Those Wonderful Movie Cranks (1979)

The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art. (Abridged version of the original collection of eight short films).

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Actor Sam Neill discusses New Zealand film and his own experiences within and without.

映画創世記に、誰よりも映画を愛し、その可能性を追求した映画の父-ジョルジュ・メリエスの成功と挫折の人生を、彼が生きた時代背景と共に追ったドキュメンタリー。 偶然見つかった幻のカラーフィルムから始まった『月世界旅行』のリストア作業全工程と、トム・ハンクス、ミシェル・ゴンドリー、ジャンピエール・ジュネ等へのインタビューを通して、今もなお多くの映画人を魅了しているメリエスの映画魔術に迫る。

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

日本映画黄金期を代表する伝説的俳優、三船敏郎（1920-97）の生涯と作品について解説する。

Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.

A documentary about film producer Hal Roach.

Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.

A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

チャールズ・チャップリンは如何にして“放浪紳士”のイメージを創り上げたのか？その過程を秘蔵映像と共に描くドキュメンタリー。

This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.

The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

An expansive research project that takes us in a flashback to the reconstruction of a lost film production in Manchuria, the doomed epic entitled The Lost Tribes. (M HKA)