My Wife and I (1925)

Lost film from 1891, directed by William K.L. Dickson and William Heise.

Unfound film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.

Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars James C. Duncan.

Lost film from 1888, directed by William Friese-Greene.

Lost film directed by William K.L. Dickson. Presented by Edison Manufacturing Company.

Lost film from 1891, directed by William K.L. Dickson and William Heise. The film stars Fred C. Devonald and James C. Duncan.

This mostly lost film (please check your attic) is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

The abandoned Balfour House, which former owner was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. (This movie was lost in 1965 during a fire.)

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.

Doris Moore is a country girl who is conned by two crooks, Harry Leland and Pop Clark. They convince the naive girl to come with them to New York City and play the badger game on William Lake. But the intervention of Kate Fallon, who runs the gang's New York home, saves the innocent and traps the guilty. Instead of tricking Lake, Doris marries him.

When a good-for-nothing man named Dan is stabbed to death and his arm broken, Charlie Chan is on the case. His first clue comes from the victim's sister, who noticed a prowler wearing a glow-in-the-dark wristwatch.

When Harlan Carr inherited his Uncle Ebenezer's "Jack-O Lantern" house and too his bride there to live, he found himself the unwilling host of a score of hungry relatives within a week. Soon, strange things began to happen. A black cat made the house his headquarters, unexplained sounds could be heard and a shadowy figure floated through the halls at night.

A 1919 film directed by Edward José.

The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.

Neglected by shallow husband Dick, young bride Paula Wayne seeks male companionship outside the marital nest. She soon finds it in the form of mature lover Frank Gordon. Lost film.

This film is a very loose film adaptation of the 1831 novel The Hunchback of Notre-Dame by Victor Hugo and presumed lost: The wealthy girl Esmeralda is kidnapped by gypsies at birth and becomes, as one might assume, the darling of Paris. She is loved by the bell ringer and former hunchback Quasimodo, Frollo, the wicked surgeon who cares him, and an equally wicked Captain Phoebus.

End of the 19th century. In a mansion, Miss Julie lives with her father. She has just broken her engagement but is attracted to a valet, Jean. They spend the Midsummer Eve together and plan to fly to Switzerland. Anna Hofman-Uddgren was almost the first female film director in Sweden. Beaten by a couple of months by Ebba Lindkvist.

All the Brothers Were Valiant (1923)