Miracle (1975)

Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.

The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies.

Natalia is a 17-year-old mom living with her mother and son, Antos. She wanted to have a baby because it was a “cool” thing to do, and because she feels she has someone to love; someone who can love her in return. Everything changes when Natalia’s mother decides to move out, giving Natalia a chance to lead a “normal life.”

Saeko and Yukako live together in a small apartment complex in Tokyo. After the Tohoku earthquake in 2011, both live in a state of unease. Saeko, who is in a divorce, is worried that her daughter is exposed to radiation. Yukako is also afraid of radiation and tries to convince her husband to move. The two become friends after Yukako tries to save Saeko after a suicide attempt.

Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?

That Mothers Might Live is a 1938 American short drama film directed by Fred Zinnemann. The short is a brief account of Hungarian physician Ignaz Semmelweis and his discovery of the need for cleanliness in 19th-century maternity wards, thereby significantly decreasing maternal mortality, and of his struggle to gain acceptance of his idea. Although Semmelweis ultimately failed in his lifetime, later scientific luminaries advanced his work in spirit like microbiologist Louis Pasteur, who provided a scientific theoretical explanation of Semmelweis' observations by helping develop the germ theory of disease and the British surgeon, Dr. Joseph Lister who revolutionized medicine putting Pasteur's research to practical use. In 1939, at the 11th Academy Awards, the film won an Oscar for Best Short Subject (One-Reel).

It is 1968 and Marianne is nineteen years old. She has been sent to a home for young girls, far from her family and friends. Here she meets other girls whose secrets have turned their lives upside down.

Helena, a woman in her early 40's, is obsessed with getting pregnant. After failing her last try, her neighbors get back from the hospital with their new born baby. Helena breaks in to their house when they´re gone, steals the baby monitor and starts listening to what happens next door.

This student film by the award-winning Helena Třeštíková bears many of the hallmarks of her later work. Made as a graduation piece when she was at the FAMU Film and TV Academy in Prague, we see the director developing the distinctive observational style of filmmaking that she has used so effectively throughout her career. Over the course of several months, she follows a young pregnant woman as she becomes slowly acquainted with the joys and responsibilities of motherhood.

Set in a small, typical Belarusian village – granny Sima’s only concern is for the future of her alcoholic son, Vanya. Accompanied by her best friend, a white goat called Manya, she starts a war with her neighbor, Glasha, who happens to be the village Vodka maker…

In parallel stories, a social butterfly and a lower middle-class wife brace themselves for the challenge of birthing a child in the modern era.

Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?

Jeanne take her daughter for the week-end in Majorque. While everything goes to rack and ruin, mother’s only concern is to photograph Kiki, the classroom mascot.

Illa de Arousa, 1971. Maria is a woman who earns her living by seafood. She is also known on the island for helping other women in childbirth with special dedication and care. After an unexpected event, she is forced to flee and begins a dangerous journey that will make her fight for her survival. Seeking her freedom, Maria decides to cross the border by one of the smuggling routes between Galicia and Portugal.

One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.

Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."

衝撃的な性描写が物議をかもし、アメリカ全土を揺るがした伝説のポルノ映画『ディープ・スロート』騒動を検証するドキュメンタリー。2年以上かけて監督、主演者ら関係者100人以上にインタビューを行い、1本の映画が巻き起こした波紋を描く。監督・脚本は、『パーティ☆モンスター』のフェントン・ベイリー＆ランディ・バルバート。70年代当時のアメリカの性文化ばかりでなく、ポルノ産業が創造性よりも商業性重視に転じていく様子も映し出され興味深い。

成功を導く法則"ザ・シークレット"の謎を、各界で活躍する指導者たちが解説。プラトン、ダ・ヴィンチ、アインシュタインらの偉業の陰にあった秘密が今明らかに。