I Need That Record! (2008)
The death (or possible survival) of the independent record store
ジャンル : ドキュメンタリー, 音楽
上映時間 : 1時間 17分
演出 : Brendan Toller
シノプシス
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
パットがボーカルを務めるバンドは、車のガソリン代にも事欠く、売れないパンクバンド。彼らが極貧ツアーの中、ようやく出演することができたライブハウスは、なんとネオナチの根城だった。パットとバンドメンバーは、そこで殺人の現場を目撃してしまい、ネオナチ軍団から命を狙われる事態となってしまう。圧倒的に不利な状況で、グリーンルーム（英語で「楽屋」の意味）に閉じこもったパットたちは、アイデアと反骨精神を武器に極悪非道なネオナチ軍団に立ち向かう。
Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
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Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
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This DVD, a unique collection of the visual works of Elvis Costello, boasts a grand total of 27 videos and includes material rarely seen since the original release of the singles they supported. From his first Radar Records single in 1978, "I Don't Want To Go To (Chelsea)," to his final video for Warner Bros., "13 Steps Lead Down" (from 1994's Brutal Youth), this is a must purchase for all serious Elvis Costello enthusiasts and fans alike.
January 1978. After their success in England, the punk rock band Sex Pistols venture out on their tour of the southern United States. Temperamental bassist Sid Vicious is forced by his band mates to travel without his troubled girlfriend, Nancy Spungen, who will meet him in New York. When the band breaks up and Sid begins his solo career in a hostile city, the turbulent couple definitely falls into the depths of drug addiction.
A documentary about the history and reformation of Toronto punk band Death from Above 1979.
Documentary covers three tumultuous years in the career of the Southern rock group Drive-By Truckers.
Documentary on the Ramones, including archival footage, interviews and music videos, this was first released on VHS in 1990 and later re-released on DVD as part of the WEIRD TALES OF THE RAMONES box set in 2005, with expanded content. HEY, HO, LET'S GO!
A documentary on the music, performers, attitude and distinctive look that made up punk rock.
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From the beginning, LA punk band the Circle Jerks were rooted in controversy. Formed by ex members of Black Flag and Red Cross (now Redd Kross) in late 1979, the band came to encapsulate the image, sound and energy of California Hardcore Punk. Filmmaker David Markey (1991: The Year Punk Broke, The Slog Movie) mixes in-depth interviews, rare live footage and historical perspective to illustrate the story of one of the most influential bands in the American underground. My Career as a Jerk follows the band from their early days and classic debut to navigating the independent label and touring scene of the 80s to the addictions, fights and injuries that forced their break up. Of course the story doesn't quite end there.
パンクバンド“ブラスト”のヴォーカリスト・大崎ナナと、恋人・章司を追いかけて東京へ向かおうとしていた小松奈々。同い年、同じ名前のふたりが出会ったのは、上りの新幹線の中だった。クールなナナとキュートな奈々、見た目や性格は違うけどすっかり意気投合したふたりは、河を望む古いマンションの一室で共同生活を始めた。数日後、ギタリストのノブとドラマーのヤスが、新曲を携え上京して来た。新メンバーにベースのシンを加え、活動を再開するブラスト。ナナは、歌に賭ける気持ちを燃やす。一方、奈々はつれない章司に不満を募らせていた。実は、章司は思い込みの激しい奈々に疲れ、同じバイト先で知り合った大学の同級生でもある幸子に心変わりしていたのだ。彼は、奈々の目の前で幸子を選ぶ。傷心の奈々に、人気バンド“TRAPNEST”のライヴ・チケットが届いた。そのギタリストであるレンが、かつてブラストのメンバーでナナの恋人だったことを知った彼女は、ナナを誘ってライヴに出かける。レンが引き抜かれバンドを脱退した時に、愛し合いながらも別れた筈のナナとレン。しかしライヴ当日、再会を果たしたふたりは愛を再燃させるのであった。それから暫くして、奈々がバイトをクビになった。落ち込む彼女に、ナナが用意してくれたプレゼント。彼女は、奈々の大ファンであるTRAPNESTのヴォーカリスト、タクミを部屋に招いてくれたのだ。――20歳を過ぎ、甘えてばかりいられない現実の中で、とびきり甘い夢を見せてくれたナナ。それは、奈々にとってとても幸福な初恋みたいな時間だった。
