My War (2018)

Programming the Nation? takes an encompassing look at the history of subliminal messaging in America. According to many authorities, since the late 1950s subliminal content has been tested and delivered through all forms of mass-media including Hollywood filmmakers Alfred Hitchcock and William Friedkin. Even our modern military has been accused of these practices in the "war on terror" against soldiers and civilians both abroad and at home. With eye-opening footage, revealing interviews, humorous anecdotes, and an array of visual effects, the film categorically explores the alleged usage of subliminals in advertising, music, film, television, anti-theft devices, political propaganda, military psychological operations, and advanced weapons development. Director Jeff Warrick makes it his personal mission to determine if these manipulative tactics have succeeded in "programming the nation?" Or, if subliminal messaging belongs in the category of what many consider urban legend.

A willful young boy follows his just as obstinate grandmother in a journey across Iraq, determined to discover the fate of her missing son, Ahmed's father, who never returned from war.

La vida ha llevado a Julián Pérez por caminos equivocados, pero el destino le presentará a este hombre la oportunidad de encontrar su redención cuando es enviado a la misión más peligrosa y noble de toda su vida, una misión ordenada por la única autoridad que todavía respeta, su madre, Doña Elvira. Julián debe viajar hasta el otro extremo del mundo, a un lugar llamado Irak, a traer de vuelta vivo, a su hermano menor el soldado de infantería Juan Pérez. Con la promesa hecha, Julián Pérez regresa a su natal Sinaloa donde reclutará a un comando de elite, destinado a cumplir una misión suicida: viajar a Irak y salvar al soldado Pérez.

A private security contractor in Iraq rejects the official explanation of his friend's death and decides to investigate.

The story of a Kurdish newspaper whose journalists are under the constant threat of being abducted and killed by the state security forces.

An exploration the Arab-Israeli conflict as seen through the memories of a Syrian family as they return to the newly retaken city of Quneitra.

Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks he's been dead for over twenty years.

The Human Shield is a 1991 film directed by Ted Post. It stars Michael Dudikoff and Tommy Hinkley. It is about a former government agent who must save his diabetic brother from Iraqi abductors.

Rafea: Solar Mama follows the groundbreaking journey of one Bedouin mother living on the Jordan-Iraq border who, along with thirty illiterate grandmothers from around the world, will travel to The Barefoot College in India to become Solar Engineers. (TIFF)

Chronicles of everyday life in Iraq before and after the U.S. invasion.

Two Americans deliberately head to the edge of war, just seven miles from the Syrian border, to live among 80,000 uprooted refugees in Jordan's Za'atari refugee camp.

2004年イラク戦争。味方を助けるため、危険を顧みずに飛び交う銃弾の中に身を投じたビリー・リン(ジョー・アルウィン)。その雄姿が偶然ニュースにとりあげられたことで国の英雄になった彼とチームは、一時帰国の間に全米凱旋ツアーに駆り出される。故郷の歓迎に再出兵をためらう気持ちが芽生えるビリーであったが、同時にその歓迎への疑念も生じる。そして、いよいよ戦地へ戻る前日、ツアー最大の目玉となる感謝祭のアメリカン・フットボールのハーフタイムイベントに迎えられたビリー。大歓声の中、彼は戦地を回想する…。

Based on a novel by renowned Syrian author Haidar Haidar, Nabil Maleh's first full-length feature is set in Syria in the early 1900s. it is the suspense-filled story of Al Fahd (Adib Qaddoura), an ordinary peasant who becomes a lone rebel, fighting bravely against the colonial government that has usurped his land and subjects him to imprisonment, torture and insult at the hands of the gendarmes. But he declines the help that might have enabled him to overthrow the oppressors for good. The Leopard won first prize at the Locarno Film Festival in 1972 and in 2005 was selected by the Pusan International Film Festival as one of the greatest masterpieces in Asian cinema history.

Examines the unfolding chaos in Iraq and how the U.S. is being pulled back into the conflict. Drawing on interviews with policymakers and military leaders, the film traces the U.S. role from the 2003 invasion to the current violence, showing how Iraq itself is coming undone, how we got here, what went wrong, and what happens next.

On the brink of the 2007 U.S. troop surge, two Army Recruiters face the daunting pressures of recruitment while their own deployment is on the line. Sgt. Harris (Lew Temple) has been stationed in the recruiting office long enough for it to feel like home. On the other side of the world, a roadside bomb rips through a Humvee, and after recovering from the attack, Sgt. Mason (Clayne Crawford) gets reassigned and winds up in Harris's office. Mason wants to go back to the front lines, but he finds out that the war isn't confined to the battlefield.

A mysterious black marble tablet is found in Syrian desert by an Arab terrorist after an attack on a UN scientific expedition.

Seeking to understand 'why they hate us', the US military adopts a new strategy of cultural awareness to win over the hearts and minds of the Iraqi and Afghan people. Controversy erupts when academics embed with combat troops and the war comes home to the university.

War of Lies is the story of an Iraqi refugee, whose information about portable weapons of mass destruction passed through the hands of the BND, MI6 and CIA. This information was ultimately used by the US government to legitimize the invasion of Iraq in 2003. Today we know the war was based on a lie. The press blamed Rafed Ahmed Alwan, he, though, proudly presents himself as the man who helped remove Saddam Hussein. Was Alwan really able to walk all over the worlds intelligence services and how did this lie become a convenient truth?

Soundtrack to War showcases spontaneous music performances by a striking cast of battle weary. Performances made without rehearsal, under the blaring Iraqi sun, with a destroyed city, the distraction of gunfire and bursting mortar shells forming a frightening backdrop. American culture came into Iraq, wired into its tanks and helicopters - a live soundtrack to war, with lyrics such as Let The Bodies Hit The Floor, Round Out, The Tank and Bombs over Baghdad, being memorised by every soldier and forever linked to the violent events they accompanied. As the war extended into a second year, many started writing and performing their own songs. It was rock, rap & roll.

A follow up to Under Cover aka The Company(1991. Linda Purl is again Kate Del 'Amico, National Intelligence Agent who travels to Kuwait in 1990 to investigate the possibility of an Iraqi invasion. When it is discovered that the Iraqi's plan to launch a missile of chemical warfare, the Agency must sacrifice trainee Sam Hamadi (Jesse Borrego) in order for the missile site to be pinpointed.