The Word Became Flesh (2020)

The concept of ritual-theater has been important since the early sixties in its production. It consists of the staging of violence through real acts that appeal to equally real and live emotions with an audience, that is, the action and the reaction that it provokes in the public happen simultaneously. This art of destruction represented by Raphael Montañez Ortiz is the theatricalization of a daily destruction, which we live in day to day.

A documentary detailing a small section of the Avant Garde music scene in Perth, Western Australia.

The European invasion in Abya Yala has left us many scars. Ziel Karapotó uses his body to denounce five centuries of colonization and its consequences on the native people.

A "video action" in which Barney crosses the ceiling of the Gladstone Gallery using a harness and ice-climbing screws, propelling himself by the forces of muscle and will.