Self Portrait: Birth in 47 KM (2016)
ジャンル : ドキュメンタリー
上映時間 : 1時間 17分
演出 : Zhang Mengqi
シノプシス
Between 1959 and 1961, more than 35 million people starved to death because of Mao’s Great Leap Forward policies. To avoid censorship in China, this painful period is now euphemistically referred to as the “Three Years of Natural Disasters.” This courageous oral history, directed by Zhang Mengqi, tells the story from the point of view of her grandfather’s village, to which she returns every winter to interview survivors. Central is moving voice-overs from a grandmother who details harrowing pregnancies and lonely births during the Great Famine and her granddaughter, a migrant worker. In this agricultural village, the landscape is stark yet beautiful with plenty of room for contemplation. When a hand appears in front of the camera, Zhang transitions into a delightfully playful territory, incorporating a uniquely participatory experience that extends beyond the screen.
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In the 1970s, five men struggling with being gay in their Evangelical church started a bible study to help each other leave the "homosexual lifestyle." They quickly received over 25,000 letters from people asking for help and formalized as Exodus International, the largest and most controversial conversion therapy organization in the world. But leaders struggled with a secret: their own “same-sex attractions” never went away. After years as Christian superstars in the religious right, many of these men and women have come out as LGBTQ, disavowing the very movement they helped start. Focusing on the dramatic journeys of former conversion therapy leaders, current members, and a survivor, PRAY AWAY chronicles the “ex gay" movement’s rise to power, persistent influence, and the profound harm it causes.
南アフリカの海中に生息するタコに魅(み)せられた映像作家。タコとのふれ合いを通して特別な絆を築く中、海の神秘に重ねて人生を見つめ直す。
The enthralling, against-all-odds story that transfixed the world in 2018: the daring rescue of twelve boys and their coach from deep inside a flooded cave in Northern Thailand.
2017年2月、マレーシアのクアラルンプール国際空港で一人の男が突然倒れた。神経猛毒剤VXを顔に塗られて殺された男は、北朝鮮・朝鮮 労働党委員長、金正恩の実兄・金正男。そして殺したのはベトナム人とインドネシア人の二人の若い普通の女性だった。暗殺の様子は空港の監視カメラにす べて納められ、そのいたずらのような“ドッキリ”映像は世界を駆け巡ることとなる――。なぜ彼女たちは北朝鮮の重要人物を暗殺したのか?そもそも彼女た ちはプロの殺し屋なのか?どのように暗殺者に仕立てあげられていったのか?分かってきたのは、貧しい二人がそれぞれの人生を夢見、そこに付け込んでSNSを通して巧妙に罠をしかけてきた北朝鮮の工作員たちの姿だった。巨大な国を相手に彼女たちの無罪を信じ、証拠を積み上げていく弁護団の渾身の調 査はやがてある真実に行きつく...。
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ウッドストックが開催された1969年の夏、160キロ離れた場所で行われたもうひとつの歴史的音楽フェスティバル「ハーレム・カルチュラル・フェスティバル」にスポットを当てた音楽ドキュメンタリー。スティービー・ワンダー、B・B・キング、マヘリア・ジャクソン、ニーナ・シモンらブラックミュージックのスターが集結し、30万人以上が参加しながらも、その様子を記録した映像は約50年間も地下室に埋もれたままになっていた。4度のグラミー賞受賞者で、エミネムやジェイ・Zのプロデューサーとしても知られるアミール・“クエストラブ”・トンプソンが初監督を務め、黒人の歴史やカルチャー、ファッション、音楽の大々的な発表の場となった同フェスティバルの全貌を、貴重な映像や当時のインタビュー、そして約50年の時を経てこの映像に初めて触れる当時の参加者たちの証言を交えながら描き出す。2021年サンダンス映画祭でドキュメンタリー部門の審査員大賞と観客賞を受賞。
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