The World's Greatest Monster (2003)

ユダヤ人の大量虐殺が行われていた第二次世界大戦中の1941年。ベラルーシに住むユダヤ人の３兄弟、トゥヴィア、ズシュ、アザエル（は子どものころからの遊び場だった森に逃げ込む。だが、彼らの思惑とは裏腹に、逃げ惑うユダヤ人たちが次々と森に集まり始める。

第二次世界大戦中のユーゴスラビアでは、強大なドイツ軍が、パルチザン将兵をネレトバ峡谷に追いつめていた。彼らを救うため、アメリカ軍特殊部隊“フォース10”がネレトバ橋の爆破を命じられる。フォース10には、ナバロン要塞を爆破したマロリーとミラーが加えられた。しかしユーゴスラビアに降下した彼らは、ドラザック大尉率いる王党派に捕えられ、ドイツ軍に引き渡されてしまう。

Miracle at St. Anna chronicles the story of four American soldiers who are members of the all-black 92nd "Buffalo Soldier" Division stationed in Tuscany, Italy during World War II.

イギリスのとある街にある工場で働くハンナは、働き者ではあるが誰とも口を利かず、孤独な毎日を送っていた。彼女の過去は誰も知らない。時々どこかに電話をかけるが、相手が出ても何も話さずに切ってしまう。全く休まないハンナを見た上司は、彼女に無理にでも休暇を取るように勧め、ハンナはある港町にやって来る。しかし休暇など欲しくなかった彼女はとりたててすることもない。 そんな時に入った中華料理屋で、至急看護師が欲しいと携帯で話す男を見かけ、ハンナは自分は看護師だと告げる。ある海底油田掘削所で火事が起こり、重傷を負った男性を看護する人が必要だという。ハンナはすぐにヘリコプターで採掘所に向かう。 患者のジョゼフは重度の火傷を負っており、さらに火事のせいで一時的に目が見えなくなっていた。火事の時、ある男が火の中に飛び込んで自殺したが、ジョゼフは彼を助けようとして重傷を負ったとハンナは聞かされる。 ハンナは黙々とジョゼフを看護する。ジョゼフは時には強引に、時には冗談を交えて何とかハンナ自身のことを聞き出そうとする。そんなジョゼフや、採掘所で働く心優しいコックのサイモンに、徐々にハンナは心を開いていく。

Two Soviet partisans leave their starving band to get supplies from a nearby farm. The Germans have reached the farm first, so the pair must go on a journey deep into occupied territory, a voyage that will also take them deep into their souls.

「パパは、出張中！」「アンダーグラウンド」のエミール・クストリッツァ監督作品。ドナウ川のほとりに暮らすジプシー一族に起こる若者の恋愛や石油列車強奪計画といったエピソードを、陽気にストレートに描いたコメディ。ジプシーのマトゥコは、自称ダマしの天才。ある日、彼はロシアの密輸船から石油を買うが、見事に騙されて大金を失う。金に困ったマトゥコは、息子のザーレとともに、“ゴッドファーザー”グルガに石油列車強奪の計画を持ちかけ資金援助を乞うが……。

During the Battle of Sutjeska, partisan troops must endure 24 hours of big and heavy attacks on German units Ljubino grave, to the main Partisan units, with the wounded and the Supreme Headquarters, pulled out the ring that is tightened around them.

The Gestapo forces con man Victorio Bardone to impersonate a dead partisan general in order to extract information from his fellow inmates.

In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

スターリン主義の影響下にあった50年代初頭のユーゴスラビア。薄汚い密告が見境なくはびこり、人々は疑心暗鬼だ。少年マリックの精力的かつ俗物の父親も例外なくその犠牲となる。ふと愛人に洩らした他愛ない国政批判のせいだ。収容所に収監された父を、母は“出張中”と少年に告げごまかすのだった……。＜旧ユーゴのクストリッツァがカンヌでグランプリを得た、ユーモアの中に痛烈な体制批判を織り込んだ作品。＞

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

Led by British officers, partisans on Crete plan to kidnap the island's German commander and smuggle him to Cairo to embarrass the occupiers.

Young farmer Mikajlo while on youth labour action falls in love with a student Nada and infatuated with her, he leaves the peasant brigade and Malena, a girl who as if she were overabundant, followed him to work the labour action. Mikajlo's courtship of Nada provokes laughter and ridicule, so ambitious 'Don Juan' returns to his brigade and the girl.

A renegade team of World War II soldiers. This time, one of the 12 is a woman and, with a Nazi spy within their midst, they're up against German wartime geniuses out to establish a Fourth Reich.

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision WR: Mysteries of the Organism begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

In order to check the German offensive, Partizans send an elite team of explosive experts to blow up a strategically important bridge. Besides being heavily guarded, that bridge is almost indestructible and the only man who knows weak spots in the construction is the architect who built it. He is, however, reluctant to cooperate because he doesn't want to see his masterpiece destroyed.

"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.

In order to save a friend's daughter, a 17-year-old Jewish girl, from the Ustashas, the Croatian family arranges her to be wed to their son Ivo.

During the Cold War, diplomatic courier Mike Kells must retrieve a dispatch containing top-secret intelligence. But when he arrives at the meeting point, a train station in Salzburg, his contact turns up dead, and the message is nowhere to be found. With no clear suspect in sight, Kells must sort through his uncertain relationships with two women, while sidestepping the pitfalls of subterfuge, sabotage and spies in his search for the documents.

The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.