P.S. (1998)

An abstract portrait of a middle aged man, weaving together iconography from a range of film genres including classic Hollywood films from the 40s and New Deal documentaries. P.S. attempts to unravel the nuances of personality & character portrayal through the interaction of sound and image. As a couple engage in an argument, which carries on over the course of an evening, we watch a man, presumably the man speaking, working the land & going about his chores, smoking, walking through a forest and watching fireworks.