Father, mother, 3 children, grandparents, brothers, sisters, surprise guests, friends, enemies ... By mistake, the family moves into a huge apartment that was not intended for them. Too late, they signed, war is declared to stay! And meanwhile, the children are growing up, the parents are getting older, and life is pulsating in a whirlwind of delirious adventures. Not easy to be parents and even less to be models!
Today, immense confusion reigns over the quest for the absolute, revolt and fury, violence and its appendages. And many people plunge back in Albert Camus' work to find answers. In the foreword to his play, the philosopher and writer summarizes the intrigue as follows: "In February 1905, in Moscow, a group of terrorists, belonging to the Socialist Revolutionary Party, organized a bomb attack against the Grand Duke Serge, Tsar's uncle ”. The rapper and slammer Abd Al Malik offers with this "musical tragedy" a contemporary staging of "The Just", a complete creation, faithful to the text of Camus, but reinventing a scenic and musical language resolutely inscribed in our time.
As their bodies give way to Parkinson's disease, two New York actors put their hearts into one final Off-Broadway production of Beckett's "Endgame," the play that posits, "there's nothing funnier than unhappiness."
Television recording of the theatre play 'Gebroed' by the Werkteater from 1983. The play, written and performed by Frank and René Groothof, is about their childhood together, their relationship to each other and to their parents, their conflicts, but also their shared love for theater and music.
The life of Antoine, an insurance expert and father of a happy family, turns into a nightmare. Dismissed, he loses the esteem of his children and his wife who cheats on him. He sinks then in the madness and decides to end it all by taking his family down with him. After having shot his daughter, he is taken by remorse. An introspective journey of the father follows. (in prison and then abroad) towards the redemption and reconstruction of his disfigured 13-year-old daughter.
Cyrano has a prominent nose but also a gift with words by which he helps handsome Christian to conquer Roxane. Also in love with the girl he chooses not to reveal to her that every word of Christian comes out of his own heart. In cinema, this ROSTAND classic filmed live from the Comédie Française.
Counted among his greatest tragedies, Shakespeare’s unsettling combination of warring soldiers and ‘weird sisters’ is brought to life in this post-apocalyptic reimagining of the Scottish play. This production, directed by Gemma Bodinetz and starring David Morrissey in the title role, was captured by Digital Theatre live at the Everyman Theatre, Liverpool.
The play is based on a classic love triangle. This is a story of temptations, disappointments and bitter betrayal, like a plague, that struck three lives on a white summer night – the aristocrat Julie, her father's servant Jean and the maid Christina. This is a story about how one Midsummer night, intoxicating with the riot of nature, including human nature, can change people and make them lose their usual appearance, exposing their animal desires and passions. To turn a happy couple in love into an unhappy, high - born mistress into the slave of their lackey, driven by base passions, and what has always been called love, to turn into a Sizzling vulgar lust. What is this force that so ruthlessly reveals to us the other, animal nature of man, and can it be resisted?
Charming and kind, Elwood P. Dowd has only one character flaw: an unwavering friendship with a six-foot-tall, invisible rabbit named Harvey. In order to save the family’s reputation, Elwood’s sister, Veta, takes him to the local sanitarium. But when Dr. William Chumley mistakenly commits anxiety-ridden Veta instead of her brother, it sets off a hilarious whirlwind of confusion and chaos as everyone tries to catch a man and his invisible rabbit.
We take him for someone else, a Mr. Schmitt. And one evening, at dinner, he and his wife, played by Valérie Bonneton, realize that their apartment has changed, that their business is not theirs. The play is about the perception of oneself. I love the absurd universe of its author, Sébastien Thiéry.
Today is a big day for Sylvain Sabourdin: he has to meet his future father-in-law, go through a job interview and make big decisions. But while he is getting ready, a power outage prevents him from shaving completely and leaves him with a moustache: Hitler's moustache.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev's A MONTH IN THE COUNTRY. Denis, the director, admires her greatly and promises he'll make her happy on stage - she will shine. But things don't go to plan. Denis introduces Marcelline to his assistant, Nathalie. The two women were at drama school together twenty years earlier. Nathalie tells her she had to give up acting: she has a husband and children. Marcelline and Nathalie look at each other as if in a mirror, each seeing in the other the life she doesn't have, the dreams she cannot bear to abandon. Their meeting is the first in a series of tremors that will turn Marcelline's life upside down.
