Barbara Rubin and the Exploding NY Underground (2018)
ジャンル : ドキュメンタリー
上映時間 : 1時間 18分
演出 : Chuck Smith
シノプシス
The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.
Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.
A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.
野原に建てられたテント小屋では、アブノーマル・セックス、吐き出したゲロを喰う男、ヘロインの禁断症状などを売り物にした変態ショーが行われている。その一団の座長が、ディヴァインだ。集まった客を射殺しては逃げ回るなど、その悪行は留まるところを知らない。内縁の夫デヴィッドがたまらずディヴァインを殺そうとするが、そう簡単にやられるわけもなく、常軌を逸した殺し合いが繰り広げられる。
Short Subject [commonly known as Mickey Mouse in Vietnam] is a 16mm underground animated short film. Mickey Mouse enlists with the army and ships off to Vietnam.
A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man. Restored by the Academy Film Archive and The Film Foundation, with funding provided by the Hobson/Lucas Family Foundation.
When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.
Mr. Jaffee is a curious but closeted married man, who decides to take a walk on the wild side one night over to the local bath house located in Times Square, New York. When he is a approached by Thomas, a swinging regular who takes an interest in Mr. Jaffe as the new face "on the scene", a deep discussion about marriage, connection and loss begins to unexpectedly unfold. The two become emotionally intimate in a very short time, with no sexual contact of any sort, while everyone around them are screwing like rabbits.
A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.
Enter the bizarre world of Thraxton Hall, where Jarvis, Lord of the Manor, indulges in his wildest, darkest fantasies! Part torture chamber, part Turkish bath, part homicidal nightmare, this ramshackle monstrosity is actually his imaginary creation, his escape from a dead-end existence, fueled by his passion for silent horror films. But maybe his fantasies are real… this passive video geek turns out to be a bit more then we bargained for! And to this crazy mix a beautiful, buxom blond, scantily clad in black lace and garter belt, who is terrorizes by Jarvis, and Nightslave explodes into reality with terrifying results. A black comedy with an edge, this is one-of-a-kind thriller takes you on a sexy horror ride you don’t want to miss.
Welcome to the Secret Cinema, now featuring a series of films on the real-life misadventures of Jane, a New York City office secretary. See Jane being sexually harassed by her boss, Mr. Troppogrosso. See Jane get dumped by her boyfriend, Dick. See Jane humiliated in lots of ways. And here's the kicker: Jane doesn't know that her life is being filmed, or that she's being set up by some of the people closest to her. But she's starting to have her suspicions.
A day in the life of a young Manhattanite who is in love with his mother, gives birth to $1890 from his hip, and kills indiscriminately.
A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
A short experimental cutup film by Jon Moritsugu.
Caleb Loomis is an agoraphobic twenty-something. In his spare time he makes UFO videos with miniature cities and takes an unhealthy amount of LSD. One afternoon he hears Beatrice, the lady next door, being abused. After striking an odd friendship through the wall Caleb is made aware of who lives with Beatrice.. setting in to a motion a pitch-black psychedelic revenge fantasy.
A hapless filmmaker documents the weird, violent, and surreal torments of an extraterrestrial clown.
Symbolic film from the Underground Movement of Brazilian Cinema (Cinema Marginal) about a woman, three men and some apes. In the director's own words: “a fable where realism and logic have no place, and in which sex is a translation of all the tortures, circumstances and violent actions.”
Underground Italian extremely gory, gross-out "comedy" (in early John Waters vein) about a badly burnt morphine junkie who is turned into a zombie after he gets injected with infected urine by his pug-ugly, crazy sister.
The world-famous Cockettes enact Tricia Nixon's wedding to Edward Cox on June 11, 1971. Hurtme O. Hurtme, television correspondent, covers the wedding and interviews celebrities in attendance such as Golda Meir, Indira Gandhi, Jacqueline Onassis, Queen Elizabeth, and Elizabeth Taylor. Coretta King sings. During the reception, Eartha Kitt puts LSD in the punch. All hell breaks loose.
The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.
The film is a triptych of more or less connected vignettes, two of which are suggested by a song with the same name of the title by the Spanish singer Alaska. It has elements of black humor, gore, grindhouse among other things.
