フォーキーのコレって何？：お金って何? (2019)

A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.

A study of human anxieties about beauty, youth and objectification.

A meditation on eating people and quiet waitresses.

A man breaks into a large, seemingly abandoned old house to plunder the gold received. But the house is really abandoned?

Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.

Short film made in 1997 while David Gordon Green was attending the North Carolina School of Arts that formed the genesis of his feature film debut, "George Washington".

A young agoraphobic woman is tormented by malevolent visions that begin to bleed into reality.

Two creatures wonder, 'What is a hole?' They have different points of view. Their debate leads to an idea, an idea that changes the world. This is a story of practical magic. This film was made as part of the 5th edition of the NFB's Hothouse apprenticeship.

A kitten who is being tormented by a bulldog finds a savior in a black cat (from the "Black Cat Bad Luck Company") who merely has to cross the dog's path for something very unlucky to happen to the bully.

To prove he's a true Indian Brave, Big Heel-Watha decides to catch a squirrel - but wouldn't you know it; Screwy Squirrel is the first one he sees...

The story of Joe and Paddy, whose childhood friendship is shattered by the troubles in Northern Ireland. Twenty five years later they are reunited.

Three stories based on O. Henry novels.

Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.

A short segment of film is played with musical backing at various speeds for a jarring effect.

Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.

Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."

A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.

When a burglar dressed as Santa Claus steals a family's Christmas presents, amateur detective Octavius sets out to recover the loot.

After confronting her fiancé, Paul, in a cheap motel, Betty discovers the horrifying secret that has kept him from sleeping for days.

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

Forky shares his thoughts on what makes a good friend based on his limited exposure to the world inside Bonnie’s house.

Forky attempts to understand the concept of love from Bonnie’s elder toys who believe they’ve been there, done that.

Mr. Pricklepants tells Forky about the complexities of being an actor and the art of performance.

ボー・ピープはどこに?ディズニー&ピクサー作品「トイ・ストーリー4』で華麗なるカムバックを果たしたボーピープ。彼女が主役の短編「ボー･ピープはどこに?」では、「トイ・ストーリー2」のあとボー・ピープに何が起こったのかが描かれている。

Buttercup, annoyed with all of Forky's questions, speed teaches everything there is.

Rex uses the age of dinosaurs as an example to give Forky an understanding of the concept of time.

Trixie explains to Forky what a computer does as they experience the common stresses of technology.

Inspired by the isolated beauty of tropical islands and the explosive allure of ocean volcanoes, Lava is a musical love story that takes place over millions of years.

『トイ・ストーリー3』の後日談の物語で、舞台はウッディたちの新たな持ち主となったボニーの部屋。ハワイ旅行の手配をしくじってしまったバービーとケン。落ち込むケンに見かねたおもちゃたちが、2人のためにとびきりの「ハワイ旅行」を演出しようと大奮闘し、しおりに書いてある行動通り上手くいくのか。

Dolly teaches Forky about the qualities of a good leader, and Forky puts those qualities to the test!

Forky meets Rib Tickles and finds her charming and pleasant, only to be schooled by Rib on the dangers of law enforcement.

A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.

Taking place during the events of Incredibles 2, Edna Mode babysits Jack-Jack.

When Rex finds himself left behind in the bathroom, he puts his limbs to use by getting a bath going for a bunch of new toy friends.

An aging Chinese mom suffering from empty nest syndrome gets another chance at motherhood when one of her dumplings springs to life as a lively, giggly dumpling boy.

A father discovers that his son floats, which makes him different from other kids. To keep them both safe from the judgement of the world, Dad hides, covers, and grounds him. But when his son's ability becomes public, Dad must decide whether to run and hide or to accept his son as he is.

おもちゃの世界を舞台に、人とおもちゃの絆をドラマティックに描き、世界中の観客を感動の渦で包み込んだディズニー / ピクサーの大傑作『トイ・ストーリー』シリーズの第4弾。ウッディやバズら仲間たちの新たな旅立ちと冒険を描く感動アドベンチャー。