The Plastic House (2021)
ジャンル : ドキュメンタリー
上映時間 : 46分
演出 : Allison Chhorn
シノプシス
Constructing a solitary reality by imagining what life would be like after the passing of her parents, director Allison Chhorn's intricate docu-fiction chronicles her own process carrying on work in the family's titular 'plastic house'.
An entomologist suffers extreme psychological and sexual torture after being taken captive by the residents of a poor seaside village.
舞台俳優であり、演出家の家福悠介。彼は、脚本家の妻・音と満ち足りた日々を送っていた。しかし、妻はある秘密を残したまま突然この世からいなくなってしまう――。2年後、演劇祭で演出を任されることになった家福は、愛車のサーブで広島へと向かう。そこで出会ったのは、寡黙な専属ドライバーみさきだった。喪失感を抱えたまま生きる家福は、みさきと過ごすなか、それまで目を背けていたあることに気づかされていく…
大陸からの移住組の一家がこうむる圧力は、さらに露骨なものとなって少年スーを巻き込んでいく。彼の恋した少女ミンは、彼らのボスの情婦という噂がある。そのボスは、敵グループのボスと一騎討ちの最中、車にはねられて死んでしまう。やがてスーはミンとの交際を注意され、怒って中学を退学する。だがミンは、スーの親友で軍人の息子マーと付き合いはじめていた……。
レストラン強盗で手に入れた資金でフロリダ旅行へ出かけた女子大生4人組は、旅先でドラッグやセックス漬けの毎日を楽しんでいたが、麻薬ディーラーの男エイリアンとの出会いをきっかけに裏社会へと足を踏み入れていく。
膨れ上がる借金と激しさを増す取り立てに、命さえも危ぶまれる状況の中、口先だけで生きてきたニューヨークの宝石商は、すべてを賭けて一獲千金を狙う。
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
A female assassin during the Tang Dynasty begins to question her loyalties when she falls in love with one of her targets.
A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
強風が吹き荒れる中、農夫(デルジ・ヤーノシュ)は、馬に荷車を引かせている。彼の家は見渡す限り何もない場所にぽつんと一本の木が立つ場所にあり、彼は娘(ボーク・エリカ)と二人でつつましい生活を送っていた。娘は井戸への水くみや、腕が不自由な父の着替えの手伝いなどを淡々とこなしており……。
“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.
On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn". As the film plays, the lives of the theater's various employees and patrons intersect, and two ghostly actors arrive to mourn the passing of an era.
万引き常習犯の祖母、戦争犯罪人の父、ウサギを偏愛する妹。駄目な家庭に育ち、いつも家出を考えている“私”と恵まれた環境に身を置く“彼”。行き場のない鬱屈とした情熱を持て余した“私”は奇妙な人々と出会い、幻想と回想の入り混じった街を放浪する。
A Pretentious Student Art Film about Capitalism... and a Pseudo-Sexual Adaptation of "Le Avventure di Cipollino" by Gianni Rodari. 01101001 01110100 00100111 01110011 00100000 01100001 01101100 01101100 00100000 01100110 01100001 01101011 01100101
The movie is set in the brig, the walls of which are painted in a poisonous green color. There fall into two junior officers, Sergei "Fallen" Pakhomov and Vladimir "Little brother" Epifantsev. So, both lieutenant begin their dialogue. The dialogue began with a discussion of various philosophical problems, as well as the stories of two army lieutenants. Afterwards, "Fallen” starts to turn the conversation in a completely different direction, telling the "Little brother" of how he first had sex with a drunken woman, about how he ejaculated at her face, and then he defecating in the sea, and also how during his urgent service he just did not become a queer...
On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn't seen in years. The disheveled and absent friend comes to him with one request: "I need you to come with me but, I can't tell you where we're going." Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew's nightmare asks how far you would go to help a friend.
In 1948, the Trouths are facing no income and the hottest summer on record. When their estranged son inexplicably returns, the apartment is full again - but is it big enough for the gambling, trauma, and substantial life insurance policy that comes in his wake?
Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.
Alberto is dead and can no longer hide it. Make-up and perfume can no longer conceal his quickly decomposing body. Dismayed, he decides to withdraw from the world, whilst forming an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard.
Events take a sinister turn one night in London, when two very different couples arrive at a double-booked apartment. Actions have consequences and not all debts are paid for with money. Leaving, it's harder than you think.