Duffer (1972)

世界が熱狂した伝説のバンド＜クイーン＞。その光と影を数々の名曲とともに描く感動のミュージック・エンターテイメント。1970年、ロンドン。ライブ・ハウスに通っていた若者フレディ・マーキュリーは、ギタリストのブライアン・メイとドラマーのロジャー・テイラーのバンドのボーカルが脱退したと知り自らを売り込む。二人はフレディの歌声に心を奪われ、1年後、ベーシストのジョン・ディーコンが加入。バンド名は＜クイーン＞に決まり、4人はアルバムを制作し、シングル「キラー・クイーン」が大ヒット。個性的なメンバーの革新的な挑戦によって、その後もヒット曲が次々に生み出され、フレディは“史上最高のエンターテイナー”とまで称されるようになる。しかし、栄光の影で次第にフレディはメンバーと対立し孤独を深めていくのだった…。

Set during a long, hot summer on the Thamesmead Estate in Southeast London, three teenagers edge towards adulthood.

シングルとアルバムの総売上は全世界で３億枚を越える伝説的ミュージシャン、シンガーソングライター“エルトン・ジョン”の半生を描いた話題のミュージカル超大作。

Forced to give up his dreams of art school, Zach works dead-end jobs to support his sister and her son. Questioning his life, he paints, surfs and hangs out with his best friend, Gabe. When Gabe's older brother returns home for the summer, Zach suddenly finds himself drawn into a relationship he didn't expect.

恋愛カウンセラーでありながら、夫ロブ（ラファエル・バーカー）とのセックスでオーガズムを味わったことがないソフィア（リー・スックイン）。ある日、彼女はカウンセリングを受けに来たカップル、ジェイムズ（ポール・ドーソン）とジェイミー（PJ・デボーイ）の紹介で、ブルックリンにあるサロン“ショートバス”に足を踏み入れる。

Ezequiel, a sixteen-year-old gay teenager in his sexual awakening, meets a boy of twenty-one. They quickly start a relationship and the situation unravels unexpectedly.

高校生のサイモン(ニック・ロビンソン)は、ゲイであることをカミングアウトするか迷っていた。ある日サイモンは、ブルーと名乗る匿名のゲイが学校にいることを知る。ブルーとメールで連絡を取り合うようになったサイモンだったが、そのメール履歴を見た同級生にサイモンの女友達との恋の橋渡しをしろと脅されてしまう。

マイアミの貧困地域で、麻薬を常習している母親ポーラと暮らす少年シャロン。学校ではチビと呼ばれていじめられ、母親からは育児放棄されている彼は、何かと面倒を見てくれる麻薬ディーラーのホアンとその妻、唯一の友人のケビンだけが心の支えだった。そんな中、シャロンは同性のケビンを好きになる。そのことを誰にも言わなかった。

1963年、ワイオミング州ブロークバック・マウンテン。定職のないイニスとジャックは、羊放牧の職を得て、共にひと夏を過ごすことになる。大自然の中でお互いを助け合ううちに、彼らに深い絆が生まれる。それがごく自然に男同士の関係へと変化していくのに、それほど時間はかからなかった。しかし、保守的な時代、閉鎖的な土地…厳しい社会の現実が２人の関係に影を落とし始める。

The story of Nathan, a young teenager who tries to flourish in a romantic relationship with neighbour Roy. The two young men will have to face the brutal reality of the rural south of the United States in the late 1970s.

After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.

Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.

Two childhood best friends are asked to share a kiss for the purposes of a student short film. Soon, a lingering doubt sets in, confronting both men with their preferences, threatening the brotherhood of their social circle, and, eventually, changing their lives.

Steve Russell is a small-town cop. Bored with his bland lifestyle, Russell turns to fraud as a means of shaking things up. Before long, Russell's criminal antics have landed him behind bars, where he encounters the charismatic Phillip Morris. Smitten, Russell devotes his entire life to being with Morris regardless of the consequences.

アメリカで、同性愛者であることをカミングアウトして公職に就いた初めての人物、ハーヴィー・ミルク。波乱万丈の短い人生を送った彼の、最後の8年間に何があったのかを、ガス・ヴァン・サント監督が描き出す。

After a night of drinking, Adam Hutcherson stumbles out of the closet to his three straight buddies. A disruption to their dynamic which they now must try and overcome through alcohol, Tinder dates and forgiveness.

The holidays get overly festive as Olaf "Gunn" Gunnunderson, an out-and-proud gay college student, crawls back into the closet to survive the holidays with his parents. But when his boyfriend, Nathan, shows up at their doorstep unannounced, Gunn must put on a charade to keep the relationship a secret. With pressure mounting from all sides, will Gunn come out before the truth does?

