The Sonics: Live at Easy Street (2015)

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

パットがボーカルを務めるバンドは、車のガソリン代にも事欠く、売れないパンクバンド。彼らが極貧ツアーの中、ようやく出演することができたライブハウスは、なんとネオナチの根城だった。パットとバンドメンバーは、そこで殺人の現場を目撃してしまい、ネオナチ軍団から命を狙われる事態となってしまう。圧倒的に不利な状況で、グリーンルーム（英語で「楽屋」の意味）に閉じこもったパットたちは、アイデアと反骨精神を武器に極悪非道なネオナチ軍団に立ち向かう。

「セイ・エニシング」「ザ・エージェント」のキャメロン・クロウ監督が自身の体験を基に、ブレイク寸前のロックバンドのツアーの同行取材を任された15歳の少年の姿を描いた青春音楽ムービー。15歳の少年ウィリアムは伝説的なロック・ライターに自分の記事が気に入られ、ローリングストーン誌の仕事をもらう。さっそく取材で楽屋を訪れた彼は、グルーピーの中にいたペニー・レインに一目惚れする。

バンドをクビにされ、ルームメイトのネッドからも追い出されたデューイは名門小学校で代用教員をしているネッドになりすましバイト感覚で学校へ行くが……。＜ミュージシャンでもあるジャック・ブラックが破天荒なロッカー教師を演じるコメディータッチの人間ドラマ。名門小学校にそぐわないニセ教師と小学生たちがロックを通じて交流を深める、笑いと風刺、感動、そして涙ありの作品。監督に「オースティン映画批評家協会」の設立者であるリチャード・リンクレイター。脚本は本作で友人役を演じるマイク・ホワイト。実際に楽器を演奏している子役たちの演奏の巧さもにも注目。＞

雪に閉ざされた北極の地で、マットはロンドンで出会ったアメリカ人学生のリサのことを想っていた。ブラック・レーベル・モーターサイクルのライブで出会った2人は恋に落ち、何度も身体を重ね合わせていた。

In 1971, four college students got together to form a rock band. Since then, that certain band called Queen have released 26 albums and sold over 300 million records worldwide. The popularity of Freddie Mercury, Brian May, Roger Taylor and John Deacon is stronger than ever 40 years on. But it was no bed of roses. No pleasure cruise. Queen had their share of kicks in the face, but they came through and this is how they did it, set against the backdrop of brilliant music and stunning live performances from every corner of the globe. In this film, for the first time, it is the band that tells their story. Featuring brand new interviews with the band and unseen archive footage (including their recently unearthed, first ever TV performance), it is a compelling story told with intelligence, wit, plenty of humor and painful honesty.

The movie contains two concerts of the British rock band Queen. The first concert is their show at Montreal in November 1981, with “Under Pressure” topping the charts in the UK, Queen arrived in Montreal following dates in Japan and their record-breaking tour of Latin America. It was to be the only concert by Queen that was ever shot on film. Always a great live band, with arguably the greatest frontman of all time in Freddie Mercury, they excelled themselves with the cameras rolling. The second concert is their live performance at Live Aid in 1985 with Queen's 24 minute contribution to 1985's Live Aid benefit concert held in Wembley Stadium, featuring an epic 7 song rock concert followed by a stripped back acoustic segment.

An archive celebration of studio performances from the British bands that broke through courtesy of punk between 1975 and 1982. Starting with Dr Feelgood and Eddie and the Hot Rods and culminating in Gang of Four, with performances from Top of the Pops, The Old Grey Whistle Test, Something Else and other shows by The Sex Pistols, The Clash, The Buzzcocks, The Damned, Joy Division, Siouxsie and the Banshees and many more. Hey ho, let's go!

The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.

A definitive live concert film documenting AC/DC’s massive Black Ice World Tour. Shot in December of 2009, AC/DC Live at River Plate marks AC/DC’s triumphant return to Buenos Aires where nearly 200,000 fans, and 3 sold-out shows, welcomed the band back after a 13 year absence from Argentina. This stunning live footage of AC/DC underscores what Argentina’s Pagina 12 newspaper reported by saying “no one is on the same level when it comes to pure and clear Rock ‘n Roll.”

One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.

What happens when a generation's ultimate anti-authoritarians — punk rockers — become society's ultimate authorities — dad's? With a large chorus of Punk Rock's leading men — Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against's Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band's anthem, 'Fuck Authority', to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.

The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an FM rock radio station and hold the deejays hostage until they agree to broadcast the band's tape.

Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.

When his new album fails to sell records, pop/rap superstar Conner4real goes into a major tailspin and watches his celebrity high life begin to collapse. He'll try anything to bounce back, anything except reuniting with his old rap group The Style Boyz.

When a radio falls from the sky into the hands of a wide-eyed Tibetan Mastiff, he leaves home to fulfill his dream of becoming a musician, setting into motion a series of completely unexpected events.

An intimate concert film, in which Taylor Swift performs each song from her album 'folklore' in order, as she reveals the meaning and the stories behind all 17 tracks for the very first time.

1944年、アメリカ。12歳のジョニーは兄のジャックと共に両親の畑仕事を手伝っていた。しかし、一家の貧しい生活は一向に楽にならず、父は酒に溺れる日々だった。そんなジョニーの心のなぐさめとなったのは、兄ジャックの優しさと、ラジオから流れてくるゴスペルやカントリー音楽だった。ある時、最愛の兄が突然の事故でこの世を去ってしまう。出来のいい息子を失ったショックでますます荒れる父親とジョニーとの確執は広がっていく。そして、空軍に入隊したジョニーは実家を離れ、ドイツに駐屯する。除隊後に初恋の女性ヴィヴィアンと結婚、子供も授かった。訪問セールスの仕事の合間に友人とゴスペル・バンドを組んで音楽を楽しむジョニーだったが、家計は苦しく、徐々に夫婦の仲も冷え切っていく。 そんなある日、ジョニーは街角で偶然見かけたレコード会社で、オーディションの機会を得る。そこで空軍時代に書いた囚人の心の叫びとも言える歌を熱唱し、その実力を認められる。そして瞬く間にプロのミュージシャンとしての第一歩を踏み出すことになった。早速、同じレコード会社のジェリー・リー・ルイスやエルヴィス・プレスリーらと全米中をツアーでまわっていた時、ジョニーは少年時代からの憧れだったジューン・カーターと出会い、すぐに意気投合する。この出会いが、これからの彼らの長い運命の始まりとなるのだった……。