Frankenstein In A Women's Prison (2017)

Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dilliance between her and a film director starts to turn serious her husband shows very traditional signs of jealousy.

The head of a failing French family thinks that fate has smiled down on him when the daughter of a wealthy man agrees to be married to his son. The daughter and her aunt then travel out to the French countryside to meet with the family, unaware that a mysterious 'beast' is stalking the vicinity.

Messalina (played by gorgeous Betty Roland) is a power-hungry nymphomaniac who will stop at nothing to become Empress of Rome. She brings herself to the attention of Caligula by battling in the gladiator arena and it is not long before she achieves her goal, upsetting the Emperor's youngest sister Agrippina, who hopes that her son Nero will eventually become ruler of Rome. Agrippina successfully plots Caligula's downfall, but Messalina rains on her parade by immediately jumping into the sack with his successor, Claudius. But naughty old Messalina can't commit herself to one man, and shags everyone in sight, including a grotesque, but well-endowed, frequenter of brothels, a randy midget, her eunuch(!?!?) and an ex-lover. When she ends up pregnant, and it is obvious that the father is not Claudius (since he has been away fighting in foreign lands), Agrippina finally sees her opportunity to be rid of her nemesis once and for all.

Lise Cohen is taken to a special prisoner-of-war camp for female Jews, a camp run as a bordello to entertain the German officers and troops going in to battle. The camp is run with an iron fist by Commandant Starker and his minion Alma. Starker becomes frustrated when Lise demonstrates no fear, and devises cruel experiments to scare her, to no avail. Once she realizes her guilt is unfounded, Lise begins to play Starker's game, but even though she begins living a better life, she doesn't forget the atrocities she has seen and experienced.

1950年ロンドン。家族を何よりも大切に、毎日を精一杯生きる主婦のヴェラ・ドレイクには、誰にも打ち明けたことのない秘密があった……。深い家族愛を円熟の演技で描いた珠玉の一篇。

Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.

Emanuelle, a reporter, comes just a little too close to exposing a corrupt official, and is sent to prison on trumped-up charges. In the prison, the inmates are constantly humiliated and tortured by the prison staff. Overly affectionate prisoners are forced underwater, while others are obliged to look on. Emanuelle finds an enemy in the deranged Albina, who "runs the prison." For the pleasure of the warden, Emanuelle and Albina are forced to fight each other with knives. Bad becomes worse when four men awaiting execution escape and take over the prison. Gore flows like water.

In order to escape from her former lover Marc, Sylvia goes to Brazil where Dr. Santamo transforms her into the beautiful Emmanuelle...

At a college in Rome, a professor, nicknamed "Dodo" is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.

Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very puzzled by their openness.

Five of Hollywood's leading scream queens get together in a creepy mansion and decide to get in the hot tub (as true scream queens would). They talk in the tub and exchange secrets on the do's and don'ts of being a scream queen.

This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to their fantasies) the film portrays the confessions, the secret longings, the adventures, recollections, dreams, desires and fantasies of these women. It is an open secret that most women dream of forbidden affairs, secret lovers and hasty encounters but when it comes down to it they lack the courage to pursue their dreams.

A hotel room in the center of Rome serves as the setting for Alba and Natasha, two young and recently acquainted women, to have a physical adventure that touches their very souls.

The story takes place in northern Italy in the 1950's. Lola and Masetto are about to get married. Masetto wants to keep Lola as a virgin until they are married. But Lola is impatient to remain in chastity until the wedding night. She wants to be sure that Masetto is a good lover, before she commits herself into marriage. She does everything to trick Masetto into breaking the moral tradition.

Alan and Wendy Barnet have been married just long enough for the excitement to have gone out of their relationship, and they're looking for a way to put some spice back in their lives. After placing a personal ad looking for another couple interested in swapping mates, the Barnets are led to the Zebra Lounge, where they meet Jack and Louise Bauer, a pair of seasoned erotic adventurers. While the Barnets find the swinging scene exciting at first, they soon decide it may be doing more harm than good to their marriage. But easing the Bauers out of their lives proves to be neither simple nor safe.

A young country girl comes to town and works in a brothel in order to help her fiance get the money to start his own business. "Paprika" is the name given to her by the madam.

The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

Loosely based on a 17th century erotic Chinese story named The Carnal Prayer Mat, the story follows a young scholar named Yangsheng who gets married to the beautiful daughter of a local merchant. When their sex life proves unsatisfactory, Yangsheng leaves home and journeys to the Pavilion of Ultimate Bliss.

A girl named O loves a rich, and much older man. She is subjected to a variety of humiliating experiences to prove her unconditional obedience to him in a chinese brothel. A poor boy sees her and falls in love with her. To get the money needed to sleep with her, he takes part in rebellious acts.

In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cécile, a character who symbolizes desire.