The Breadbasket (2002)

With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

A group of strangers find friendship, family and love within an Italian beginners’ course.

盲学校の教師をしている青年ジュリアンは、未婚で妊娠している姉パール、エキセントリックな父、レスラーを夢見る弟クリス、犬を溺愛する祖母と一緒に暮らしている。家族は父の異常な言動や怒りの発作に苛まれていたが、そんなジュリアンのたった一つの安らぎは姉のパールだった。しかしある日、ジュリアンたちとアイススケートに出かけたパールは、滑って転倒し病院に運ばれてしまう。

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

A grandiose party to celebrate a sixtieth birthday unleashes a family drama with all the lies that conceal horrendous secrets. The eldest son, Christian, stages a showdown with the popular pater familias; his provocative, moving after-dinner speech dislodges all the masks, which finally fall completely as the father-son conflict intensifies and the bewildered guests look on.

Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.

Anna, a young theology graduate, starts work as a prison chaplain. She becomes especially concerned about one inmate, Kate, regarded as difficult and withdrawn, but whom the other inmates credit with mysterious healing powers.

A French woman falls in love with a Yugoslavian man, not realizing that he is an illegal immigrant.

Gypo is the story of a working class family in Margate, Kent, a town where immigrants have become the focus of most of the public's discontent. The film tells the story of the a couple of weeks in this family's life, beginning when a young Czech girl, Tash, comes to visit. The film is made in the Dogme95 tradition, so no costumes, no lighting, no props or sets, which gives the film a gritty texture appropriate to the story.

A bittersweet and heartfelt story about going back. In the twenty-four hours before their 20th high school reunion, five friends, a younger brother and a mysterious photojournalist are reunited by determined Mayor Margaret to remember the good times of 1981

A story of a filmmaker who falls in love with a woman he interviews for his film. The film presents the evolution of a relationship which shifts from the objective to the subjective, and from lies to truth.

P. is a little girl's imaginary friend who lives inside the wall of her room. But one day he magically materialises and so must learn to live in the world like everyone else - a world where he is met with suspicion and hate but also with wonder and love.

Katrine is to be married. Her fiancé is gorgeous, their appartment is luxurious and her future in-laws are wealthy. Katrine only has one problem: she sometimes finds it difficult to tell the truth, and this sends her on a round-about jaunt with an old friend, Thomsen, who has just barged in unannounced from Kenya and who wants to return a favour and help Katrine with her wedding preparations. A labyrinthal excursion takes place. Tomorrow is another day, the wedding day!

Kira and Mads try to work out their marriage, after Kira has been two years in a mental institution, but is she really ready for the real world?

Peter and Chris, two young American friends in their late 20s, go from South Dakota to California on a scooter, and as they travel across the American landscape they see their country through different eyes, ranging from Peter's cynically nihilistic point of view, to Chris' high expectations and romantic notions of the United States.

The entire extended family is happily on its way to a nostalgic Christmas at a rented cabin in the mountains. The cabin becomes cramped, however, when mom and dad and four grown-up children with their respective families, a dog and in-laws from Poland squeeze inside the frozen cabin walls in 30-below-zero weather.

First-ever Spanish Dogma Film. An acid psychosocial-sexual comedy tells the story of a group of friends from university who, ten years after finishing their journalism studies, decide to meet up again in one of their friends' homes to revisit past times. Up until now, they have all done well in life and should be happy, but they aren't. A weekend will be more than enough to bring out the best and the worst in each of them and to create conflict.

Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.