Claudine (1974)

Through a mosaic of stories intertwined and created a current picture of the sad social and economic situation in Israel. Mother forced into prostitution to support her son; Blind man must survive after loosing his dog; Son is looking for his rocker father's; Apartment owner complicates his life while entering the underworld...

Single mother Diana struggles to provide for her child and pay for her college education. When she meets two dancers from a nearby gentlemen's club, Diana's convinced there's fast money to be made stripping.

Forced to give up his dreams of art school, Zach works dead-end jobs to support his sister and her son. Questioning his life, he paints, surfs and hangs out with his best friend, Gabe. When Gabe's older brother returns home for the summer, Zach suddenly finds himself drawn into a relationship he didn't expect.

A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.

Widowed shopkeeper Cesira and her 13-year-old daughter Rosetta flee from the allied bombs in Rome during the second World War; they travel to the remote village where Cesira was born. During their journey and in the village and onward, the mother does everything she can to protect Rosetta. Meanwhile, a sensitive young intellectual, Michele, falls in love with Cesira.

A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field.

On a gang-controlled dead end street, Sheree Farmer is raising her six children alone. With the help of Mary Abernathy, a former fashion industry executive turned community activist, Sheree struggles to buy her first home and escape her violent and drug-infested Newark neighborhood. In HOME, director Jeffrey Togman follows these two exceptional women in an intimate story that speaks to the future of America's cities.

In the formally ravishing Every-Night Dreams, set in the dockside neighborhoods of Tokyo, a single mother works tirelessly as a Ginza bar hostess to ensure a better life for her young son—until her long-lost husband returns.

Miguel Hermoso's Like Lightning offers a fresh take on a familiar scenario, the teenaged boy searching for his unknown father. Pablo is a typical teen, with a fondness for football and sneaking beers with his buddies. He enjoys a comfortable upper-middle class life with his mother (Assumpta Serna), a successful lawyer and former feminist rabble-rouser, but has a gaping hole at the core of his identity: he has no idea who his father is. Preoccupied with the question to the point of obsession, he sets out in search of answers, and finds himself on a trail that leads to the Canary Islands.

Three women — a young coed, a forty-something single mother, and one a senior-aged widow — meet in the sauna of the local gym, where they gradually get to know one another and bond over their respective trials and tribulations.

After separating from the father of her son, a young French woman tries to find lodging and a fresh start in L.A. for herself and her son.

On a rare evening out, two feisty single moms discover that it's not so easy to hook up with a total stranger anymore.

Three siblings ingeniously avoid being sent off to a children's home while their solo-mother serves a short sentence in a prison for shoplifting. Rather than have the news leak out and have to be escorted off with the eccentric welfare officer, they invent a 'never present' dad who is looking after them.

Four lost souls—a disgraced TV presenter, a foul-mouthed teen, an isolated single mother, and a solipsistic muso—decide to end their lives on the same night, New Year's Eve. When this disillusioned quartet of strangers meet unintentionally at the same suicide hotspot, a London high-rise with the well-earned nickname Topper's Tower, they mutually agree to call off their plans for six weeks, forming an unconventional, dysfunctional family. They become media sensations as the Topper House Four and search together for the reasons to keep on living.

Leda Beth Vincent lives in the small town of Shiloh and works as a cocktail waitress there. She is not too well thought of as she is nothing of a blushing virgin. But she is far from a whore and brings up her daughter Julie, a high school student, as a loving responsible mother. So, when she becomes aware that Julie's very popular history teacher, Mr Baker, spreads antisemitic ideas among his pupils, Leda Beth decides to ask Mr Baker for an explanation. But she comes up against a wall. Nobody in town - Julie less than all others - wants to support her and it looks as if she will have to bring the Board of Education to court. The trouble is that a school dropout and a tramp of her kind does not count for much compared to the holders of knowledge and of morality.

The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.

A woman arrives in Paris with her little girl to look for work. With limited funds and no luck, they end up penniless, homeless and dependent on the rare kindness of strangers.

A woman hires a Norwegian soccer player to be a male au pair and help her raise her two sons. It deals with personal loss and how a soccer ball can change sadness into laughter.

Maggie Cooper thinks it would be really cool if her son Lloyd were gay. So cool, in fact, that she outs him to the entire school.

Recently divorced mom Lauren and widowed dad Jim let their friends push them into a blind date, which goes disastrously wrong. Unsurprisingly, neither wants to see the other ever again. However, fate intervenes when both Jim and Lauren, unbeknown to each other, purchase one-half of the same vacation package at a South African resort for families. They and their children are forced to share the same suite and participate in a slew of family activities together, where their attractions grows as their respective kids benefit from the burgeoning relationship.