スピリット·ハート (2015)

After discovering a secret box in the wall of her house, a demonic presence begins terrorizing a YouTuber, at 8 after 1:00am every night.

40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrive, awakening the house's darkest inhabitant.

In 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side.

Plagued by frightening occurrences in their home, Kelly and Ben learn that a university's parapsychology experiment produced an entity that is now haunting them. The malevolent spirit feeds on fear and torments the couple no matter where they run. Desperate, Kelly and Ben turn to a paranormal researcher, but even with his aid, it may already be too late to save themselves from the terrifying presence.

若手映像作家のアレックスは、ヤラセ番組として葬り去られたかつての人気テレビ番組「グレイヴ・エンカウンターズ」が、実は本物だったのではないかとの疑いを抱いていた。そして独自の調査でその思いを強くした彼は、「グレイヴ・エンカウンターズ」の真実を解明するドキュメンタリーの製作を思いつく。

19世紀の文豪ヘンリー・ジェイムズの名作小説『ねじの回転』を原作にしたサイコサスペンス。中年女性ギデンスが田舎の広大な屋敷に住む幼い兄妹の住み込みの家庭教師として雇われるが、亡くなった前任者と使用人の霊に取りつかれる。

When one of their own loses his wife and daughter at the hands of a serial killer, a team of ghost hunters is determined to capture the spirits of the loved ones so their spirits can finally rest in peace. But as the team goes deeper into the house, the ghosts become more hostile, and the group discovers the true secrets of the house and its murderer.

幽体離脱して霊界へ乗り込み、悪霊に狙われた息子ダルトンを救い出した父親ジョシュ。ようやく平穏を取り戻したランバート一家だったが、ある日、ジョシュが突然何かに憑依されてしまう。かつてダルトンが昏睡して霊界とつながったのは、もとをたどればジョシュ自身に宿る特異な才能を受け継いだからだったのだ。やがて、一家を襲う心霊現象の大本に、封印されたジョシュの幼いころの記憶が関わっていることが分かる。

ノーマンとクレアはごく普通のカップルのようです。 彼は遺伝学の教授であり、彼女は主婦です。 彼女の娘の大学退学によってクレアに残された空白は、奇妙な出来事が神秘的に家で発生し始めるので、彼女にとって二次的な関心事になりつつあります。 物体は落下し、ドアは自分で開き、誰も触れずにラジオをオンにします。クレアは家が霊に取りつかれていると考え、この奇妙な出来事を掘り下げることにします。

「そのビデオを見たものは7日後に必ず死ぬ」。日本中に新たなホラー・ブームを巻き起こした作品を、スピルバーグ率いるドリームワークスが完全リメイク。全米でも大ヒットしたサスペンス・ホラー。

Bernardo is an undertaker. He runs his mortuary business in the same house where he resides. In the front, he has his clients. And in the back, his dysfunctional family lives amongst coffins, wreaths, and the mischievous but nonviolent ghosts that visit on a daily basis. But when a malevolent entity enters the scene, it wreaks havoc on the already fractured household.

In post–War England, a writer and sometime-ghost hunter investigates a reported haunting at a boys boarding school.

A young mother and her twin sons move into a rural house that's marked for death.

1974年、ロングアイランドのアミティヴィルで実際に起きた超常現象を題材にしたベストセラー・ノンフィクションの映画化。悪霊に取り憑かれた家とも知らずに越してきた平凡な一家を襲う怪異な出来事を、セミ・ドキュメンタリー・タッチと随所に差し挟まれるダイナミックな演出で見せる。

A woman tries to exonerate her brother's murder conviction by proving that the crime was committed by a supernatural phenomenon.

Jesse Walsh moves with his family into the home of the lone survivor from a series of attacks by dream-stalking monster Freddy Krueger. There, Jesse is bedeviled by nightmares and inexplicably violent impulses. It turns out Freddy is out to possess him in order to continue his reign of terror in the real world.

Guillermo del Toro presents Mama, a supernatural thriller that tells the haunting tale of two little girls who disappeared into the woods the day that their parents were killed. When they are rescued years later and begin a new life, they find that someone or something still wants to come tuck them in at night.

ニューヨークのコロンビア大学で超常現象や幽霊・霊体の研究を行っていたピーター・ヴェンクマン博士ら冴えない研究者3人。ある日、一方的に研究費を打ち切られたことをきっかけに借金に借金を重ね、科学的に超常現象全般を扱い幽霊退治を行う会社「ゴーストバスターズ」を開業。当初は資金もなく依頼もゼロに近かったが、とあるホテルでの幽霊退治をきっかけにビジネスは大当たり、メディアや行政からも注目視される。

A group of Confederate soldiers hole up on an abandoned plantation after robbing a bank, and find themselves at the mercy of supernatural forces.