Steven spends his school days longing for all-star athlete John. But John has a gorgeous girlfriend, and Steven is still in the closet about being gay. The only one who knows the teenager's secret is his friend Linda. After a curious run-in with John in a public restroom, Steven starts to wonder if the jock is straight after all. When they start a romance, it threatens to expose the truth about both of them.

Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.

On Manhattan's gilded Upper East Side, a young gay painter is torn between an obsession with his infamous best friend and a promising new romance with an older foreign pianist.

As an AIDS activist and member of ACT UP in the 1980s and 90s, Sam witnessed the deaths of too many friends and lovers. Battlewounded and struggling with survivor's guilt, Sam now resents the complacency of his former comrades and derides what he sees as the younger generation's indifference to the politics of sex, and of death. An unexpected intimacy with a much younger man challenges Sam's understanding of contemporary gay life. Through this unconventional romance, he is forced to deal with the trauma that so informs his past, their present, and an unknown future.

In this second Carter mystery, a mysterious rash of cargo ships sinking in Panama leads insurers Llewellyns of London to hire vacationer Nick Carter and his eccentric associate Bartholomew to investigate. Nick recognizes influential nightclub owner Al Taurez as a shady operator, but getting the goods on him depends on slick diversions involving the heavyweight champ of the Pacific Tuna Fleet, a Panamanian bombshell armed with American slang, a young couple in love and a whole raft of crooks and cutthroats.

Offbeat animation.

A mystery man brings together a group of dead, gay artists to investigate a police response to the dilema of wash-room sex in Toronto. The artists have seven days in which to report on the ethics of police tactics. The artists infiltrate the police only to discover that they themselves are under surveillance as a political subversive group. The artists explore and report on the evolution of toilets and wash-room behavior.

The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.

In this comedy of errors and elevators, a bike messenger and a businessman can't stop thinking about each other after their paths cross.

A landmark court decision in Massachusetts allows gay people in that state to marry - forcing activists, legislators, and ordinary people to reconsider how they view same-sex relationships.

Ex-boyfriends meet at their favorite spot, but one brings an unexpected guest...

Director Benjamin Morgan takes a hard look at his own life while trying to write and direct a fairytale gay romance.

Bored with their own town, three gay men decide to take a trip into the countryside. A blind date with a local turns out to be a bad decision as the man reveals himself to be a perverse psychopath that intends to do them great harm.

Offbeat animation.

A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.

Seth is a youth with artistic leanings, a fascination with Black pop culture, and a dead-end life in an Adirondack village. He's alternatively sensitive and brutal with Kristen, who wants a sexual relationship that he explosively rejects. Late one night, as he's closing the cafe where he works, a young Black man attempts to rob him at gun point but faints from illness. Seth takes the man, Knowledge, an escapee from a nearby prison, to a family cabin where he nurses him and they begin a tentative friendship. When the sheriff learns of Seth's harboring a fugitive, a confrontation looms. Relationships between fathers and their children dominate the subplots.

Lionel is a happy gay man with a great career and an open-minded family that accepts his loyal lover, Serge. But things start to unravel when he meets a pretty Polish immigrant who is about to be deported and decides to marry her.

We Are Not Here is a short film about a small derelict town, waiting for a road. Through a series of vignettes we take a glimpse into the life of the town and its residents.

An erotically charged thriller composed of three short films. “In Our Darkest Moments” mixes wry humor and tense drama as it chronicles the sleazy exploits of a hunky, closeted married man who cruises seedy bookstores and sex dens. He begins an affair with a dangerous teenager, unaware of the disastrous effects it will have on his life. “In the Dark, Softly”, directed by Joe Rubin, is a love story (of sorts), chronicling a young man's obsession with a local serial killer. And in the final film, “In Deep”, the police are trying to catch a murderer who preys on lonely men and then offs them with his extraordinarily large appendage. Maybe this killer is more than he seems.

Ron, at 22, still lives with his parents. He barely knows the daylight hours and his nights are divided between his job as editor of wedding videos, chats on the Internet and futuristic fantasies. One night all the elements he toys with converge and, for the first time in his life, Ron is willing to risk an in-person human interaction.

A reminder of a long-forgotten event, combined with a challenging situation, provokes a man to extreme action.

Jeffrey has met the man of this dreams, hunky Frenchman René, he impulsively moves into the same building. The move backfires as Remé becomes cold and distant. Landlady Gladys lavishes attention on her new tenant.

Director Julien Temple's film celebrates Canvey Island's Dr Feelgood, the Essex R 'n' B band that exploded out of the UK in the prog era of the early Seventies, delivering shows and albums that helped pave the way for pub rock and punk.