A pregnant single mother, with two children in foster care, embraces her Bay Area community as she fights to reclaim her family.
October 2004. Uruguay. After three years away Mariana returns to her country to be reunited with her family and also to vote. After the economic crisis that plunged the country into a terrible depression, Uruguay is on the brink of a real change. We are shown day to day life in Melo, a small provincial city, we are given an intimate insight into a family of militant leftists, and we accompany a Latin American people in the month leading up to a historic political event: the first ever election victory in Uruguay of a party from the political left, the Frente Amplio.
Struggling but unapologetically living on her own terms, Inez is moving from shelter to shelter in mid-1990s New York City. With her 6-year-old son Terry in foster care and unable to leave him again, she kidnaps him so they can build their life together. As the years go by, their family grows and Terry becomes a smart yet quiet teenager, but the secret that has defined their lives threatens to destroy the home they have so improbably built.
A 1980 Canadian drama by Janine Manatis.
Young engineer Doru is called to the Prosecutor's Office and questioned on his wife's unlawful ways of making money. Soon he'll learn about her true character and he'll regret having broken up with Livia, a woman who truly loved him.
A reinterpretation of the Greek legend of Penelope, ”the most faithful of wives”, who waited 20 years for her husband Odysseus to return from The Trojan War. In this animation, the two of them are presented in a more modern setting. While Odysseus is busy exploring the universe in his space rocket, Penelope is stuck at home, taking care of the children, showing how traditional gender roles say men should work, while women stay at home.
The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.
殺伐としたヘッジファンドの職場での予期せぬ昇進により、若いカップルの関係は瀬戸際に追い込まれる。婚約関係の破綻以上に2人の人生も崩壊への道を進んでいく...
Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself.
One day at the end of the 1800s, 14-year-old Lise’s life is changed forever. She is the eldest of her siblings, the first in her family to go to school and full of hope and confidence in life. But when her mother goes into labour, it quickly appears that something is wrong. As night falls and the labour progresses, Lise begins to understand that a day that began in childhood might end with her becoming the woman of the house.
A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)
At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
Abandoned by his parents, a boy takes care of his younger brother Mattie as they fend for themselves in a council house in Sheffield. When the authorities come to take Mattie away, a desperation to retain control forces the boy to take Mattie and go on the run.
A capture of colliding thoughts and feelings of a group of people, thrown together by circumstance, and unknowingly united by their desperate fight against a system designed to keep them down.
THE VISIT is an intimate stop-motion short film about a young girl’s growing-up years and her relationship with her incarcerated father.
Caitlyn Jenner's unlikely path to Olympic glory was inspirational. But her more challenging road to embracing her true self proved even more meaningful.
After getting laid off, young single-mom Beth finds herself living in her car and struggles to hide her homelessness from her estranged brother Ben.
Prior to fighting for her country, Kirnay, a withdrawn boxer must fight the battle for her freedom.
