Symphony Hour (1942)

It seemed like just another day at the park for Maggie Simpson. But when Maggie faces playground peril, a heroic young baby whisks her from danger and steals her heart.

Remember and relive the songs that moved you from the movie Coco.

A family's camping trip at Big Rock National Park becomes a terrifying fight for survival.

ピーナッツの仲間たちは新しい学校に行くことに緊張している。そこでルーシーは自分で学校を始めることに。やがて、彼女は先生になるのは思っていたより簡単ではないことに気づき、新たな変化は良いことだと学ぶ。

Following the events of “Guardians of the Galaxy Vol. 1,” Baby Groot is finally ready to try taking his first steps out of his pot—only to learn you have to walk before you can run.

Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.

Groot investigates a spooky noise that’s been haunting the Quadrant, which leads to an intense dance off.

Everybody needs some alone time to relax and wash up, but things go quite differently when you’re a Flora Colossi toddler.

Groot sets out to paint a family portrait of himself and the Guardians, only to discover just how messy the artistic process can be.

The Simpsons host a Disney+ Day party and everyone is on the list… except Homer. With friends from across the service and music fit for a Disney Princess, Plusaversary is Springfield's event of the year.

With his best friend Luca away at school, Alberto is enjoying his new life in Portorosso working alongside Massimo – the imposing, tattooed, one-armed fisherman of few words – who's quite possibly the coolest human in the entire world as far as Alberto is concerned. He wants more than anything to impress his mentor, but it's easier said than done.

This is a short film about Alice Guy-Blaché, the first female director of fiction in cinema history. Alice Guy was Léon Gaumont's secretary at the beginning of the last century and she was the first woman to ever direct actors in front of the camera. In 1895, the Lumière brothers introduced to the world the "Cinématographe", the first camera. Léon Gaumont decided to sell this revolutionary new device. Fascinated, Alice asked her boss for permission to use the camera to make her own films. Mr. Gaumont agreed only under the condition that she “would be able to keep up with her mail.” This short film is a poetic reverie that Alice Guy might have had in her time if only society at the time hadn't presented her with so many challenges.

As biological entities, we cannot refrain from love and desires, or organic form, whether geometry surrounds us or not. And when do we feel us as an individual? This film starts with a transported situation and ends at a transport situation. The film shows replacement from holism to individualism.

This film weaves across sound, image, time, rhythm and place and is made up of a number of layers both sound and visual layered on top of one another, talking to and informing each other. It is made using digital transfer versions of c90 tape compilations I made between 1992-1995, juxtaposed with moving image footage of me in 2018 and 2020 and a typeface font graphic ‘See Me’ that I designed in 2005. The c90 cassette on screen is the cassette compilation that I still have from 1994. The film also includes drawings and photographs and other artworks from my personal archive as an artist from the last 25 years. As I walk down the streets that were so important in shaping my life as a young gay man living in London, I revisit the gay bars and pubs that have been my safe spaces for the last twenty years and more, spaces that are now closed.

Experimental film, shot entirely using a pinhole lens. This is actually a piece of conceptual art, where the movie itself plays small role, but the main emphasis is on the Poster. The film was submitted to numerous film festivals (both virtual and with physical screenings) and the idea was to fill the film poster with laurels from official selections and awards.

周りには、お腹を空かせた恐竜(きょうりゅう)がいっぱい。でも、生き延びるには食べ物を探すしかない。キミの決断が仲間たちの運命を決める、スリリングなインタラクティブ作品。

モンスターズ株式会社は、住民全員がモンスターのモンスター・シティと呼ばれる町にあった。サリーと相棒のマイクら社員は毎晩町のエネルギー源である子どもたちの悲鳴を収集するために人間界へと出向いていたが、ある日、幼い女の子ブーが迷い込んで来る。何より人間の子どもに恐怖を抱いていたモンスターたちは、パニックに陥り……。

Mr.インクレディブルことボブ・パーと妻のヘレンは、かつて世の中の平和を乱す悪と闘い、人々を危機から救い出す大活躍をしていた。ところが、15年前のスーパー・ヒーロー制度廃止を機に、夫妻は一般市民として暮らすことを余儀なくされ、3人の子供たちヴァイオレット、ダッシュ、ジャック・ジャックと共に、“普通”の家族生活を送ろうと努力していた。再び世界を救うことを夢見続けるボブの元に、ある日、謎の手紙が届く。それは、彼と彼の愛する家族にとって、想像を絶する冒険の始まりだった…。

世界最高峰のオーケストラの一つであるドイツのベルリン・フィルで、女性として初めて首席指揮者に任命されたリディア・ター。彼女は天才的な能力とそれを上回る努力、類稀なるプロデュース力で、自身を輝けるブランドとして作り上げることに成功する。今や作曲家としても、圧倒的な地位を手にしたターだったが、マーラーの交響曲第5番の演奏と録音のプレッシャーと、新曲の創作に苦しんでいた。そんな時、かつてターが指導した若手指揮者の訃報が入り、ある疑惑をかけられたターは、追いつめられていく──

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.