人の水漏れを巡る口論が国を揺るがす大騒動へと発展する様子を、時に緊迫感満載に、時にユーモラスに描く。
ディズニーワールドの近くでその日暮らしをしている貧しい母子。社会の片隅で生きる人々の日常を、カラフルに描き出したショーン・ベイカー監督のマジカルな人間ドラマ。天才子役ブルックリン・キンバリー・プリンスが熱演。
In 1957, Ghana was the first African country to become independent of its colonial rulers, in this case the British. Kwame Nkrumah, the first president of what in 1960 became the Republic of Ghana, called on Africans from all over the world to come to Ghana to help build the new nation. The most important aim was to "undo the damage caused by the slave trade" as filmmaker Shirikiana Aina expressed it in her documentary Footprints of Pan Africanism. Several people speak in Aina’s film about the reconstruction of Ghana and Nkrumah, who was deposed in 1966, offering room for their frequently gripping personal stories. These are often marked by racism, the emerging civil rights movement and what it’s like to be black and live elsewhere. For many, returning to Africa was like going home.
Bruk Out follows six unique dancers from around the globe as they prepare for the world's biggest Dancehall Queen competition.
Maud and Frank are on holiday in Chile. Their relationship is fragile and so is Maud. After many years of trying, it is now time to face the fact that they will never have children. However, Maud is in denial. After a huge fight with Frank she runs off and sets out on a road trip through Chile to get her life back on track.
1940年6月、フランスが降伏し、ドイツ国中が戦勝ムードに沸く中、首都ベルリンに暮らす労働者階級の夫婦、オットーとアンナのもとに1通の手紙が届く。それは、彼らのひとり息子ハンスの戦死を知らせるものだった。それ以来、2人は、悲しみと失意を怒りに転化させ、ヒトラー政権を批判するメッセージを匿名の葉書にせっせと書き綴っては、街のあちこちに人知れずばらまくという、ささやかな抵抗運動に身を投じるようになる。
緊急通報司令室のオペレーターが、今まさに誘拐されているという女性本人からの通報を受ける。車の発射音や女性のおびえる声、犯人の息遣いなど僅かな音を頼りに、主人公が事件に挑む姿を描く新感覚サスペンス。