Amir (2018)

Golsa is a 16-year-old girl living with her family in a small town near Tehran. She spends most of her time hanging out with a group of friends. One day the group decide on a course of action the consequences of which will have unexpected results and turn their little bit of fun into something far more complicated.

There is a story of a young girl from the south of Tehran who falls in love with a young city girl while the girl is forced to emigrate from Iran for some reason. Along the way, his brother accompanies him, but in the middle of the road, something happens to them ...

I was suffocating, but I don't kill her. I love it.

In the the tumultuous neighborhoods of Tehran, in the winding streets and alleys and displaced and confused in every little houses... Does this the rummage will be the end?

A clothing store worker (Jahan) meets a poor girl named Eti. Jahan tries to help the girl and solve her problems, but…

Hamoon's wife is leaving him. He is also unsuccessfully trying to finish his Ph.D. thesis. He is forced to reexamine his life. In a series of flashbacks and dreams, Hamoon tries to figure out what he did wrong.

It’s 1988 and, at the height of the Iran-Iraq War, Tehran is bombed relentlessly. The days that pass are full of foreboding, and yet, love, affection, hope and life itself manage to sweep away the fear of death from those surrounded by it. Love may often be difficult to comprehend, but death is a horrible certitude. ‘Bomb, A Love Story’ shows how, even when faced with the darkness of death, love and hope will find a way.

Samad is nobody’s fool. The narcotics officer has seen his share of a drug dealer’s lies and games, and his patience has come to run thin. While searching for the infamous drug baron Nasser Khakzad, he and his colleague Hamid scour the streets of Tehran, turning an overcrowded prison on its head. With his rough and dubious approach, Samad finally manages to find the criminal’s whereabouts – but things do not quite go according to plan...

An orange Chevrolet Impala drives across a cemetery towards an abandoned shipwreck in the middle of a desert landscape. It is the 22nd of January, 1965. The day before, the Iranian prime minister was shot dead in front of the parliament building. Inside the wreck, a banished political prisoner has hung himself. The walls are covered in diary entries, literary quotes and strange symbols. Can they help Police Inspector Babak Hafizi in his investigations? Will they shed any light on why there is always an earthquake whenever somebody is buried in this desert cemetery?