Quiet Killing (2018)
ジャンル : ドキュメンタリー, 犯罪
上映時間 : 1時間 10分
演出 : Kim O'Bomsawin
シノプシス
An examination of the issue of missing and murdered Indigenous women, the film explores the reasons why Indigenous women are uniquely vulnerable to violence by juxtaposing the stories of some missing or murdered women with the personal testimonies of women who are doing activism on the issue and women who have personally survived incidents of violence.
差別が色濃く残る時代、コロラドスプリングスで初めての黒人刑事として採用された主人公が、白人至上主義団体「KKK」への潜入捜査を行なう。まさかの実話をスパイク・リー監督が映画化したクライム・サスペンス。
Nate Foster, a young, idealistic FBI agent, goes undercover to take down a radical white supremacy terrorist group. The bright up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy. Inspired by real events.
ノバスコシア州の社会から孤立した地域。そこで産業廃棄物の影響に苦しむ住民が現状に至るまでの歴史を赤裸々に語り、問題解決のために政府と闘う姿に迫る。
In an isolated rural community of Quebec, Canada, some inhabitants attack other people, hungry for human flesh. A few survivors gather and go deep into the forest to escape them.
ニューヨークに暮らすアフリカ系アメリカ人の写真家クリスは、ある週末に白人の彼女ローズの実家へ招待される。若干の不安とは裏腹に過剰な歓迎を受けるものの、黒人の使用人がいることに妙な違和感を覚える。翌日、亡くなったローズの祖父を讃えるパーティに多くの友人が集まるが、何故か白人ばかり。そんななか、黒人の若者を発見し携帯で撮影すると、フラッシュが焚かれた瞬間彼は鼻から血を流し急に豹変し、「出ていけ!」と襲い掛かってくる。“何かがおかしい”と感じたクリスは、ローズと一緒に実家から出ようするが…。
The dead are coming back to life outside the isolated Mi'kmaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.
Anticipating a disaster, Antoine, a father, attends a survivalist training given by Alain in his autonomous hideout. In fear of a natural, economic or social crisis, the group trains to face the different possible apocalyptic scenarios. But the disaster they will experience will not be the one they predicted.
ギリギリの生活を送るシングルマザーのダイアンは、15歳のスティーヴと二人で生活している。彼女は最近矯正施設から退所したばかりの注意欠陥多動性障害の息子の扱いに手を焼いていた。やがて母子は隣の家に住む、今は休職中の高校教師カイラと親しくなっていき……。<カナダの俊英、グザヴィエ・ドラン監督が母と息子を題材に描く人間ドラマ。架空のカナダを舞台に、型破りなシングルマザーと問題児の息子、そして隣人の女性が織り成す人間模様を映し出す。アンヌ・ドルヴァルが母親を演じ、息子をアントワーヌ・オリヴィエ・ピロンが熱演。>
雪深い小さな町。ある日の朝、平和な日常が一瞬で崩れ去った。子どもたちを乗せたスクールバスがスリップをおこし、凍った湖に転落。多くの⼦供の命が奪われた。町にやって来たベテランの弁護士スティーブンスは集団訴訟を起こすべく、子供を失った親たちを説得して訪ねてまわる。やがてスティーブンスは事故の唯⼀の⽣存者の美しい少⼥ニコールに訴訟に勝つために証⾔するように説得する。しかし、彼⼥が口にしたのは意外な「真実」だった・・・。
1960年代の保守的な家庭で、5人兄弟の4男として育ったザック。「特別な子」と呼ばれた彼は、軍で働き音楽を愛する父親と過保護気味の母親、それぞれ文武に秀でた兄2人、問題だらけの次男を観察しながら幼少期を過ごす。やがて思春期に足を踏み入れる1970年代。ザックは同性に惹かれ始めた自らのアイデンティティと、男らしくあれという父親の価値観の間でもがくようになる。
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
The 30-year legacy of the murder of black teenager Yusuf Hawkins by a group of young white men in Bensonhurst, Brooklyn, as his family and friends reflect on the tragedy and the subsequent fight for justice that inspired and divided New York City.
Dog attempts to sleep in the hills of Laval, Québec, Canada.
A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.
Morgan and his friends are on a hunting trip on a remote Canadian island when they are attacked by a swarm of giant wasps. Looking for help, Morgan stumbles across a barn inhabited by an enormous killer chicken. After doing some exploring, they discover the entire island is crawling with animals that have somehow grown to giant size. The most dangerous of all of these, however, are the rats, who are mobilizing to do battle with the human intruders.
Charlie Bucktin is a bookish boy of 14. His life changes forever when Jasper Jones, the city's multiracial outsider, shows him the body of young Laura Wishart one night. Entrusted with this secret and believing Jasper to be innocent, Charlie embarks on a dangerous journey to find the true killer.
Follows the life of Native Canadian Saul Indian Horse as he survives residential school and life amongst the racism of the 1970s. A talented hockey player, Saul must find his own path as he battles stereotypes and alcoholism.
Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.
Babz Dubreuil, a lonely ex-convict, works as a cook in a brunch restaurant. At the encouragement of a colleague, she finds the courage to ask an attractive customer on a date. It might be the beginning of redemption.
The territory of Akwesasne straddles the Canada-U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases - a right established by the Jay Treaty of 1794 - Kanien'kéhaka protesters blocked the international bridge between Ontario and New York State.