Lui, lei e il nonno (1959)
ジャンル : コメディ
上映時間 : 1時間 35分
演出 : Anton Giulio Majano
脚本 : Anton Giulio Majano, Ruggero Maccari, Gianni Puccini
シノプシス
私立のラシュモア高校に通う行動派生徒のマックスは、並行して20前後の課外活動をこなすという忙しい毎日を送っているが、肝心の学業は不振。高校に新たに赴任した女性教師クロスに好意を抱くが、高校に無断で水族館を建てようとしたせいで退学となり、公立校に転校することに。クロスを忘れられないマックスだったが、自分の大人の友人であるブルームに彼女を取られてしまったせいで、次第に自暴自棄になっていく。
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.
A boy who was once a perpetual outcast finds friends in a new boarding school, united with his new peers gets involved in a heated rivalry with a group of students from a neighboring school.
シェイクスピア史劇を、ローレンス・オリヴィエの再来ともいわれるケネス・ブラナーが監督・主演で映像化した作品。15世紀前半、百年戦争の最中にあったイギリス・ヘンリー5世の活躍を描く。
16世紀末のロンドン。スランプに陥っていた劇作家シェイクスピアはオーディションにやって来た一人の若者トマス・ケントを追ってとある屋敷へたどり着く。そこには以前、芝居の最中に目を留めた美しい女性ヴァイオラの姿があった。シェイクスピアと彼を信奉するヴァイオラはたちまち恋におちてしまう。燃え上がる恋心が創作意欲をかき立てたのか、シェイクスピアの台本は急ピッチで仕上がって行き、トマス・ケントを主役とした芝居の稽古も順調に進んでいた。ヴォイオラの別れの手紙をトマスから受け取ったシェイクスピアは納得できず再びトマスの後を追うのだが、そこで彼はトマスこそヴァイオラの男装した姿だった事を知るのだった。
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev's A MONTH IN THE COUNTRY. Denis, the director, admires her greatly and promises he'll make her happy on stage - she will shine. But things don't go to plan. Denis introduces Marcelline to his assistant, Nathalie. The two women were at drama school together twenty years earlier. Nathalie tells her she had to give up acting: she has a husband and children. Marcelline and Nathalie look at each other as if in a mirror, each seeing in the other the life she doesn't have, the dreams she cannot bear to abandon. Their meeting is the first in a series of tremors that will turn Marcelline's life upside down.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.
During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
Based on the 1891 play "Spring Awakening," this filmed stage drama examines the tensions and confusion of young people as their growing sexual awareness conflicts with the repressive social environment around them. The passionate kiss between two males might be the first envisioned for the stage since Christopher Marlowe's between Edward II and Gaveston.
Witty, playful and utterly magical, the story is a compelling romantic adventure in which Rosalind and Orlando's celebrated courtship is played out against a backdrop of political rivalry, banishment and exile in the Forest of Arden - set in 19th-century Japan.
Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.
Wrongly accused of physically abusing a fellow actor, starving thespians Arthur and Maurice find themselves pursued by the law aboard a cruise ship.
After accidentally killing her lecherous producer, a famous actress tries to hide her guilt.
A young black artist leaves his Los Angeles digs and travels to Europe to find himself. A theatrical stage production of the original Broadway musical.
第二次世界大戦中のパリで、美貌の女優マリオンは亡命したと偽り劇場の地下に匿われた夫に演技指導を受けながら、その劇場を守っていた。しかし新人俳優ベルナールに惹かれていき……。
When late in life was presenting Cimrman his artistic activity, came arresting knowledge: none of the works he had signed, not recognition. And so he decided to retreat to the anonymity of the author and become folklore. Clairvoyantly recognized that the modern era marked for extinction of folk creativity in areas such as the national song, story, legend, proverb or weather lore. The only thing from the oral folklore of die and stay alive is an anecdote. And she plays a significant role in his play Lijavec.