銃の開発によって膨大な富を築き上げたウィンチェスター一族の女性で、娘と夫に先立たれたサラは、銃で死んだ人々の怨霊から身を守るため24時間365日、とりつかれたように屋敷の増改築を繰り返していた。狂気にとらわれたサラを診察しに屋敷を訪れた精神科医のエリックは、ある部屋に違和感を抱く。

"With this work, I developed/fleshed out the idea I had when making GHOST of peeling only the skin from various objects in the room, floating the skins in midair and then sticking them on different objects. This film was also shot entirely frame-by-frame with long-exposures. Along with GRIM, its meaning is 'as if to do forever.'" - Takashi Ito

The story took place in the river edge of the Pasig River as an old man unfolds the bitter-sweet story behind his constant waiting for the return of his long-lost "irog" (beloved) and how he lost her in the first place.

A woman comes home late to find that there is someone in her room, waiting for her.

A hardworking brother receives an emotionally thoughtful gift for all his sacrifices.

A man who works at a general facilities center watches a pharmacist in a pharmacy across from his store. The protagonist witnesses a suspicious man chasing a pharmacist after the pharmacist leaving the office, finds out that she is in danger and follows her, but is in a situation where he is misunderstood as a stalker.

A woman gets home after working all night for someone to begin ringing her doorbell at 11:55 pm.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

“I made this work because I wanted to try out the idea of floating images in midair that had come to me when making Thunder. The entire work was shot frame-by-frame with long exposures. I filmed this in the company dorm I was living in in the middle of the night after I had come home from work, and thought I might die from what had become my daily pattern of sleeping for two hours in the morning then going off to work.” – Takashi Ito

A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.

Jen Kirkman's Netflix produced stand-up special as performed at the North Door in Austin, Texas.

A bullied student builds a relationship with another student, only for it to be tested.

A young couple living together, but the guy and girl have a weird hobby.

A young girl tells the story of her home street.

After her sister died, Alia decides to start a new life by living in an orphanage owned by Mrs Laksmi and Mr Fadli as well as doing social work there. But Alia feels something wrong with the orphanage. Moreover, Nadia, one of the orphanage who apparently also has an inner eyes like Alia, can hears mysterious voices asking for help from all over the walls of the house. Alia and Nadia open a mysterious locked room. Since then disasters begin. It turns out that Alia and Nadia had made a big mistake and releases Darmah, a vengeful spirit that was deliberately locked in the room. Together with Mrs Windu, the paranormal and mentor of her inner eyes, Alia must confront Darmah and save the orphanage.

仏教系の大学に通う清水四郎は、恩師の矢島教授の下で彼の一人娘の幸子と婚約していたが、謎めいた笑みを浮かべる同窓の田村がしつこくつきまとってくるため、彼の誘惑から逃れようとして逆に次々と罪を重ねていく。まもなく、幸子を自動車事故で亡くしてしまった四郎は実家へ戻るが、そこに住む画家の谷口円斎の娘で幸子にそっくりなサチ子と恋に落ちる。しかし、田村に加えて四郎に轢き逃げされたヤクザの志賀恭一の情婦が復讐しようと後を追ってきたため、四郎は吊り橋でもみ合っているうちに2人を殺害してしまう。 その晩、四郎の父の剛造が経営する老人ホーム「天上園」の創立十周年記念パーティーでは集団食中毒が発生し、入所老人たちが全員死亡。更に復讐にやってきた志賀の母が酒に毒を盛ったことで、四郎も剛造もすべての人間が悶死する。死の間際、地獄へ落ちる幻想を見た四郎は、そこで会った幸子の霊から彼女が四郎の子を身ごもっていたことや、その子も水子になって地獄へ落ちていることを告げられる。四郎は我が子を見つけるべく、八大地獄の修羅場をさまようのだった。

When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.

When her little sister claims she sees the dead, Alia consults a psychic, who opens her own eyes to the vengeful ghosts haunting their childhood home.

ウェスカーとの死闘に決着を付け、生存者達と共にアルカディアにいるアリス達だが、そこへアンブレラ社の攻撃部隊が襲ってきた。その中にはかつてラクーンシティ脱出時に行動を共にしていた仲間であるはずのジルもいた。圧倒的な戦力差を前にそれでも生存者を守るために戦うアリス。多大な犠牲者を生んだ壮絶な銃撃戦の末、アリスは海へ転落して意識を失う。

Documentary focusing on the contributions to the American war effort of African-American soldiers.

Tsutomu Yamaguchi is a hibakusha. A survivor of both atomic bomb blasts in 1945. First at Hiroshima, then again at Nagasaki. Now nearing 90, Yamaguchi finally speaks out. Breaking taboos of shame and sorrow, he responds to a call to fight for a world without nuclear weapons by telling his story, so that no one else will ever have to tell one like it again. Twice reconstructs Yamaguchi’s experiences in 1945 Japan, interviews him on the after-effects of exposure and documents the last five years of the late-blooming activist’s life.