Behind Banana Vacuum (2019)

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

A live performance by Radiohead of their 2007 album In Rainbows. This was their first of two full-episode performances, filmed at Maida Vale Studios in London, as part of the ‘From the Basement’ television series produced by Nigel Godrich, Dilly Gent, James Chads and John Woollcombe.

One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

On tour promoting his 2006 studio album 'Continuum', American pop rock singer-songwriter and guitarist John Mayer performs, consecutively, an intimate acoustic set, a John Mayer Trio blues show, and a full-band concert at the Nokia Theatre in Los Angeles, California on December 8, 2007.

1980年代のダブリンで育った少年は、好きな女性に好印象を与えるためにバンドを結成し、ぎくしゃくした家庭生活から抜け出します。

A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams.

Prey for Rock & Roll is set in the Los Angeles club scene of the late 1980s and follows the story of Jacki (Gershon) and her all-girl punk rock band, Clam Dandy. On the verge of turning 40, Jacki decides that if the band's one last shot at the big time is unsuccessful, she will give up her dreams of stardom. Along the way, the women are rocked by personal tragedies that threaten to break up the band before they can get their last shot at success.

A definitive live concert film documenting AC/DC’s massive Black Ice World Tour. Shot in December of 2009, AC/DC Live at River Plate marks AC/DC’s triumphant return to Buenos Aires where nearly 200,000 fans, and 3 sold-out shows, welcomed the band back after a 13 year absence from Argentina. This stunning live footage of AC/DC underscores what Argentina’s Pagina 12 newspaper reported by saying “no one is on the same level when it comes to pure and clear Rock ‘n Roll.”

Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

What happens when a generation's ultimate anti-authoritarians — punk rockers — become society's ultimate authorities — dad's? With a large chorus of Punk Rock's leading men — Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against's Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band's anthem, 'Fuck Authority', to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.

パットがボーカルを務めるバンドは、車のガソリン代にも事欠く、売れないパンクバンド。彼らが極貧ツアーの中、ようやく出演することができたライブハウスは、なんとネオナチの根城だった。パットとバンドメンバーは、そこで殺人の現場を目撃してしまい、ネオナチ軍団から命を狙われる事態となってしまう。圧倒的に不利な状況で、グリーンルーム（英語で「楽屋」の意味）に閉じこもったパットたちは、アイデアと反骨精神を武器に極悪非道なネオナチ軍団に立ち向かう。

2006年秋、ニューヨークのビーコン・シアターで行われたザ・ローリング・ストーンズのライブを、ザ・ローリング・ストーンズの熱狂的ファンであるマーティン・スコセッシ監督が撮ったドキュメンタリー。収容人数2,800人の劇場を舞台に、世界一の撮影スタッフがあらゆる機材を駆使し、ライブの全体像から舞台裏までを映しだす。

On 27th July 1986, British stadium rock band Queen broke new ground by playing for the first time in Hungary, a country which was still under a communist dictatorship behind the Iron Curtain.

「セイ・エニシング」「ザ・エージェント」のキャメロン・クロウ監督が自身の体験を基に、ブレイク寸前のロックバンドのツアーの同行取材を任された15歳の少年の姿を描いた青春音楽ムービー。15歳の少年ウィリアムは伝説的なロック・ライターに自分の記事が気に入られ、ローリングストーン誌の仕事をもらう。さっそく取材で楽屋を訪れた彼は、グルーピーの中にいたペニー・レインに一目惚れする。

アルビンたちシマリス3兄弟と出会った売れない作曲家デイブ・セビル。彼らの歌声に魅了されたデイブが3匹を売り出すことを思いつき、思わぬ転機が訪れる。

バンドをクビにされ、ルームメイトのネッドからも追い出されたデューイは名門小学校で代用教員をしているネッドになりすましバイト感覚で学校へ行くが……。＜ミュージシャンでもあるジャック・ブラックが破天荒なロッカー教師を演じるコメディータッチの人間ドラマ。名門小学校にそぐわないニセ教師と小学生たちがロックを通じて交流を深める、笑いと風刺、感動、そして涙ありの作品。監督に「オースティン映画批評家協会」の設立者であるリチャード・リンクレイター。脚本は本作で友人役を演じるマイク・ホワイト。実際に楽器を演奏している子役たちの演奏の巧さもにも注目。＞

シカゴ郊外の刑務所（ジョリエット刑務所）を出所したジョリエット・ジェイクと、彼を迎えに来た弟のエルウッドは、兄弟を育ててくれた孤児院に出所の挨拶に行くが、そこで、孤児院が5000ドルの税金を払えないため立ち退きの瀬戸際にあることを知る。孤児院の危機を救うため援助を申し出る二人だが、犯罪で得た汚れた金は要らないと逆に院長に追い払われてしまう。

雪に閉ざされた北極の地で、マットはロンドンで出会ったアメリカ人学生のリサのことを想っていた。ブラック・レーベル・モーターサイクルのライブで出会った2人は恋に落ち、何度も身体を重ね合わせていた。